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Recording Musician, Apr 1993
Drawmer 1960 Dual Valve Compressor
Valves and chips combine to produce a compressor that is flexible, flattering and very friendly. But then it's built in Yorkshire, so it should be.
Music Technology, Nov 1989
England's North has consistently produced some of the most innovative electronic music. Simon Trask talks to a band set to take their place alongside New Order and Heaven 17.
Music Technology, Sep 1989
Haying abandoned the independence of Factory Records in favour of the relative safety of a major record deal, ACR are back in the limelight with a new LP. Nigel Lord asks questions of commerciality.
Music Technology, Apr 1990
You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.
Music Technology, Aug 1988
Whatever happened to Thomas Leer? What's become of Propaganda? If you've heard of a band called Act you already know the answers to these questions, if not, David Bradwell is right on cue with this interview.
Music Technology, Mar 1990
By ignoring the charts and treating dance music as a live phenomenon, Adamski has won himself a huge following and a chart placing. Simon Trask talks about the live applications of studio music.
Music Technology, Mar 1987
What have David Bowie, Laurie Anderson, King Crimson, Frank Zappa and Jean-Michel Jarre got in common? They've all employed the services of Adrian Belew, one of the world's most inventive guitarists, and a man with a passion for creating new sound textures.
Music Technology, Nov 1988
A British playwright looks into the future and sees a composer locked away from the world with a machine that makes music for him. John Walters talks scripts and Synclaviers.
Sound On Sound, May 1986
The man who took the credit for production on Pink Floyd's superlative 'Dark Side Of The Moon' album has since had ten years of album success with his own creation: The Alan Parsons Project. Richard Elen managed to track him down to London's Mayfair Studios, to discuss the appliance of music technology in his recordings.
Home & Studio Recording, Sep 1983
Sound engineer with Sky chats about his work and gives advice about recording.
Music Technology, Aug 1987
A successful composer of minimal music or would-be writer of pop instrumentals? Tim Goodyer isn't sure so he challenges the man himself for the answers.
Music Technology, Jun 1988
From his involvement in the infamous Frankie Goes To Hollywood sessions, Andy Richards has become an accomplished producer and programmer in his own right. Nicholas Rowland listens to a rationalisation of technology.
Electronic Soundmaker & Computer Music, Nov 1983
A bite of Annabel Lamb
Sound On Sound, Jul 1987
Question: What do Phil Collins, Howard Jones, Chaka Khan and David Bowie have in common? Answer: They have all recorded with Arif Mardin, one of the world's top record producers. Robin Tolleson chats to the man himself...
Music Technology, Dec 1989
Well established as sampling innovators, the Art Of Noise have just released their fourth LP. David Bradwell talks to the Art's JJ Jeczalik about Fairlights and fairplay.
Sound On Sound, Dec 1985
Flushed with the chart success of Close (To The Edit), the 'faceless' trio return with more talk of Art, Empire and Industry. Paul Gilby pushed the record button and monitored the noise levels...
Music Technology, Apr 1988
With the title track from the film Dragnet currently on release, the Art of Noise are still newsworthy. Paul Tingen talks to JJ Jeczalik about sampling, Frankie Goes To Hollywood and court cases.
Music Technology, Sep 1989
Dance music should be about more than 'moaning samples and ecstasy' claims producer Arthur Baker. Simon Trask talks to the man behind 'Planet Rock'.
Music Technology, May 1988
Cult reggae band or Top Of The Pops heroes? Nick Rowland talks to the men who've spent 14 years together and brought MIDI to reggae, and reggae to the pop charts.
Recording Musician, Aug 1992
An Audience With Aziz
Leading session guitarist Aziz talks to John Harris about playing, recording, and hi-tech guitar processors.
Music Technology, Dec 1988
The man responsible for the UK's first genuine acid house single discusses basslines, bitonality and the grin factor. Baby talk: David Bradwell.
Music Technology, Jun 1991
Neatly sidestepping the monotonous beats and cliched melodies that typify too many dance acts, this Swiss-American collaboration are making refreshing music. Simon Trask and Heinrich Zwahlen share a technical obsession.
Music Technology, Jul 1989
With their debut album just released and a single high in the charts, these are busy times for the Beatmasters. Tim Goodyer braves a tube strike to find out what technology has done for them (and what they'd like to do to technology).
Music Technology, Mar 1988
House from home. Nicholas Rowland talks to a British house band who have developed their music from television advertising jingles to chart success.
Music Technology, May 1990
When Norman Cook walked away from The Housemartins he walked into hi-tech record production and remixing: now he's topped the charts with Beats International. Tim Goodyer talks to a computer convert.