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Interviews

Third Generation CMF Amplifiers

Review | Home & Studio Recording, Dec 1984

Kord Audio Tornado/Vulcan Speakers

Review | Home & Studio Recording, Dec 1983

Turbosound TPC-1151 Phase Checker

Review | Home & Studio Recording, Sep 1986

Ben Duncan explains this most useful gadget.

Frontal Lobe & PCM Channel

Review | Music Technology, Apr 1991
Korg M1 Enhancement

Much talked about in the US but still unavailable in the UK, Cannon's Frontal Lobe promises a new lease of life for your Korg M1. Gordon Reid asks "does it deliver?"

Roland MC202 Microcomposer

Review | One Two Testing, Dec 1983

In depth.

Cheap! but not so nasty

Review | Electronics & Music Maker, Sep 1985
Casio SZ1

Another sequencer first, this time for Casio, seeking to extend their grip over the budget end of the pro synth market. Simon Trask reckons the foray has been worthwhile.

Yamaha REX50

Review | Music Technology, Oct 1987
Digital Signal Processor

The latest signal processor from Yamaha may be aimed primarily at guitarists but the small studio owner might prefer to look at it as an adaptation of the SPX90. Rick Davies finds out it has a few new twists as well as a slimline price tag.

Electronic Percussion - Part 2

Feature Series | One Two Testing, Feb 1984

"It's surprising how little you need to imply a great deal."

Fast Forward

News | Home & Studio Recording, Jun 1986

News and new products.

Programming African Rhythms

Feature | Topic: Drum Programming | Sound On Sound, May 1988

There has been an enormous upsurge of interest in African music of late. Artists as diverse as Paul Simon, Peter Gabriel, Talking Heads and Brian Eno have acknowledged its inspiration on their work. But there is little information around that explains the fundamental concepts behind it and how a musician can incorporate the sounds and ideas into their own work if they wish to. Kofi Busia suggests a few ideas.

UMI 1B

Review | Electronics & Music Maker, Dec 1984
Software Surplus

Backlines

Opinion | One Two Testing, Oct 1986

Jazz for the record

MIDI DJ

Review | Sound On Sound, May 1987
Disk Recorder / Sequencer

Mark Jenkins gets to grips with this unassuming dual channel MIDI sequencer from the States and unearths some interesting facts...

Rhythm Box

Review | Micro Music, Feb 1990

Ian Waugh discovers how well this program can create respectable sounds on the Archimedes

Wot... No Tape?

Feature | Topic: Buyer's Guide, Digital Audio Workstations | Sound On Sound, Sep 1992
The Tapeless Recording Market Survey

The tapeless recording revolution is in full swing, as technology that once was available only to the few develops in products that suit a wider range of applications and pockets. Yasmin Hashmi looks at the development of the technology, the current state of the market and how it is likely to progress.

Yamaha RM50

Review | Music Technology, Feb 1993
Rhythm Sound Module

Fascinating rhythm

JHS Encore EG50

Review | In Tune, Jun 1986
Bargain Basement, or 'Firewood Special'?

Akai AX80

Review | International Musician, Jan 1985
Synthcheck

Jim Betteridge puts the new poly through its paces

Space...

Feature | Topic: Effects Processing | Music Technology, Feb 1987
The Final Frontier?

Is what digital reverb is all about recreating. But how do the mechanics of reverberation work, and what relation do today's digital techniques bear to the real thing? Paul White reports.

Hamer Prototype

Review | Electronics & Music Maker, Mar 1982

 

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