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Kim Ryrie - Fairlight's Father - Part 1Interview Series | Music Technology, May 1987TechTalk: Kim RyrieIn an exclusive interview, the co-founder of the Fairlight company and father of the CMI talks about the machine's development, and outlines his plans for the future. Simon Trask pops the questions. | |||
Kim Ryrie - Fairlight's Father - Part 2Interview Series | Music Technology, Jun 1987TechTalk: Kim RyrieSecond and final part of our interview with Fairlight's co-founder. Simon Trask listens to what he has to say about the future of musical technology. | |||
We found these other (non-interview) articles that are linked to this artist | |||
Kim Ryrie - Inside Views: FairlightFeature | Topic: Design, Development & Manufacture, Sampling | Sound On Sound, May 1987Continuing our series that looks at hi-tech companies and design personnel working in the field of music and recording technology, Paul Gilby talks sampling with Kim Ryrie, President of Fairlight Instruments of Australia. | |||
This artist was mentioned in these other articles | |||
Fairlight Series IIIReview | Sound On Sound, Sep 1986THE ULTIMATE SOFT MACHINEThe Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines. | |||
Fairlight CMI ReviewReview Audio | Electronics & Music Maker, Jun 1981 | |||
The Guitarist's RevengeReview | Electronics & Music Maker, Jun 1984The all-but-forgotten guitar synth is due to return to music shops with a vengeance this summer, in the shape of Roland's GR700/G707 system and a breathtaking new British design, the SynthAxe. Paul White puts both instruments through their paces. | |||
The Fairlight Explained - Part 1Feature Series | Electronics & Music Maker, Aug 1984In the first part of a major new series, Jim Grant attempts the impossible by trying to explain the workings of the Fairlight CMI in terms that mere mortal musicians can understand. In-depth simply isn't the word... | |||
The Fairlight Explained - Part 5Feature Series | Electronics & Music Maker, Dec 1984More on Kim Ryrie's CMI, the instrument that started it all, from the pen of Fairlight-user Jim Grant. | |||
An Oscar Winning PerformanceReview | Phaze 1, Aug 1989Dream Machine: ensoniq EPS/EPSmthe all-singing all-dancing all-bankrupting Ensoniq EPS | |||
Sampling Through The AgesFeature | Topic: History / Culture, Sampling | Making Music, Apr 1987There's an awful lot of hi-hi-history involved, y'know |
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