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Guitar Routing Box (Part 1) | |
Article from International Musician & Recording World, August 1975 |
If you undertook last month's project and converted your guitar to stereo, build a routing box to provide ultimate panning flexibility
Wire in the following order:—
Diagram 1 - Mains socket, power supply, earth tags, metal screen, L.E.D.'s, and indicator wiring.
Diagram 2 — Input jacks.
Diagram 3 — Input jacks to switches 1 and 3, and links on switch 4.
Diagram 4 — Switches 1 and 3 to switch 4.
Diagram 5 - Switch 4 to switch 2 and output jacks, and input jacks to output jacks.
Get an engineer to check mains wiring, and screw on lid.
This is only a few of the possibilities.
Stereo lead in from stereo wired guitar — Guitar selector switch in centre position — Switches 1 and 3 route pickup 1 to output 1 and/or pickup 2 to output 2. Switch 4 routes P/u 1 to o/p 2 and P/u 2 to o/p 1. Switch 2 routes whatever pick-up(s) selected, to both outputs.
By using two mono leads from guitar to box, one or both input channels may go through different effects boxes.
A mono guitar may be put through two different effects, by expanding its output into 2 leads using a split lead in reverse, or a 1 into 2 adaptor from Hi Fi shops.
You may have fuzz into right-hand amp and phase and reverb into left-hand amp and by pressing switch 4, change them over to opposite sides of the stage.
A guitar solo may be directed to right stage, left or centre. I am sure you will find many more tricks — Good luck, and let us know if you hit on anything really good.
If you have hum troubles when two different amps are connected, try disconnecting the "earth" lead to ONE of the output sockets at point X. Alternatively, break both leads to one of the jacks and insert the same transformer as used in the Hum Loop Isolator. (Point X to pins 1 and 5/other lead — pin 4/pin 6 to Tip connection on jack socket/pin 8 — jack body connection). You should not fit the 22 K resistor or any other additional components. There may be, with some amps, a slight increase in treble from omitting the 22K damping resistor and/or loss of volume when the "LINK" switch is pressed. Next month I shall describe a simple addition, based on the "Blob" circuitry, which runs off the existing 6 volt supply, and solves both these problems.
Lab Notes: Potpourri & The Apple Connection |
Equally Tempered Digital to Analog Converter |
Workbench - Remote Control System |
The Electric Drummer (Part 1) |
Spotlight - Early Experiments with Computer Music |
Magic Buttons - Touch Switch Theory |
Lab Notes: The Polyphonic Synthesizer |
The Spectrum Synthesiser (Part 1) |
Sound On Stage |
Chip Parade (Part 1) |
Dual Voltage-Controlled LFO |
Build A Hum Loop Isolator |
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Feature by Stephen Delft
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