Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride.

Despite an outward contempt for technology, Steve Reich has exploited it to create some of the century's seminal works of modern music, and will rely on the latest in digital electronics for his current project. Mark J. Prendergast tries to make sense of it all.

Steve Reich & Beryl Korot: The Cave

Pioneering documentary music video theatre

The Virgin Guide To New Music

An overview

Mark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s.

Intro...

An introduction to a series on "music in which people are doing interesting, and often strange, things".

Phillip Glass

It's been available for well under a year, but already, Roland's latest MicroComposer is establishing itself as something of an industry standard. Steve Howell gives a comprehensive user's eye view...

Software for Commodore 64

The addition of a MIDI module allows this software package for the Commodore computer to control external synthesizers amongst other things. Ian Waugh reports.

What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie.

Sequencers

Sequencer Anatomy

Never a dull moment at the office, as the telephone keeps the world in touch with Music Technology.

Want to make real music on your Amstrad PC? Ian Gilby takes you through one of the best designed, professional MIDI recording packages there is. Voyetra Technologies' Sequencer Plus runs on any IBM PC compatible computer and offers 64 tracks, sync-to-tape, a programmable tempo track, extensive note and MIDI editing facilities, and... you'll have to read the review to find out more.

Brian Eno

Brian Whiting

University of Surrey Electro-Acoustic Music Studio

A look at the Surrey Sound electronic and computer music studio, scene of the Tonmeister degree course.

We welcome Ian Cross to E&MM, writing about the human perception of sound.

Brian Eno and the studio

Bill Nelson compiles a desert island discography.

Despite an outward contempt for technology, Steve Reich has exploited it to create some of the century's seminal works of modern music, and will rely on the latest in digital electronics for his current project. Mark J. Prendergast tries to make sense of it all.

Contemporary American composer Steve Reich talks about train journeys, music video theatre, and the ethics and aesthetics of sampling. Simon Trask goes along for the ride.

The Making Of A New Music Supremo

Philip Glass is the best known, and certainly the best paid, contemporary new music composer. In London for performances of his music for the films Koyaanisqatsi and Powaqqatsi, he talked to Mark J. Prendergast.