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Starting Point (Part 2) | |
Article from Electronics & Music Maker, April 1981 | |
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This article has not been OCR'd yet - it's likely of less importance than reviews, features and interviews, and where there isn't much point in OCR'ing - competitions, readers ads, readers letters, small news items and so on. Some of this content may be OCR'd at a later date, but it's a low priority.
Series - "Starting Point"
Read the next part in this series:
Starting Point (Part 3)
(EMM May 81)
All parts in this series:
Part 1 | Part 2 (Viewing) | Part 3 | Part 4 | Part 5 | Part 6 | Part 7
More with this topic
 Building A Bionic Sax |
 Eliminating Patch Cords Without Eliminating Capability - A Practical Approach |
 Electronic Drum Sequencer - Software for BBC Micro |
 Magic Buttons - Touch Switch Theory |
 PA Signal Processor (Part 1) |
X-Ray Specs - Ben Duncan explains the language of the specification sheet (Part 1) |
 Reverb Modification |
 Technically Speaking |
 The String Damper |
 Workbench - CHECKA |
 Workbench - Lighting Effects on Stage — Update |
 Workbench |
Browse by Topic:
Electronics / Build
Publisher: Electronics & Music Maker - Music Maker Publications (UK), Future Publishing.
The current copyright owner/s of this content may differ from the originally published copyright notice.
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Electronics & Music Maker - Apr 1981
Topic:
Electronics / Build
Series:
Starting Point
Part 1 | Part 2 (Viewing) | Part 3 | Part 4 | Part 5 | Part 6 | Part 7
Feature by Robert Penfold
Previous article in this issue:
Next article in this issue:
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