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Interview | Electronic Soundmaker, Jun 1985
The father of modern synthesis talks exclusively to us about the new generation of sound creating instruments.
Interview | International Musician, Jun 1975
We found these other (non-interview) articles that are linked to this artist:-
Feature | Topic: Education | Electronics & Music Maker, Nov 1982
A Young Person's Guide To Electronic Music
The father of the voltage controlled synthesiser lectures in London, and E&MM reports.
This artist was mentioned in these other (non-interview) articles:-
Show Report | Electronics & Music Maker, Dec 1982
A big Austrian event that focuses on electronic music.
Feature | Sound On Sound, Apr 1989
Mark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s.
Feature | Topic: Synthesis & Sound Design | Electronic Soundmaker, Feb 1985
A plaintive request for a return to modular synthesis, what it means and what it can do for the creative musician.
Editorial | Electronics & Music Maker, Nov 1982
Editorial | Music Technology, Apr 1992
We all like to daydream from time to time, so try this: envisage a world in which high technology had become the province of the drummer rather than the keyboard player. Tim Goodyer's imagination runs riot.
Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Apr 1988
Another old synth makes its comeback. This time it's Steve Howell's much-prized ARP 2600 with its graphic panel layout, modular construction and built-in amplification.
Retrospective (Gear) | Topic: Vintage Instruments | Music Technology, Sep 1992
Moog Series III
Moog's musical mountain - re-appraised
Feature | Sound On Sound, Jan 1987
What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie.
Feature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1987
They've been a mainstay of electronic music for over 20 years, they're less expensive than ever before, and they still make sounds the digital machines can't. Analogue synthesizers have been receiving some digital assistance of late, but at heart they're still analogue synthesizers - and if you want to make them perform magic, you need to speak their language. Craig Anderton is your interpreter...
Feature | Topic: Digital Audio Workstations | Sound On Sound, Apr 1988
The coming of age of the Digital Audio Workstation has implications that go far beyond being simply another item of interest to electronic musicians. Craig Anderton brings us up to date on what’s happening at the top-end of the professional recording world and how it will affect us mere mortals.
A History of Electronic Music - Part 3
Feature | Topic: Composing / Art | Electronics & Music Maker, Feb 1982
News | Electronics & Music Maker, Jul 1982
News | Electronics & Music Maker, Sep 1982
Fairlight's Father Flies In!
Feature | Topic: Maintenance / Repair / Modification, MIDI, Vintage Instruments | Sound On Sound, Mar 1989
Tony Wride takes a stroll down nostalgia lane and discovers two companies that can turn your prized antique into a thoroughly modern MIDI instrument.
When Is A Computer? - Part 2
Feature | Topic: Computing, Sound Fundamentals | One Two Testing, Dec 1983
Or, where is the difference twixt analogue and digital?
Feature | Making Music, Jun 1986
News | International Musician, Apr 1975
News | In Tune, Jun 1986
What's Up, Doc?
Show Report | Electronics & Music Maker, Jan 1983
The 'Grand Prize' final entries at this prestigious Austrian event
Review | Electronics & Music Maker, Feb 1983
Macro Music - Part 2
Feature | Topic: Computing | Electronics & Music Maker, Apr 1983
Music with Mainframe computers
Feature | Topic: Effects Processing | One Two Testing, Jun 1984
Roland SVC-350 Vocoder
voices in a rack