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Interview | Music Technology, Jun 1987
He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him.
Interview | Electronic Soundmaker, Aug 1985
Bruford & Moraz
Dissecting an unusual fusion
Interview | Music UK, Sep 1982
U.K.'s top drummer on skins v. synths
This artist was mentioned in these other (non-interview) articles:-
Feature | Topic: Live | Sound On Sound, Jun 1990
in Anderson Bruford Wakeman Howe
Session player Julian Colbeck tells the tale of how he got the gig as support keyboard player for Rick Wakeman on the recent Anderson, Bruford, Wakeman, Howe world tour, and runs through the instrumentation he and Rick used on stage.
Feature | Topic: Drum Programming | Micro Music, Jun/Jul 1989
Wild man Bill Collins looks at the Simmons SDX system and gives us a few drum patterns to try out
We Can't Go On... - Part 3
Feature | Topic: Drum Programming | Music Technology, Jun 1987
Beating Like This
...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available.
Review | Sound On Sound, Jun 1988
Simmons SDX Drum Sampler
Lurking inside this angular-looking monster is a versatile computer system that will turn what is ostensibly an electronic drum kit (albeit a state-of-the-art 16-bit sampling one) into a formidable MIDI workstation. Ed Jones test drives Simmons' powerful, new SDX system.
Feature | One Two Testing, Apr 1984
Six of our favourite drummers choose 30 of their favourite drum tracks.
Feature | Topic: MIDI | Music Technology, May 1989
MIDI is more than a means of sending note data to a couple of synths and changing settings on a reverb unit. Ernie Tello looks into the real-time applications of MIDI.
Editorial | Music Technology, Oct 1989
The record company A&R man is your enemy, right? After all, it's only him that stands between you and a record deal. But technology has changed his job and your relationship with him.
Editorial | Music Technology, Nov 1991
If Led Zeppelin were active today, they'd be forgiven for recording 'The Songs All Remain The Same'. Tim Goodyer looks at technology and the singer.
Editorial | Music Technology, Apr 1992
We all like to daydream from time to time, so try this: envisage a world in which high technology had become the province of the drummer rather than the keyboard player. Tim Goodyer's imagination runs riot.
Review | Music Technology, Apr 1988
Electronic Percussion System
The company that pioneered the electronic drum kit bring us the next generation of electronic percussion. Nicholas Rowland investigates Zone Intelligence and tracker balls.
Review | Sound On Sound, Jan 1987
Digital sampling keyboard
Much rumour and speculation has surrounded the launch of what Ian Gilby reckons to be the best mid-priced sampling keyboard on the market. So what makes Emax special? Read the UK's first in-depth review and find out.
News | Sound On Sound, Mar 1987
An extended review of new products including many of those unveiled at February's Frankfurt Music Fair.
Show Report | Music Technology, Sep 1987
Britain's biggest, busiest and noisiest music fair is over for another year. So what did we get for our money and our aching feet? Report by Simon Trask.
News | Electronic Soundmaker, Dec 1983
The latest gear
Feature | Topic: Marketing / Promotion, Music Business | Electronic Soundmaker, Mar 1985
Record label spotlight on the innovatory people who bring you Brian Eno and numerous others.
Editorial | Music UK, Sep 1982
Mad Editor says spend, spend, spend!
Show Report | One Two Testing, Apr 1984
Reports from the musical instrument exhibition plus interviews with five of the world's top designers, researchers and experts.
Show Report | International Musician, Feb 1986
The shape of things to come
Tony Reed goes back to the future for the Frankfurt forecast
News | Making Music, Sep 1986
The BMF Goes Up In...
Read today the Bob Dylan story a friend will tell you in the pub next week.
Review | In Tune, Jul 1986
House trained studio speakers?
Review | Sound On Sound, Sep 1990
Ian Gilby collates the more interesting responses to his editorial request for manufacturers and retailers to look towards the 'video manual' as a complement to printed equipment manuals.
Modular Synthesis - Part 4
Feature | Topic: Synthesis & Sound Design, Synthesizer Patches | Electronics & Music Maker, Apr 1984
Steve Howell investigates conventional drum-kit sounds and how to synthesise them, using even the most basic of instruments.