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New MusicFeature | Sound International, May 1978Intro...An introduction to a series on "music in which people are doing interesting, and often strange, things". |
Hi-tech at SalfordFeature | Topic: Education | Sound On Sound, Jul 1988Interested in hi-tech higher education? Chris Kempster reports on the MIDI studios and recording courses available to students at Salford College Of Technology. |
Back to Basics - Part 1Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jan 1985We start a new series on synthesis for the complete beginner. Steve Howell is the man at the helm. |
Studio CoursesFeature | Topic: Education | Home & Studio Recording, Jul 1984A Guide to Recording, Electronic Music and Popular Music Courses in BritainThe first ever published guide to all Recording, Electronic Music and Music Courses available in Britain today. |
E&MM For Germany!Editorial | Electronics & Music Maker, Mar 1982 |
JMS ScorewriterReview | Electronics & Music Maker, Jan 1986A new software package for the Commodore 64 that puts step-time sequencing, recording and scorewriting in an elegant perspex box. Ian Waugh finds it transparently appealing. |
A History of Electronic Music - Part 4Feature Series | Topic: Composing / Art, History / Culture | Electronics & Music Maker, Mar 1982 |
A History Of Electronic Music - Part 5Feature Series | Topic: History / Culture | Electronics & Music Maker, May 1982The BBC Radiophonic Workshop |
Hands On: Yamaha DX7Feature | Topic: Synthesis & Sound Design | Sound On Sound, Dec 1992 |
Spectro Sound StudioFeature | Topic: Education, Recording Studios | Electronics & Music Maker, Aug 1982A look at Newcastle’s ‘open access' electro-music studio. |
History of Electronic Music - Part 7Feature Series | Topic: History / Culture | Electronics & Music Maker, Sep 1982Brian Eno |
OvertonesFeature | Topic: Education, Tuition / Technique | One Two Testing, Mar 1985is there a future in teaching music |
Interactive MusicFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Finale - Part 1Review Series | Sound On Sound, Mar 1989The best music program ever?Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction. |
How East Met WestFeature | Topic: Design, Development & Manufacture | Music Technology, Nov 1986New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint. |
W.A.P.Feature | Topic: Education | Music UK, Nov 1983The tuition course that breaks the barriersWAP Spells Tuition — Lorna Read Investigates Music Course |
Not The Guitar Chord BookFeature | Topic: Tuition / Technique | One Two Testing, Dec 1982The Jenkins MethodArgue with six string instructor and cult rock hero Billy Jenkins on the best way of teaching yourself to play. |
Bob Dormon's Musos' Guide to 1995Feature | The Mix, Feb 1995 |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |
When is a Computer? - Part 1Feature Series | Topic: Computing | One Two Testing, Nov 1983In fact, when is it a musical instrument? We start making sense of the silicon chip. |