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Third Generation CMF AmplifiersReview | Home & Studio Recording, Dec 1984 |
Kord Audio Tornado/Vulcan SpeakersReview | Home & Studio Recording, Dec 1983 |
Turbosound TPC-1151 Phase CheckerReview | Home & Studio Recording, Sep 1986Ben Duncan explains this most useful gadget. |
Frontal Lobe & PCM ChannelReview | Music Technology, Apr 1991Korg M1 EnhancementMuch talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?" |
Cheap! but not so nastyReview | Electronics & Music Maker, Sep 1985Casio SZ1Another sequencer first, this time for Casio, seeking to extend their grip over the budget end of the pro synth market. Simon Trask reckons the foray has been worthwhile. |
Yamaha REX50Review | Music Technology, Oct 1987Digital Signal ProcessorThe latest signal processor from Yamaha may be aimed primarily at guitarists but the small studio owner might prefer to look at it as an adaptation of the SPX90. Rick Davies finds out it has a few new twists as well as a slimline price tag. |
Electronic Percussion - Part 2Feature Series | One Two Testing, Feb 1984"It's surprising how little you need to imply a great deal." |
Programming African RhythmsFeature | Topic: Drum Programming | Sound On Sound, May 1988There has been an enormous upsurge of interest in African music of late. Artists as diverse as Paul Simon, Peter Gabriel, Talking Heads and Brian Eno have acknowledged its inspiration on their work. But there is little information around that explains the fundamental concepts behind it and how a musician can incorporate the sounds and ideas into their own work if they wish to. Kofi Busia suggests a few ideas. |
MIDI DJReview | Sound On Sound, May 1987Disk Recorder / SequencerMark Jenkins gets to grips with this unassuming dual channel MIDI sequencer from the States and unearths some interesting facts... |
Rhythm BoxReview | Micro Music, Feb 1990Ian Waugh discovers how well this program can create respectable sounds on the Archimedes |
Wot... No Tape?Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992The Tapeless Recording Market SurveyThe tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress. |
Akai AX80Review | International Musician, Jan 1985SynthcheckJim Betteridge puts the new poly through its paces |
Space...Feature | Topic: Effects Processing | Music Technology, Feb 1987The Final Frontier?Is what digital reverb is all about recreating. But how do the mechanics of reverberation work, and what relation do today's digital techniques bear to the real thing? Paul White reports. |
Hamer PrototypeReview | Electronics & Music Maker, Mar 1982 |
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