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The StrongroomFeature | Topic: Recording Studios | Sound On Sound, Aug 1989In the dog-eat-dog world of professional recording studios, the Strongroom has proved that you don't necessarily need an SSL mixing desk to stay in business! Paul Calderon pays a visit to this thriving centre of creativity. |
Ensoniq MirageReview | Electronics & Music Maker, Jul 1985At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen. |
Hybrid Arts MIDITrack STReview | Music Technology, Jun 1987In the maze of MIDI software now available for the Atari ST, this sequencer stands out for offering two entirely different recording systems. |
Recording Techniques - Part 1Feature Series | Topic: Recording | Sound On Sound, Dec 1989What makes one recording engineer better than another, and how can you improve your recording engineering skills? In this introduction to a new series on recording techniques, David Mellor outlines an engineer's role in the studio, and explains why a good engineer is so important. |
Sequential TomReview | Electronics & Music Maker, Jul 1985Programmable digital drum machineFollowing the Drumtraks in vocation and the MAX in appearance comes TOM, Sequential’s latest. Simon Trask finds out if reverse drum samples really do have a use. |
Hollis Research TrackmanReview | Music Technology, Mar 1989Software for the Atari STA new sequencer program for the Atari ST from British company Hollis Research sets out to be powerful and friendly without breaking the bank. Ian Waugh reckons it's on the right track (man). |
Smaller, Neater, Cheaper...Review | Sound On Sound, Mar 1992Fostex X18 Cassette MultitrackerFollowing in the footsteps of Fostex's X15, their new X18 offers the cheapest and simplest entry to 4-track recording. Dave Lockwood puts it to the test. |
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
Tascam 464 PortastudioReview | Sound On Sound, Jun 1992Dave Lockwood takes a shine to Tascam's new top-of-the-range Portastudio, the 464. |
Rock Around The ClocksFeature | Topic: Syncronisation | Sound On Sound, Jul 1992Synchronisation ExplainedMany hi-tech musicians see tape synchronisation as a necessary evil. Dave Lockwood ponders the pitfalls and muses on the mysteries of timecode. |
Retro RockerReview | Sound On Sound, Aug 1993Marantz PMD740 Cassette 4-TrackCan this stylish-looking cassette multitracker find a niche in an already crowded market? Check out our review... |
Silent PartnerReview | Recording Musician, Aug 1992Tascam 238S 8-TrackDave Lockwood checks out the first ever Dolby S cassette multitracker in this exclusive review. |
Better than the reel thingReview | The Mix, Jun 1995Fostex XR-5 & XR-7Stylish personal multitrackers |
Fostex G24SReview | Sound On Sound, Mar 1991SSSH... From You Know WhoFollowing last month's review of the Tascam MSR24S, Dave Lockwood turns his attention to Fostex's new one-inch 24-track with Dolby S: The G24S. |
Tascam 238 SyncasetReview | Sound On Sound, Aug 19888-track RecorderThe 8-track war hots up. Now Tascam have an 8-track cassette to compete with the Toa MR8T. We know that eight tracks on compact cassette are possible, but who does it better, Tascam or Toa? David Mellor decides. |
Fostex X28Review | Sound On Sound, Dec 1991Cassette MultitrackerPolicemen look younger, you start to disown parts of your record collection and, just as surely with the passing of time, entry-level cassette multitrackers sprout more inputs and features. Dave Lockwood tries to keep up with the Fostex X28. |
Tascam Porta 07Review | Music Technology, Aug 1993MinistudioIs there still room for a little old style analogue technology? Tascam offer evidence for the defence |
Tascam MSR16Review | Sound On Sound, Dec 1988The AlternativeSo far, affordable 16-track has been a one horse race and all the money has been on Fostex. But now the odds are getting more interesting as a lively young thoroughbred from the Tascam stable enters the starting stalls. David Mellor assesses the form. |
Fostex R8 - The 8-Track Take-AwayReview | Sound On Sound, Jan 1989In these space-conscious times, Fostex have developed a diminutive new 8-track tape recorder you can store out of sight and control fully from its detachable front panel remote control/autolocator. David Mellor takes it for a spin... |
Four soundchecks in one day...Feature | Topic: Live, Location Sound, Video / Film / Picture | The Mix, Sep 1994Later with Jools HollandBehind the scenes at TV’s premier music show |
Tascam TSR8 vs Fostex E8Review | Sound On Sound, Jul 1989The 8-Track ChallengeThe 8-track challenge: with the release of a new Tascam machine and the recent price cut on the Fostex E8, we thought it opportune to compare the two models. David Mellor adjudicates in the battle of the budget 8-tracks. |
The Big OneReview | Sound On Sound, Jan 1990Tascam MSR24 24-track 1" Tape RecorderEver since the dark ages, prophets and soothsayers have been forecasting the Big One. Well here it is - Tascam's 24-track on one inch tape recorder. David Mellor investigates. |
Yamaha MT120Review | Sound On Sound, Feb 19924-track Cassette RecorderYamaha's new MT120 cassette 4-tracker improves further on their successful MT100, offering excellent features including 5-band graphic EQ; Dave Lockwood boldly goes where even the manual hasn't gone before. |
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