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On The Beat (Slight Return) (Part 33)

This month's pattern confirms my long held belief about the ubiquity of many rhythms. With a few minor adjustments here and there, most patterns can be used in a variety of rhythmic settings - from dance to rock and funk to pop. This is one of the reasons it can be so difficult to categorise patterns, especially those which just evolve without reference to the music of which they will eventually become a part.

Though not a complex pattern to program, there's quite a lot going on thanks to the number of different parts. It's also a fairly tolerant pattern, which is to say it will stand up to considerable experimentation, particularly when it comes to selecting different voices. The snare drum, for example, may be either long or short in duration, heavy or light - the choice is yours.

To some extent, it is the selection of voices which will determine the ultimate destination of the pattern - that and the tempo, which can fall to as low as 85 bpm and still leave it suitable for use as a dance groove. At the other end of the range - 110 bpm - things start to get rather frenetic, but the patterns still just about holds together.

Series - "On The Beat"

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All parts in this series:

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20 | Part 21 | Part 22 | Part 23 | Part 24 | Part 25 | Part 26 | Part 26 | Part 27 | Part 28 | Part 29 | Part 30 | Part 31 | Part 32 | Part 33 (Viewing) | Part 34 | Part 35

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Drum Programming

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Technically Speaking

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Sold To Soul

Music Technology - Copyright: Music Maker Publications (UK), Future Publishing.


Music Technology - Sep 1992

Feature by Nigel Lord

Previous article in this issue:

> Technically Speaking

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> Sold To Soul

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