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The readers' synth sound page. Almost a Yamaha takeover this month, with CS01, CS60 and DX7 models all featured, plus a token Roland.


Readers send in details of their own synth patches and how to play them...

YAMAHA CS01 'Bass Pipes'


Lynne Tennant, Gwent

The CS01 may not be in the same sonic league as its big brothers in the DX range, but it does offer an inexpensive entry into the world of synthesis and is an extremely portable package. Lynne's Bass Pipes patch can also double as a Bassoon if the ramp wave is used, and the footage may be set to either 16" or 32". A brighter sound can be obtained by using the breath control, while a slow vibrato (VCO modulation) may be added to taste.

(Click image for higher resolution version)



ROLAND JUNO 6/60 'A Choired Taste'


Ian Corden, Stoke-on-Trent

Ian comments that the settings are best adjusted carefully in order to obtain the massed 'ahhh' effect characteristic of an ensemble of choir singers. In particular, the VCF Freq setting is of critical importance, because drastic adjustment enables a wide range of soft and hard vocal sounds to be produced. Incidentally, noise is added to give the sound a breathy character, and the optimum setting for this should be around 4.

(Click image for higher resolution version)



YAMAHA CS60 'Vibes Alive'


Brian Thomas, Solihull

Many moons have passed since Yamaha launched the faithful CS60, but there's at least one that's still being put to good use in tne West Midlands.

Brian's patch sounds like a cross between a glockenspiel and a vibraphone, and he comments that the HPF and LPF settings are extremely critical: the output of the filter section should be a piercing note a few octaves above the pitch of the sine wave. A pretty good pipe organ sound can also be achieved simply by experimenting with the envelopes and relative levels in the VCA sections.

(Click image for higher resolution version)



YAMAHA DX7 'Syn-Phizz'


A Marshall, Brighton

'Syn-Phizz' is modestly described by its creator as a decent lead sound (not at all wimpish) with a full initial output followed by a sustained organ-like noise. Playing with increased velocity gives a brassier sound, while a portamento setting of 10 can be added to good effect, if that's the sort of thing that gives you whizz...

(Click image for higher resolution version)


Also featuring gear in this article

Roland Juno 6
(EMM Jul 82)

Yamaha CS-01
(12T Dec 83)

Yamaha DX7
(ES Nov 83)

Patchwork
(EMM Mar 84)

Patchwork
(EMM Apr 85)

Patchwork
(EMM May 86)

Patchwork
(EMM Jun 86)

Patchwork
(EMM Aug 86)

Patchwork
(EMM Sep 86)

Patchwork
(MT Nov 86)

Patchwork
(MT Dec 86)

Patchwork
(MT Jan 87)

Patchwork
(MT Mar 87)

Patchwork
(MT Apr 87)

Patchwork
(MT May 87)

Patchwork
(MT Aug 87)

Patchwork
(MT Oct 87)

Patchwork
(MT Jan 88)

Patchwork
(MT Apr 88)

Patchwork
(MT Apr 89)

...and 16 more Patchwork articles... (Show these)

Program Notes
(MM Apr 86)

Program Notes
(MM May 86)

Program Notes
(MM Jun 86)


Browse category: Synthesizer > Yamaha

Browse category: Synthesizer > Roland



Previous Article in this issue

Sight Reading

Next article in this issue

Back to Basics


Electronics & Music Maker - Copyright: Music Maker Publications (UK), Future Publishing.

 

Electronics & Music Maker - Feb 1985

Donated & scanned by: Stewart Lawler

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