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Interviews

Francis Monkman

Interview | Electronics & Music Maker, Mar 1983

From Curved Air to Sky, and beyond with the Synclavier II

This artist was mentioned in these interviews

Phil Manzanera

Interview | Sound International, Nov 1978
Three Guitarists

Andrew Jones - Andrew Jones - Sound Engineer with Sky

Interview | Home & Studio Recording, Sep 1983

Sound engineer with Sky chats about his work and gives advice about recording.

This artist was mentioned in these other articles

Sampling Synths

Feature | Topic: Sampling | Electronic Soundmaker, Oct 1983

We get the artists' views

Music Composition Languages - Part 1

Feature Series | Topic: Computing | Electronics & Music Maker, Sep 1983

The A-Z of Analogue - Part 6

Feature Series | Topic: Vintage Instruments | Music Technology, Jan 1994

This month, Elka Eminent to Everitt Orgatron.

The A-Z of Analogue - Part 10

Feature Series | Topic: Vintage Instruments | Music Technology, May 1994

This month: Hohner

Ivory Tech

Review | Electronics & Music Maker, Apr 1986
Technics PX1 Digital Piano

The PX1 heralds a new generation of electronic pianos that aims to provide acoustic sound quality in a more versatile, up-to-date format. Julian Colbeck meets the latest Japanese Joanna.

Digital Music Archives Classical Collection

Review | Music Technology, May 1990

Classical music on computer sequencers has been on the cards (disks?) for years now it's happened, but does it work? Ian Waugh boots up Bach, Handel, Mozart...

Electro Record

Feature | Electronics & Music Maker, Feb 1982

Synth Computers

Feature | Topic: Computing, Synthesis & Sound Design | One Two Testing, Nov 1982

INPUT: computer analysis/Fairlight/Emulator/PPG/Synclavier/edit and compare/explain FILE FOUND: guest reviewer/Tom Dolby... ASSIGN

Orchestral Manoeuvres

Feature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Aug 1989
Mozart Meets C-Lab Notator

Proving that hi-tech tools are not the sole preserve of pop musicians, Richard Gonski, Music Director of the Electric Symphony Orchestra, tells how he and Francis Monkman took Mozart's Piano Concerto In C Minor, K.491, and sequenced the whole work using C-Lab's Notator.

 

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