His idiosyncratic style of fretless bass playing inspired a generation, but now the ex-Japan man is playing sessions, writing his own music, and programming his own synths.

The distinctly eighties phenomenon of remixing is playing a significant part in the development of today's popular music. Tim Goodyer discusses the art of remixing with Norman Cook.

Their '88 acid house hits took Britain's clubland by storm, but now S' Express are taking their sampling a stage further. Tim Goodyer enjoys the trip.

Fresh from Germany - Mark Moore spoke to us about the European music scene and the kind of technology he uses

SPK began by hammering away at anything from the scrapyard but now generate their metal beat on the Fairlight. We investigate the method in the mayhem.

Paul Young's Royal Family

Guitarist Steve Bolton and bass player Pino Palladino explain the importance of being a Swedish Chef.

An interview with Edgar Froese and Christoph Franke during their recent UK tour

An interview with Edgar Froese and Christoph Franke, concert report and music pull-out "Choronzon" from the 'Exit' LP.

Thomas Dolby explains his new strategy

The co-producer of Level 42's last two records has also lent his keyboard playing skills to the likes of Grace Jones, Robert Palmer, Mick Jagger and Talking Heads. He discusses his roles as programmer, synth player and producer with Paul Tingen.

Take two classically trained musicians, a studio full of hi-tech gear and a will to survive in the commercial world of music and you've got WBTM Music. Claire O'Brien learns how to be a musician and eat.

Simon Croft interviews the versatile Gerry Kitchingham whose track record includes work with A-Ha.

It Came From Outer Space

The new album, and the bits what made it.

Mr Papathanassiou leaps off the cover and speeds headlong to page 23. Pausing merely for an intake of breath he settles in his fave armchair and reads, 'Vangelis has superb keyboard technique...' And smiles.

A Musical Luminary

Bill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire.

Steve Reich & Beryl Korot's The Cave

Tony Banks talks to Kendall Wrightson about his new solo album, Technology, and the latest chapter in the book of Genesis.

baby ford, golden boy of british acid, drops hints on getting the dancefloor moving

a crash course in career-building from the bard himself

a house music producer who hates sampling and big drum sounds? some mistake, surely?

Wig out with the kings of hype

Part 2: what would you do with a Sony Betacam video edit suite next to your S1000? Simon Trask continues to track FSOL's audio-visual path...

At home with the semi-detached Georgians