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Interview | Music Technology, Dec 1993
A behind-the-scenes glimpse into who does what, and how, in the making of Neil Tennant and Chris Lowe's classic synth-pop records.
This artist was mentioned in these other (non-interview) articles:-
Editorial | Music Technology, Mar 1988
What is a producer's role in making music? Come to that, what is a producer? With today's technology bringing the recording studio into peoples' homes, the rules are changing.
Show Report | Music Technology, Sep 1989
British Music Fair Show Report
This year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question.
The Performing Art - Part 1
Feature | Topic: MIDI, Performing | Music Technology, Feb 1990
One of the consequences of MIDI recording is the loss of musical performance. In the first of a short series, Ollie Crooke and Simon Thomas look at the performance applications of MIDI controllers.
Feature | Topic: Music Business | Music Technology, Aug 1988
If the major record companies won't give you the deal you know you deserve, you could do worse than to do it yourself. David Bradwell investigates the pros and cons of pressing your own single.
Feature | Topic: Synthesizer Patches | Music Technology, Oct 1988
Optical Media International Universe of Sounds Vol 3 for Emax, DPX1 and Emulator II joins our regular selection of readers' own synthesiser patches in MT's regular Patchwork column.
Editorial | Music Technology, Apr 1988
With the dust just settling from his criticism of the Pet Shop Boys, MT's fearless editor sets his sights elsewhere. The postman has put in for danger money...
Feature | Music Technology, Apr 1988
Really Big Men
The band tipped to make it BIG in '88. Tim Goodyer talks to a DJ/keyboard player with a unique place in rock 'n' roll and a singer/guitarist who's going to make Madonna and Lita Ford look like Dot Cotton and Hilda Ogden.
Feature | Topic: Music Business | Music Technology, Nov 1988
Who are the music biz' management, and do you really need them? David Bradwell talks to the people who take care of the stars and their affairs.
Feature | Topic: Recording Studios | Sound On Sound, Oct 1986
If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers.
Editorial | Music Technology, Nov 1987
Never a dull moment at the office, as the telephone keeps the world in touch with Music Technology.
News | Music Technology, Nov 1992
Feature | Topic: Effects Processing, MIDI | Sound On Sound, Oct 1988
Using System Exclusive Bulk Dumps
Have you ever wished you could save your SPX90 effects programs to disk or into your MIDI sequencer for instant recall at the right point in your music? Using the power of MIDI’s System Exclusive Bulk Dump commands, Mike Collins explains how it can be done.
Feature | Topic: Maintenance / Repair / Modification, MIDI, Vintage Instruments | Sound On Sound, Mar 1989
Tony Wride takes a stroll down nostalgia lane and discovers two companies that can turn your prized antique into a thoroughly modern MIDI instrument.
Review | Micro Music, Jun/Jul 1989
John Renwick puts this sequencer/sound module through its paces
Recording Techniques - Part 3
Feature | Topic: Arranging / Songwriting, Recording | Sound On Sound, Feb 1990
Musical Arrangement For Recording
PART 3: David Mellor looks at arranging tricks and techniques with an eye to achieving a better recording.
Feature | Topic: Recording Studios | International Musician, May 1986
More from the world of pine cladding and deep-pile carpet
News | Sound On Sound, Dec 1991
Yet another selection of recently announced new products to whet your appetite!
Music Review | Music Technology, Nov 1993
This month: albums from the Pet Shop Boys, Mixmaster Morris and Sabres of Paradise join Dr Devious's Future Shock video on MT's hit list
Review | Music Technology, Dec 1993
music accompaniment player
Auto-accompaniments, yes - but it's a recordable sequencer too. And you can fiddle with it on the train...
Feature | Topic: Live | The Mix, Nov 1994
A major hire company of legendary status
News | The Mix, Nov 1994
Sounds, samples, & software upgrades for the modern studio
Software, samples and gadgets for the modern musician
Steal The Feel - Part 1
Feature | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992
A straightforward guide to producing Dance Mixes using budget equipment.
Feature | Topic: Music Business | Music Technology, Aug 1992
Everything you wanted to know about A&R men - but only MT dared to ask.
This artist was mentioned in these interviews:-
Interview | Sound On Sound, Oct 1991
Feel Every Beat
Are Electronic, mutant offspring of New Order, The Smiths and the Pet Shop Boys, the first electro-supergroup? Does it matter? Mark J. Prendergast ignores the hype, sidesteps trivial speculation, and talks technical to Bernard Sumner.