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Interactive MusicFeature | Topic: Tape, Vinyl, CD, DAT | Music Technology, Jan 1989Ever since the invention of the wax cylinder, listening to recorded music has been a passive experience; now CDs are capable of holding MIDI and other performance data. Bob O'Donnell looks at the changing face of music. |
Finale - Part 1Review Series | Sound On Sound, Mar 1989The best music program ever?Part 1: In the States, Coda's Finale has been hailed as the "the most exciting use of the Apple Macintosh to date" and "the most powerful, most intelligent, most flexible music software available today". In this lengthy two-part review, Kendall Wrightson cuts through the hype to discover whether the claims are fact or fiction. |
How East Met WestFeature | Topic: Design, Development & Manufacture | Music Technology, Nov 1986New technology has already brought the music industries of East and West closer together, but how has that affected the music itself, and what will happen as the two cultures get closer still? Gary Larson gives his viewpoint. |
W.A.P.Feature | Topic: Education | Music UK, Nov 1983The tuition course that breaks the barriersWAP Spells Tuition — Lorna Read Investigates Music Course |
Not The Guitar Chord BookFeature | Topic: Tuition / Technique | One Two Testing, Dec 1982The Jenkins MethodArgue with six string instructor and cult rock hero Billy Jenkins on the best way of teaching yourself to play. |
Bob Dormon's Musos' Guide to 1995Feature | The Mix, Feb 1995 |
Synclavier ProgrammerFeature | Sound On Sound, Mar 1986Jonathan Sorrell is one of a handful of session programmers working with the world's most sophisticated sampling keyboard - the Synclavier. Paul Gilby discovers how it came about. |
When is a Computer? - Part 1Feature Series | Topic: Computing | One Two Testing, Nov 1983In fact, when is it a musical instrument? We start making sense of the silicon chip. |
Commercial breakFeature | Topic: Education | The Mix, Apr 1995Bob Dormon finds the Royal Academy moving with the times |
Postcard from WindermereShow Report | Sound On Sound, Feb 1987Music technology consultant Martin Russ reports on the recent Conference On Reproduced Sound held by the Institute of Acoustics. |
A Programmer's Guide to the Roland D110 - Part 2Feature Series | Sound On Sound, Aug 1989PART 2: Greg Truckell winds up his two-part power user's guide to this popular LA expander with some applications techniques. |
A History of Electronic Music - Part 6Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1982Into the Seventies |
Electronic Music NotationFeature | Topic: Composing / Art, Music Theory, Performing | Polyphony, Sep/Oct 1978 |
The Novatron RevisitedFeature | Topic: Vintage Instruments | Electronics & Music Maker, Feb 1983An instrument which has shaped today's electro-music |
The Outer LimitsShow Report | Electronics & Music Maker, Feb 1985Exclusive reviews of two avant garde music festivals that saw technology pushed to its creative limits, Ars Electronica at Linz and the International Computer Music Conference at IRCAM, Paris. |
Computer MusicianEditorial | Electronics & Music Maker, Feb 1985Suffering Lack of Creativity - a Doctor writes. |
The Hitch-Hiker's Guide To The WorkshopFeature | Topic: Recording Studios | Sound International, Apr 1979Richard Elen visits the BBC's Radiophonic Workshop and hitches a ride through 21 years of past and present music and effects production from Quatermass to Blake's 7. |
PatchworkFeature | Music Technology, Jun 1992The final disc in the Zero-G Datafile series joins Coldcut's Kleptomania in the growing library of sample CDs - Tim Goodyer checks them out, while Andy Neve loads The Sound Foundation's programming efforts into his Roland MKS70 in this month's Patchwork. |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Dec 1983Gate, Trigger and Clock PulsesTrigger, gate and clock pulses |
Advanced Music SynthesisFeature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Apr 1981 |