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Hot House FlowersShow Report | Music Technology, Oct 1990BMF REPORTThe excessive heat in London's Olympia gave the latest hi-tech gear a run in the "who's hottest" stakes at this year's British Music Fair. Simon Trask sweats it out. |
Dr.T's TigerReview | Sound On Sound, Mar 1990The Integrated Graphic EditoRYou don’t have to be a KCS owner to benefit from Tiger. If your Atari sequencer lacks graphical editing facilities but implements MIDI files, then real-time editing of sequence data is still possible. Chas Stoddard explains all. |
Hybrid Arts MIDITrack STReview | Music Technology, Jun 1987In the maze of MIDI software now available for the Atari ST, this sequencer stands out for offering two entirely different recording systems. |
A&R SA200 Power AmpReview | Home & Studio Recording, Feb 1985 |
Oriental IntrigueFeature | Topic: Design, Development & Manufacture | Music Technology, Dec 1990Already assured their place in history for inventing the Portastudio, Tascam have also given us a one-inch 24-track machine and now the "Midistudio'. Tim Goodyer visits Japan to find out more about this revolutionary company. |
Show Me!Show Report | One Two Testing, Dec 1982Gasp at the very latest instruments to hit the street plus sneak previews of tomorrow's guitars in Tony Bacon's deadline report from the Frankfurt trade fair. |
Mixing with the BestReview | Home & Studio Recording, Nov 1986Soundcraft 200SR MixerA first rate general purpose live or recording desk that doesn't cost the earth. |
The Hard EdgeFeature | Topic: Digital Audio, Digital Audio Workstations, Recording | Music Technology, Aug 1993Direct-to-disk recording explainedMT's guide to the theory and practice of the tapeless studio |
Perceived WisdomEditorial | Music Technology, Feb 1991The possession and management of information plays a crucial part in our lives. Tim Goodyer raises the confusing issue of the disinformation surrounding information. |
Passport MIDI/4 Plus and MIDI/8 PlusReview | Electronics & Music Maker, Jul 1985Software for Apple II and Commodore 64Sequencing software aimed at the Apple II and CBM64. Four- and eight-track versions receive expert scrutiny from David Ellis. |
Modular Synthesizer Effects - Part 2Feature Series | Topic: Synthesis & Sound Design | Polyphony, Jul/Aug 1981Flora & Fauna of the Patch Cord Jungle |
Allen & Heath Brenell Eight Track Package - Mod II Mixer - Part 1Review Series | Sound International, Jan 1979EquipmentAllen and Heath/Brenell release one of their beautiful Mod II mixers into the grateful clutches of Mel Lambert, who lets you know warrisallabout. |
The JBL StoryFeature | Topic: Design, Development & Manufacture | Home & Studio Recording, Jan 1986Paul White drops in on Mark Gander at the JBL factory in North ridge, Los Angeles in the hope of getting a free tour jacket. |
Rickenbacker 250 El DoradoReview | International Musician, Jan 1985GuitarcheckDave Burrluck is your chiming man |
Fairlight Series IIIReview | Sound On Sound, Sep 1986THE ULTIMATE SOFT MACHINEThe Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines. |
Making the Most of... - Part 2Feature Series | Topic: Recording | Home & Studio Recording, Jun 1985Bass Guitar and how to record it. |
The Shape Of Things To ComeNews | Sound On Sound, Nov 1985A chance to do some crystal gazing at product developments in the music/recording/visual fields. |
MIDI - CVReview | Micro Music, Jan 1990If you have one of those oldie but goodie type synths that were pre MIDI fear not you can now link it into your existing MIDI system thanks to Groove Electronics |
DeltaLab Effectron Digital DelaysReview | Home & Studio Recording, Dec 1984 |
Making The Most Of Your Mirage - Part 1Feature Series | Topic: Sampling | Sound On Sound, Oct 1986Tony Hastings begins a new series of valuable hints and tips aimed at helping owners of Ensoniq Mirage samplers get the best from their instruments. |
Epiphone Les Paul GuitarReview | Phaze 1, Jan 1989 |