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Beat Box ChicRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Nov 1986Digital drum machines may rule the waves in the R&D labs, but one obsolete analogue device is still the record producers' first choice. Tim Goodyer dissects the appeal of Roland's classic TR808. |
ddrum Digital DrumsReview | International Musician, Dec 1985RhythmcheckBob Henrit samples a top bracket product from a company that could have been started by Paul Hardcastle |
Sampling The Japanese WayReview | Sound On Sound, Dec 1985Akai S612 MIDI SamplerA reduction in price and the introduction of their Quick Disk make Akai's S612 MIDI Sampler an even more attractive investment. Paul Gilby was suitably impressed. |
WelcomeEditorial | Sound On Sound, Mar 1987 |
The ProfessionalsFeature | Topic: Music Business | Sound On Sound, Mar 1987PRS - The Performing Right SocietyThe first of an occasional series in which David Mellor takes a look at the organisations that help musicians and composers earn an honest crust in this hard world. This month: the Performing Right Society. |
WelcomeEditorial | Sound On Sound, Aug 1986 |
I Want Your SamplesFeature | Topic: MIDI, Sampling | Electronics & Music Maker, Aug 1986As sound-sampling becomes accepted as a technique, what will musicians do with their machines after the novelty has worn off? Chris Meyer takes a sideways look. |
The Sound On Sound Guide To SamplersFeature | Topic: Buyer's Guide, Sampling | Sound On Sound, Nov 1987Everything you ever wanted to know about samplers... 48 models compared! Paul Gilby surveys the current sampler market, exposes the 'spec wars', dispels the 16-bit myth and explains in simple terms how sampling really works, before telling you what to look out for when buying secondhand. |
DOD PDS2000 Sampling DelayReview | In Tune, Oct 1985 |
Sampling Confidential: Anything To Declare? - Part 1Feature Series | Topic: Music Business, Sampling | Music Technology, Apr 1993The first of our new series on the very live issue of sampling, taking all the technicalities into account. Dom Foulsham begins with an examination of the law as it currently effects all involved. An indispensable guide, if you're concerned about clearance and want to avoid that nasty little rubber glove |
Composer's Desktop ProjectReview | Sound On Sound, Feb 1990The CDP is a non profit-making co-operative formed by a group of professional composers and researchers at York University, whose intention was to create an affordable personal workstation — a ‘desktop IRCAM’ - on which to run powerful synthesis and signal processing programs. Richard Dobson reveals the power of this Atari ST-based system. |
The ProducersFeature | International Musician, May 1986Chas de Whalley gets down with the Scottish Sultan of Soul, Steve Harvey |
Roland S750 SamplerReview | Sound On Sound, Oct 1991Digital Quality — Analogue FeelRoland's acclaimed S770 sampler has been quietly growing in popularity, and the release of version 2.0 software and the floppy drive-only S750 should ensure that Roland samplers become still more popular. Wilf Smarties explains why. |
The A-Z of Analogue - Part 7Feature Series | Topic: Vintage Instruments | Music Technology, Feb 1994This month: Farfisa to Fuller. |
Total Recall - Part 12Feature Series | Topic: Vintage Instruments | The Mix, Aug 1994Vintage technology strikes backCollector’s corner - including the A to Z of Analogue |
Boss DSD2Review | Electronics & Music Maker, Oct 1985A modest newcomer to the sampling arena is Boss' DSD2 pedal. Paul White finds out if it's capable of more intelligent iterations than 'hangover'. |
RusslingsOpinion | Topic: Sampling | Sound On Sound, Mar 1992Sampling clichés and how to avoid them. |
Hands On: Eventide H3000 SeriesFeature | Topic: Effects Processing | Sound On Sound, Apr 1993 |
Nigel Bates - Library MusicFeature | Topic: Composing for Business | International Musician, Nov 1985Just the ticket? How to do it yourself explained by Richard Walmsley |
Tom Robinson - The Studio That Tom BuiltFeature | Topic: Advertisement Feature | International Musician, Nov 1985Turbo-charged recording techniques |
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