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Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? |
Casio RapmanReview | Music Technology, Oct 1991Personal Music SystemCasio's curious Rapman is already regarded as a toy by many a music cynic - but it's captivated pros like Manu Katche and Peter Gabriel. Tom Robinson reviews it - and buys it. |
GatesFeature | Topic: Effects Processing | Making Music, Nov 1986What's A Gate?A gadget that only lets certain sounds through — geddit? Deeper analysis on page 20. |
Pomp Up The VolumeFeature | Topic: History / Culture | Phaze 1, Feb 1989a history of progressive rock - is there a new day dawning for the dinosaurs? |
Reader's Poll ResultsFeedback | Making Music, Jan 1987Who you (the readers) voted as best musician, and what you (still the readers) voted as best gear. We shake the world. |
Daniel LanoisFeature | Sound On Sound, Feb 1990Visions of ArcadiaVia engineering and production work with Brian Eno, Peter Gabriel, Robbie Robertson and U2, Daniel Lanois has unmistakenly imprinted his personality on the sound of the Eighties. Recently he released his own solo album, ‘Acadie’; Mark J. Prendergast runs through the tracks. |
Waiving the rulesFeature | Topic: Live | The Mix, Nov 1994Britannia RowA major hire company of legendary status |
MXR 185 Drum ComputerReview | Electronics & Music Maker, Oct 1983 |
Akai S612Review | Electronics & Music Maker, May 1985Polyphonic MIDI Sound SamplerA real advance in the field of accessible polyphonic sound sampling. Tim Goodyer finds out if the 612's beauty is more than price-tag-deep. |
Kawai K5Review | Sound On Sound, Dec 1987The Additive synthesizerOnce upon a time, 'additive synthesis' was an expensive and little used option on expensive computer music systems. Now, thanks to Kawai's latest keyboard, there is an instrument dedicated to this type of synthesis. Paul Wiffen, long-time advocate of creating your own waveforms, investigates. |
Ross Effects PedalsReview | Electronics & Music Maker, Oct 1983 |
Paradise FoundFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1985Paradise StudiosSynth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit. |
Using MicrophonesFeature | Topic: Acoustics, Microphones, Recording | Home & Studio Recording, Jan 1984Tips to help you achieve that 'modern' drum sound. |
Electronic Percussion - Part 2Feature Series | One Two Testing, Feb 1984"It's surprising how little you need to imply a great deal." |
MXR 01 Digital ReverbReview | Home & Studio Recording, May 1984 |
The Old And The NewEditorial | Music Technology, Dec 1986The analogue versus digital argument - as seen by the man at the top. |
The Complete Sampler Buyers' GuideFeature | Topic: Buyer's Guide, Sampling | Sound On Sound, Feb 1992Or Everything You Need To Know About Buying A Sampler, But Didn't Know Who To Ask. Julian Colbeck is your guide. |
Sound AdviceFeedback | Sound On Sound, May 1988Our regular column devoted to readers’ hints and tips about their recording equipment, instruments, software and playing techniques. |
On The Beat - Part 12Feature Series | Topic: Drum Programming | Music Technology, Jul 1990No time to lose when it comes to odd metres. Nigel Lord takes a look at "difficult" time signatures in this month's instalment of MT's rhythm programming series. |
World MachineReview | Sound On Sound, Aug 1992Emu Proteus 3 WorldEmu's new Proteus 3 is to hi-tech music what Phileas Fogg is to convenience foods. Nigel Humberstone tries a taste of authentic sounds from around the world. |
Programming African RhythmsFeature | Topic: Drum Programming | Sound On Sound, May 1988There has been an enormous upsurge of interest in African music of late. Artists as diverse as Paul Simon, Peter Gabriel, Talking Heads and Brian Eno have acknowledged its inspiration on their work. But there is little information around that explains the fundamental concepts behind it and how a musician can incorporate the sounds and ideas into their own work if they wish to. Kofi Busia suggests a few ideas. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Sep 1975Who's recording what where |