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Tubular Steal

Recording Musician, Apr 1993
Drawmer 1960 Dual Valve Compressor

Valves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be.

808 State - The State of Technology

Music Technology, Nov 1989

England's North has consistently produced some of the most innovative electronic music. Simon Trask talks to a band set to take their place alongside New Order and Heaven 17.

A Certain Ratio - A Sense of Proportion

Music Technology, Sep 1989

Haying abandoned the independence of Factory Records in favour of the relative safety of a major record deal, ACR are back in the limelight with a new LP. Nigel Lord asks questions of commerciality.

A Guy Called Gerald - Voodoo Chile

Music Technology, Apr 1990

You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.

Act - Action Direct

Music Technology, Aug 1988

Whatever happened to Thomas Leer? What's become of Propaganda? If you've heard of a band called Act you already know the answers to these questions, if not, David Bradwell is right on cue with this interview.

Adamski - Live And Direct

Music Technology, Mar 1990

By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music.

Adrian Belew - Tango Zebra

Music Technology, Mar 1987

What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.

Alan Ayckbourn - Synclavier On The Stage

Music Technology, Nov 1988

A British playwright looks into the future and sees a composer locked away from the world with a machine that makes music for him. John Walters talks scripts and Synclaviers.

Alan Parsons - The Alan Parsons Project

Sound On Sound, May 1986

The man who took the credit for production on Pink Floyd's superlative 'Dark Side Of The Moon' album has since had ten years of album success with his own creation: The Alan Parsons Project. Richard Elen managed to track him down to London's Mayfair Studios, to discuss the appliance of music technology in his recordings.

Andrew Jones

Home & Studio Recording, Sep 1983

Sound engineer with Sky chats about his work and gives advice about recording.

Andrew Poppy - Pop Goes Minimal

Music Technology, Aug 1987

A successful composer of minimal music or would-be writer of pop instrumentals? Tim Goodyer isn't sure so he challenges the man himself for the answers.

Andy Richards - Programmer's Protocol

Music Technology, Jun 1988

From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.

Annabel Lamb - Innovators

Electronic Soundmaker & Computer Music, Nov 1983

A bite of Annabel Lamb

Arif Mardin

Sound On Sound, Jul 1987

Question: What do Phil Collins, Howard Jones, Chaka Khan and David Bowie have in common? Answer: They have all recorded with Arif Mardin, one of the world's top record producers. Robin Tolleson chats to the man himself...

Art of Noise - Art & Science

Music Technology, Apr 1988
JJ Jeczalik

With the title track from the film Dragnet currently on release, the Art of Noise are still newsworthy. Paul Tingen talks to JJ Jeczalik about sampling, Frankie Goes To Hollywood and court cases.

Art of Noise - Artistic License

Music Technology, Dec 1989

Well established as sampling innovators, the Art Of Noise have just released their fourth LP. David Bradwell talks to the Art's JJ Jeczalik about Fairlights and fairplay.

Art of Noise - Art - Empire - Industry

Sound On Sound, Dec 1985

Flushed with the chart success of Close (To The Edit), the 'faceless' trio return with more talk of Art, Empire and Industry. Paul Gilby pushed the record button and monitored the noise levels...

Arthur Baker - Disciple Of The Beat

Music Technology, Sep 1989

Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'.

Aswad - Live And Direct

Music Technology, May 1988

Cult reggae band or Top Of The Pops heroes? Nick Rowland talks to the men who've spent 14 years together and brought MIDI to reggae, and reggae to the pop charts.

Aziz - Different Strokes

Recording Musician, Aug 1992
An Audience With Aziz

Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.

Baby Ford - Acid Radical

Music Technology, Dec 1988

The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.

Beatmasters - House Masters

Music Technology, Mar 1988

House from home. Nicholas Rowland talks to a British house band who have developed their music from television advertising jingles to chart success.

Beatmasters - Beat Generation

Music Technology, Jul 1989

With their debut album just released and a single high in the charts, these are busy times for the Beatmasters. Tim Goodyer braves a tube strike to find out what technology has done for them (and what they'd like to do to technology).

Beats International - International Rescue

Music Technology, May 1990

When Norman Cook walked away from The Housemartins he walked into hi-tech record production and remixing: now he's topped the charts with Beats International. Tim Goodyer talks to a computer convert.

Beloved - Loved

Music Technology, Jan 1990
IN THE LAND OF THE RISING SUN

From indie rock to sampled success - this band have used technology to change their sound and get themselves into the charts. David Bradwell talks technology, samples and football to Beloved people.

 

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