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Pomp Up The VolumeFeature | Topic: History / Culture | Phaze 1, Feb 1989a history of progressive rock - is there a new day dawning for the dinosaurs? |
GatesFeature | Topic: Effects Processing | Making Music, Nov 1986What's A Gate?A gadget that only lets certain sounds through — geddit? Deeper analysis on page 20. |
Reader's Poll ResultsFeedback | Making Music, Jan 1987Who you (the readers) voted as best musician, and what you (still the readers) voted as best gear. We shake the world. |
Daniel LanoisFeature | Sound On Sound, Feb 1990Visions of ArcadiaVia engineering and production work with Brian Eno, Peter Gabriel, Robbie Robertson and U2, Daniel Lanois has unmistakenly imprinted his personality on the sound of the Eighties. Recently he released his own solo album, ‘Acadie’; Mark J. Prendergast runs through the tracks. |
Waiving the rulesFeature | Topic: Live | The Mix, Nov 1994Britannia RowA major hire company of legendary status |
Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? |
Casio RapmanReview | Music Technology, Oct 1991Personal Music SystemCasio's curious Rapman is already regarded as a toy by many a music cynic - but it's captivated pros like Manu Katche and Peter Gabriel. Tom Robinson reviews it - and buys it. |
CommentEditorial | Music Technology, Oct 1992 |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
Shape of Things to Come - AESShow Report | Sound On Sound, Dec 1988AES Show ReportForthcoming new products from the hi-tech music recording field. |
SticksFeature | Making Music, Sep 1986More than delicately wrought slivers of hand tooled timber, they are the drummer's er, thing. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Sep 1984Mike Drane informs us of his clandestine bedroom activities! |
The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
New AfricaFeature | Topic: History / Culture | Phaze 1, Apr 1989if your music feels lacklustre, dabble in dance rhythms from the dark continent |
Ashly Noise Gate SC-33Review | Home & Studio Recording, Nov 1984 |
Recording Techniques - Part 8Feature Series | Topic: Recording | Sound On Sound, Jul 1990Recording DrumsPart 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit. |
Gating TechniquesFeature | Topic: Effects Processing, Recording | Home & Studio Recording, Dec 1984'Noise Gates' are now an inherent part of modern recording practice. We explain their function and provide some practical applications. |
Dear Santa...Feature | Sound On Sound, Jan 1991To help you get into the festive mood, we asked a few artists and producers, and a handful of our regular contributors, what they'd like for christmas this year... In a hi-tech music kind of way. Paul Tingen collected the wish-lists. |
Photographing Sound - Part 1Feature Series | Topic: Sampling | Sound On Sound, Dec 1985The Art of SamplingPart 1: The Art Of Sampling. Keyboard programmer Paul Wiffen offers valuable advice on squeezing the most out of your sampler. |
Dynacord DRP16 Digital ReverbReview | Home & Studio Recording, Dec 1984 |
Sounding OffOpinion | Sound On Sound, Jun 1991Confessions Of A Home RecordistConfessions of a home recordist. Stephen Bennett on the delights and dangers of bedroom recording. |
Music & Pictures - Part 5Feature Series | Topic: Composing for Business, Video / Film / Picture | Sound On Sound, Apr 1986Getting StartedThis month film music composer Robin Lumley discloses his own route to fame and fortune in an effort to get you started on yours... |
Hard TimesFeature | Topic: Music Theory | Making Music, Jan 19877/4There is life outside of 4/4. We dissect those funny times like five and seven and quarter past four on a Thursday. |
Sampling or Sam-Click-Pling!Feature | Topic: Sampling | Sound On Sound, Jun 1986Martin Russ returns with a light-hearted look at a serious subject - sample looping - and passes on a few handy tips for those of you that are having difficulty with your sampling machines. |