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Interviews

Alternative Strings

Feature | Topic: Sampling | Music Technology, Apr 1988

Stuck for a good string sound or one you haven't used a hundred times before? Tom McLaughlin explains how an old guitar, a violin bow and a little ingenuity can work wonders.

Do You Copy?

Editorial | Music Technology, Jun 1988

Will Digital Audio Tape bring digital clarity to domestic tape recording or will the major record companies use it to impose restrictions on what you can do with recordings you've already paid for?

HitSound Producer Series CDs

Review | Sound On Sound, May 1992
Coldcut, David Ruffy

Wilf Smarties looks for the perfect beat in two new HitSound sample CDs, from production team Coldcut and drummer David Ruffy.

Production Lines

Opinion | Sound On Sound, Dec 1993

Curiosity Killed The Cat's producer Glenn Skinner gets a few things of his chest this month.

Welcome

Editorial | Sound On Sound, Aug 1986

Home Taping: Tom Robinson

Feature | Topic: Home Studio | International Musician, Jul 1986

Tony Reed gets Turbot charged

Home Studio Recording takes off!

Editorial | Home & Studio Recording, Nov 1983

Strings & The Art Of Arranging

Feature | Topic: Arranging / Songwriting | International Musician, Mar 1986

A string arrangement can make or break a song — Ian Gardiner digs up a few basic rules for right-on arranging.

News - Show Special

Show Report | International Musician, Sep 1986

This month, we've devoted all of our news pages to two special show reports; from Chicago's NAMM fest, and London's APRS — the products which'll be making next year's news...

Smoke

News | Making Music, Mar 1987

gossip column

April

Editorial | Making Music, Apr 1987

Dave Goodman - The Producers

Feature | International Musician, Apr 1986

The anti-christ of studio recording, Dave Goodman, talks to Chas de Whalley

John Cage - The Rest Is Silence

Feature | Music Technology, Oct 1992
An Appreciation

John Cage - The life & the legacy

The Professionals: APRS

Feature | Topic: Music Business, Recording Studios | Sound On Sound, Jul 1988

In the third of an occasional series on the professional bodies who look after the interests of musicians and engineers, David Mellor talks to the APRS, the body which represents many of this country's leading recording studios.

 

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