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Mixers - Part 3Feature Series | Topic: Buyer's Guide | One Two Testing, Jul 1985three-month investigation finishes with six mixers priced £1500 to £3500 |
The New Age Music ConundrumFeature | Sound On Sound, Jan 1987What is 'New Age' music? Who plays it, and why is it apparently so popular? Our resident musicologist Mark Prendergast traces its development back to the work of 'new music' composers Arnold Schoenberg and Erik Satie. |
Waldorf MicrowaveReview | Sound On Sound, Dec 1989The PPG Wave was one of the most powerful synths of the early Eighties, but it died a death along with so many other dinosaurs. Now its particular method of wavetable synthesis lives again in an entirely new rack expander, which combines the best of the Wave's original audio architecture with full MIDI control. Paul Ireson learns how to cook better sounds, faster. |
Think BigReview | Sound On Sound, Aug 1993Alesis BRC Big Remote Control for ADATDoes the BRC make multiple ADAT working a real joy? Read our in-depth test to find out... |
Practically MIDI - Part 4Feature Series | Topic: MIDI | Sound On Sound, Dec 1987What is a MIDI Merger and why do you need one if you use a computer-based MIDI sequencer? Martin Russ helps BT's funding by receiving long telephone calls from frantic MIDIphiles. |
The BeatmasterPreview | Sound On Sound, Jan 1991Roland SPD8 Total Percussion PadRoland's latest 8-pad midi percussion controller adds internal sounds to a tried and tested formula. Paul Ireson checks it out. |
Roots, Rock, RealityMusic Review | Sound International, Mar 1979 |
Fighting Hard!Review | Sound On Sound, Feb 1989Kawai Q80 SequencerKawai's first ever dedicated MIDI sequencer may have to fight hard to make its mark in an already overcrowded market, but it has one major advantage over the competition - its price! Julian Colbeck reports. |
Yamaha MEP4 ProcessorReview | Electronics & Music Maker, Jun 1986Simon Trask somehow finds time to examine the most sophisticated MIDI event processor of the lot. Are its facilities usable? |
Digital Signal Processing - Part 1Feature Series | Topic: Computing, Electronics / Build | Electronics & Music Maker, Jul 1983The first of an innovative new series on musical applications of your home micro |
Drum HumFeature | Topic: Tuition / Technique | Making Music, Jan 1987Geoff Nicholls puts his two hands together, his head in between and thinks co-ordination. |
Music In The Video AgeFeature | Topic: Video / Film / Picture | Electronic Soundmaker, Dec 1983Video for the musician |
State of IndependenceFeature | Topic: Marketing / Promotion, Music Business | Electronics & Music Maker, Jun 1984Dan Goldstein sifts through the stack of independent vinyl that landed in the E&MM offices following our appeal, and finds each record has a different tale to tell. |
Heavenly Music MIDI Song FilesReview | Music Technology, Apr 1992Four software offerings from the authors of the popular Dr Beat Vol 1 make effective use of MIDI Song Files to bring music to your ST. Ian Waugh checks the imports. |
Soundcraft Sapphyre Recording MixerReview | Sound On Sound, Mar 1992Zenon Schoepe gets to grips with the latest jewel in Soundcraft's crown, a personal desk with top-flight facilities and quality. |
Picture ScoringFeature | Topic: Composing for Business, Video / Film / Picture | Music Technology, Jan 1988Ever tried to put music to pictures? Then the odds are you've discovered just how difficult it actually is. Chris Many explains "hit points" and "cues" and shares some of the secrets of the professionals. |
Charvel 3A Six String Electric GuitarReview | Making Music, Aug 1986 |
Hybrid Technology Music 2000 SystemReview | Sound On Sound, Oct 1988In terms of sheer numbers, Hybrid Technology’s computer music system for the BBC micro outsells any other music software package on the market. Ian Waugh finds out why. |
TAC Scorpion 16:8:2 Mixing ConsoleReview | Home & Studio Recording, Sep 1985A British mixer built to survive. |
Electronic Music StudioFeature | Topic: Education, Recording Studios | Sound On Sound, Feb 1987Goldsmiths' College, University of LondonGoldsmiths' College in London was the first higher education institute to set up its own electronic music studio and offer a course. That was back in the late 1960s. Today, it has an even wider range of specialist courses and a much better equipped complex of studios to offer prospective students the training facilities necessary for a longterm career. |
My Life With MIDI Time CodeFeature | Topic: MIDI, Syncronisation | Sound On Sound, Jan 1990Just as MIDI itself has gone far beyond what its developers imagined, so MIDI Time Code has the potential to take MIDI technology into areas quite removed from the synthesis and sequencing worlds in which it has become so familiar. MTC user Paul D. Lehrman explains how. |
Yamaha Symphonic Ensemble SK20Review Audio | Electronics & Music Maker, Mar 1981 |
Software SupportFeature | Topic: Computing, MIDI | Sound On Sound, Jan 1991Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |