International Musician, May 1975
Music Technology, Nov 1989
England's North has consistently produced some of the most innovative electronic music. Simon Trask talks to a band set to take their place alongside New Order and Heaven 17.
Music Technology, Feb 1993
808 State - Absolutely Gorgeous
Music Technology, Sep 1989
Haying abandoned the independence of Factory Records in favour of the relative safety of a major record deal, ACR are back in the limelight with a new LP. Nigel Lord asks questions of commerciality.
Micro Music, Oct/Nov 1989
Vie Marshall asks who is A Guy Called Gerald?
Music Technology, Apr 1990
You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.
Electronic Soundmaker, Jul 1985
Dance music with direction
Music Technology, Aug 1988
Whatever happened to Thomas Leer? What's become of Propaganda? If you've heard of a band called Act you already know the answers to these questions, if not, David Bradwell is right on cue with this interview.
Music Technology, Mar 1990
By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music.
One Two Testing, Mar 1984
One Two listens to Stratists Jeff Beck, Adrian Belew and Richard Thompson. Plus a Hendrix compilation.
Music Technology, Mar 1987
What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.
Sound On Sound, Jan 1990
Al Hospers, chief executive officer of Dr.T's Music Software in Boston, paid a flying visit to the recent PC Show during a whirlwind tour of Europe. Paul Gilby asks him about the past, present and future activities of this prolific music software house.
Music Technology, Nov 1988
A British playwright looks into the future and sees a composer locked away from the world with a machine that makes music for him. John Walters talks scripts and Synclaviers.
Sound On Sound, May 1986
The man who took the credit for production on Pink Floyd's superlative 'Dark Side Of The Moon' album has since had ten years of album success with his own creation: The Alan Parsons Project. Richard Elen managed to track him down to London's Mayfair Studios, to discuss the appliance of music technology in his recordings.
International Musician, Oct 1975
Portrait of the artist as a (suffering) young man
International Musician, May 1975
International Musician, Aug 1975
On Fenderising his Gibson and varying his technique
International Musician, Jul 1975
Dan Peek of the English band that everyone thinks is American
Home & Studio Recording, Mar 1985
An interesting interview with Andre Jacquemin who just happens to be the man responsible for the recording of the Monty Python madness that's surfaced on film and vinyl over the last decade or so.
Home & Studio Recording, Sep 1983
Sound engineer with Sky chats about his work and gives advice about recording.
Music Technology, Aug 1987
A successful composer of minimal music or would-be writer of pop instrumentals? Tim Goodyer isn't sure so he challenges the man himself for the answers.
Electronics & Music Maker, Oct 1983
This premier producer, conductor and arranger discusses his solo album 'The Best of the Alan Parsons Project'
Home & Studio Recording, May 1985
Top studio designer talks to Janet Angus.
Music Technology, Jun 1988
From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.
One Two Testing, May 1984
A chorus line or two