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Home Studio Active SpeakerFeature | Topic: Construction / Build, Electronics / Build | Electronics & Music Maker, May 1983High quality monitors for the home recordist |
Vigier Passion PassiveReview | International Musician, Jun 1985BasscheckDave Burrluck passes judgement on a carbon fibre-necked original. Not a carbon copy at all. |
Stack In A Rack - Part 1Review Series | Electronics & Music Maker, Jul 1986Tanrak SystemThe first of a two-part review of Tantek's rack-mounting signal processors. Ian Waugh looks at a modular system that comes ready-built or in kit form for construction enthusiasts. |
Bill Nelson - The ListFeature | One Two Testing, Nov 1983Bill Nelson compiles a desert island discography. |
Charvel 2B BassReview | International Musician, Sep 1986BassCheckA Japanese bass with an American background on sale in Britain. Confused? You won't be, as Dave Burrluck explains the whole thing... |
Cause An EffectFeature | Topic: Effects Processing | Music Technology, May 1991Effects processing is now an integral part of a recording studio - large or small. Aaron Hallas goes back to basics in this introduction to sound treatment. |
Frontline EffectsReview | One Two Testing, Mar 1984 |
Speaker's CornerFeature | Topic: Acoustics, Mixing, Recording Studios | Phaze 1, Jun 1989CHOOSING & USING: studio monitoringexplaining the art of studio monitoring |
Korg SQD8 sequencerReview | Sound On Sound, Jul 1988If your sequencing efforts are constantly blighted by cassette data storage problems and you long for the convenience of disk storage, then Korg's latest budget sequencer cum MIDI data recorder might be for you. Tony Wride investigates. |
Digitech DSP 128 PlusReview | Music Technology, May 1989Digital Multi-effects ProcessorIn the multi-effects processor wars, Digitech's DSP 128 Plus distinguishes itself with comprehensive facilities and little sound colouration. Ian Waugh treats himself. |
Arion DDS1 & 4 DDL/SamplersReview | International Musician, Dec 1986EffectsCheckPaul Trynka puts his foot down on a pair of interesting pedals |
FrontlinesNews | Phaze 1, Jul 1989PEOPLE, GEAR, EVENTS, GOSSIPincluding the bmf, pet shop boys and the latest competition winner |
Integrating MIDI & The StudioFeature | Topic: MIDI | Sound On Sound, Sep 1988MIDI has revolutionised the way we make and record music. But it has developed at such an incredible pace that it is easy to lose sight of MIDI's many benefits. In this lengthy article, Craig Anderton provides a lucid explanation of how you can make MIDI work for you - whether you have a small home studio set-up or a full-blown professional system. |
Technart TUK 200Review | Music Technology, Jun 1989Pitch-to-MIDI Conversion SystemThe search for an alternative to the keyboard as a MIDI controller continues - with a system from a new British company called Technart. Debbie Poyser tracks down the TUK 200. |
Voyetra Technologies Sequencer Plus IIIReview | Music Technology, May 1988Software for the IBM PCTurning his back on the Atari ST, Ian Waugh boots up a comprehensive sequencing package for the IBM PC (and compatibles). If you thought the Atari ST and Macintosh had it all their own way, read again. |
Studiomaster Primo MikesReview | International Musician, Jan 1986MikeCheckA new range gets a polish from Jimbo's moustache |
Monitor Special: Urei 809 - Part 1Review Series | Home & Studio Recording, Jul 1986Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions. |
ADA Signal ProcessorsReview | Sound On Sound, Nov 1988David Mellor tries out three new effects units from ADA — a MIDI programmable stereo equaliser, MIDI valve preamp, and a pitch transposer - and finds one that gives his secret studio weapon a run for its money. |
Analysing the SpectrumReview | Topic: Acoustics | Home & Studio Recording, Aug 1985Audiosource RTA1 Spectrum AnalyserDave Simpson takes a break from counting his savings to tell you what he's spending it all on. |
Trade Winds - BMF 1989Show Report | Music Technology, Sep 1989British Music Fair Show ReportThis year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question. |