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Sound AdviceFeedback | Sound On Sound, May 1988Our regular column devoted to readers’ hints and tips about their recording equipment, instruments, software and playing techniques. |
On The Beat - Part 12Feature Series | Topic: Drum Programming | Music Technology, Jul 1990No time to lose when it comes to odd metres. Nigel Lord takes a look at "difficult" time signatures in this month's instalment of MT's rhythm programming series. |
World MachineReview | Sound On Sound, Aug 1992Emu Proteus 3 WorldEmu's new Proteus 3 is to hi-tech music what Phileas Fogg is to convenience foods. Nigel Humberstone tries a taste of authentic sounds from around the world. |
Programming African RhythmsFeature | Topic: Drum Programming | Sound On Sound, May 1988There has been an enormous upsurge of interest in African music of late. Artists as diverse as Paul Simon, Peter Gabriel, Talking Heads and Brian Eno have acknowledged its inspiration on their work. But there is little information around that explains the fundamental concepts behind it and how a musician can incorporate the sounds and ideas into their own work if they wish to. Kofi Busia suggests a few ideas. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Sep 1975Who's recording what where |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Music Technology, Apr 1989The theme of this month's edition of Patchwork is decidedly traditional, as Casio's CZ101 joins the ubiquitous DX7 and D50 as the subjects for readers' programming dexterity. |
Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |
Studio DiaryFeature | Topic: Recording Studios | International Musician, May 1986More from the world of pine cladding and deep-pile carpet |
Soundcraft Spirit StudioReview | Music Technology, Jun 1991Mixing DeskAs more mixer manufacturers turn their attention to the home and pre-production studios, the cost-effective quality mixer becomes a reality. Tim Goodyer discovers that there's even room for luxury. |
The Shape of Things to ComeNews | Sound On Sound, Jul 1988A chance to check out some of the forthcoming new products that might force you to dig deeper into your pockets later this year. |
SmokeNews | Making Music, Aug 1986'Ere, did you know that old wossisname is doing so-and-so with a wotchermaccallit. |
Akai CD3000Review | Sound On Sound, Sep 1993CD-ROM Sample PlayerWe test the world's first CD-ROM sampler. |
Spectrum SynthesisReview | Sound On Sound, Sep 1988On the Emax Hard Disk SamplerUnlike some samplers, Emax has stayed the course since its introduction over 18 months ago and has developed into a mature, well groomed specimen. Having released a Hard Disk version of the machine almost a year ago, Emu Systems have recently given Emax yet another lease of life with their Spectrum Synthesis upgrade, which turns the sampler into a powerful additive synthesizer. David Hughes tries it out |
SticksFeature | Making Music, Sep 1986More than delicately wrought slivers of hand tooled timber, they are the drummer's er, thing. |
CommentEditorial | Music Technology, Oct 1992 |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
Shape of Things to Come - AESShow Report | Sound On Sound, Dec 1988AES Show ReportForthcoming new products from the hi-tech music recording field. |
Home Studio RecordistFeature | Topic: Home Studio | Home & Studio Recording, Sep 1984Mike Drane informs us of his clandestine bedroom activities! |
Recording Techniques - Part 8Feature Series | Topic: Recording | Sound On Sound, Jul 1990Recording DrumsPart 8: David Mellor explains several techniques for taming that most difficult of instruments to record - the drum kit. |
The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
New AfricaFeature | Topic: History / Culture | Phaze 1, Apr 1989if your music feels lacklustre, dabble in dance rhythms from the dark continent |
Ashly Noise Gate SC-33Review | Home & Studio Recording, Nov 1984 |
Dear Santa...Feature | Sound On Sound, Jan 1991To help you get into the festive mood, we asked a few artists and producers, and a handful of our regular contributors, what they'd like for christmas this year... In a hi-tech music kind of way. Paul Tingen collected the wish-lists. |