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Interviews

Dead or Alive - Alive and Kicking

Interview | Electronics & Music Maker, Aug 1985

Dead or Alive's Tim Lever surrounds himself with new technology as the band prepare for world domination. Tim Goodyer gets the word on writing, recording and performing.

This artist was mentioned in these interviews

The Producers

Interview | International Musician, Jun 1985

Chas De Whalley gets Eurodisco orientated with Berlin beatmeister Zeus B Held

Life After Ultravox

Interview | Sound On Sound, Mar 1991

Since the members of Ultravox went their separate ways, Billy Currie's solo career has taken him from band leader, through studio owner, to record label boss for the release of his second solo album. Interview by Mark Jenkins.

The Producers

Interview | International Musician, Oct 1985

Hi Energy wizard Mike Stock collides with Chas de Whalley during a sweaty get-down-and-shake-it interview

Fashion - Record Talkback

Interview | Electronic Soundmaker, Mar 1984

Fashion

Dance To The Machine

Interview | Home & Studio Recording, May 1986

Janet Angus discovers the secret of Peter's success in producing big selling dance music.

Divine Production

Interview | Electronics & Music Maker, Jul 1985

German producer Zeus B Held - the man behind the name - shares sampling secrets and delaying tactics with Tim Goodyer.

Orchestral Manoeuvres In The 90s

Interview | Sound On Sound, Aug 1993
Andy McCluskey

Andy McCluskey reveals his dislike for synth programming and his penchant for the classics.

The Producers

Interview | International Musician, Jul 1986

Uncle Chas de Whalley talks to Barry Andrews about life with Auntie

Echo-Plex

Interview | One Two Testing, Dec 1985

talk the best of

Sister Wayne

Interview | International Musician, Jul 1985

Wayne Hussey divulges all about the gear behind the Gothic grind

Three Men in a Bout

Interview | Making Music, Nov 1987

Phil Harding - The Empire Strikes Back

Interview | Music Technology, Oct 1988

Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable.

Stock, Aitken & Waterman - Production Line

Interview | Music Technology, Jun 1987

The words "Stock, Aitken & Waterman" have adorned 50 hit singles in the last two years. Tim Goodyer finds there are two secrets to their success: determination and new technology.

This artist was mentioned in these other articles

Concert Review

Music Review | Electronic Soundmaker, Jun 1984

Volume isn't everything

The Programming People

Feature | Topic: Music Business | Sound On Sound, Nov 1985

Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work.

Welcome

Editorial | Sound On Sound, Aug 1986

Live Wires

Feature | Topic: Live, Performing | Electronic Soundmaker, Aug 1985
Playing Live

Electronic music live - a special focus

The British Music Affair

Show Report | Electronic Soundmaker, Aug 1985

That Was Then...

Feature | Making Music, Jun 1986

Historic pix of Jimmy Page and Marc Bolan, plus an interesting guitar or three.

Studio Diary

Feature | Topic: Recording Studios | International Musician, Nov 1985

A half-page of wit from Adrian Deevoy. Or should that be...

A Question Of Reading

Feature | Topic: Music Theory | International Musician, Feb 1986

Eight top pop players and producers discuss the necessity of notation. Richard Walmsley chairs the debate

Live for the Record

Feature | Topic: Live, Recording | Sound International, Sep 1978

How to record a cheap live album — an easy way out with direction courtesy Richard Elen.

The Rhythm Method

Feature | Topic: Drum Programming | International Musician, Mar 1986
Beat Box Hits

Or, the much-maligned art of drum machine programming. Tony Reed talks to the experts, and Richard Walmsley dissects some classic tracks.

That Was Then

Feature | Making Music, Jun 1987

keith richard

 

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