Once leader of the seminal Weather Report, Joe Zawinul recently took his current project, The Zawinul Syndicate, on the road. Simon Trask talks with an acknowledged master of the synthesiser.

From Weather Report drummer to hi-tech enthusiast and Mac fanatic. Bob O'Donnell talks to a drummer who's discovered technology and used his rhythmic knowledge to get the best from his programming.

Computer Musician in Rock

Three Guitarists

Golden boy of the teeny bop scene a closet guitar hero? It's true, all true. Muso musings captured for posterity by Dave Burrluck and Susan Rookledge.

The high priest of Pop discusses his solo album, musicianship, songwriting and The Police.

talks to Ralph Denyer

Well... what can you say? You know how good he is and what a writer our Ralph D is. But don't let's give the game away: read on!

Jon Hassell has been at the leading edge of new music for three decades, with major contributions to western avant garde and world music. Following the re-release of two classic albums from the early '80s, Mark J. Prendergast presents a retrospective of Hassell's work.

Roland Orzabal picks over the Tears' gear

The Rhythm Section

Landscape's bassist and drummer recount their reasons for choosing to form their own label to Ralph Denyer.

Session player, freelance producer and 1-Level keyboardist Duncan Bridgeman discusses what it's like to live in a recording studio for 11 months of the year. Interview by Dan Goldstein.

Arrested whilst gigging with a bunch of jazz musicians in Paris, Sting talks to Paul Tingen about his new album, the inadequacies of high technology, and the future of The Police.

In an exclusive interview, this longstanding keyboard hero and Miami Vice music maestro discusses keyboard technique, and what it’s like to achieve mass recognition after years of obscurity. Annabel Scott takes note.

A little Tonight music from the thin white one, his band, his producer, Uncle Tom Ziggy and all

The Power Station's percussive powerhouse talks. Bill Milkowski puts pen to paper

Chronicles of a moustachioed maestro. Philip Bashe reporting.

808 State Live

While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter.

The release of Jason Rebello's first LP shows him to be more than the tasteful performer the jazz circuit already recognises. Simon Trask talks to one of Britain's leading jazz keyboardsmen.

Over the last three decades John McLaughlin has done more than anybody else in popular jazz and rock music to explore the potential of the guitar, both acoustic and electric. Here he talks to Mark Prendergast about his eclectic career, pioneering use of guitar synthesizers, and the Synclavier.

Mark Prendergast talks with trumpeter, composer, and synthesist Mark Isham about new technology, David Sylvian, Van Morrison, Windham Hill, and his solo career as one of Hollywood's more interesting film soundtrack composers.

What do you get when you cross brilliant musicianship, technological wizardry and one of the brightest line-ups in modern jazz? Answer: Steps Ahead. Interview by Liz Rose and Leslie Fradkin.

Ex-Police drummer and self-styled 'tech-head' Stewart Copeland discusses the merits of owning four Fairlight CMIs, why he's in a group called Animal Logic, and how to write an opera. Logical questions: Nicholas Rowland.