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Quotes Of The YearRetrospective | Topic: Humour | International Musician, Dec 1985From the profound to the downright silly, we wind up a year's chit-chat |
Book ReviewReview | Electronics & Music Maker, Jun 1983 |
One LinersCompetition | Making Music, Aug 1987 |
Eight Days a WeekFeature | Topic: Music Business | One Two Testing, Apr 1984How much do musicians really earn? The rich ones (ahem) the poor ones (definitely). |
The Best Producers In The WorldFeature | One Two Testing, Jun 1984Nominated by Steve Levine, Steve Lillywhite, Peter Collins, Hugh Padgham, Swain and Jolley |
PatchworkFeature | Topic: Synthesizer Patches | Electronics & Music Maker, Apr 1984Readers send in their own favourite synth sounds and how to generate them. Plenty of monosynths this month, including the Moog Prodigy, Transcendent 2000 and Roland SH-101. |
Roland MC50 Micro ComposerReview | Music Technology, Jan 1991Having pioneered the Micro Composer in the '70s, Roland reaffirm the position of the hardware sequencer in 1990 with the MC50. Simon Trask is fatally attracted. |
Questionnaire Results - Part 2Feature Series | Topic: Computing | Electronics & Music Maker, May 1984Readers' replies to the second half of our survey, analysed by David Ellis. |
Beat Box ChicRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Nov 1986Digital drum machines may rule the waves in the R&D labs, but one obsolete analogue device is still the record producers' first choice. Tim Goodyer dissects the appeal of Roland's classic TR808. |
All Change!Review | Sound On Sound, Jan 1986Linn SequencerFrom the creators of the first digital drum machine comes the world's most powerful MIDI controller - the new Linn Sequencer. Mark Jenkins believes it could well cause a lot of us to re-think the way we record. |
QuPlay QP1Review | Home & Studio Recording, Oct 1985Dave Ward enthuses over this very useful aid to multitrack control. |
Siel CruiseReview | Electronics & Music Maker, Jan 1984SynthesiserA versatile mono/poly combination keyboard from the Siel stable comes under examination. |
Rhythm and FuseFeature | Topic: Drum Programming | One Two Testing, Jul 1984can you tell a real drummer? |
Quality of LifeEditorial | Music Technology, Apr 1987As the world and his wife gets hot under the collar about affordable 16-bit sampling, we wonder if the increase in sound quality is necessary at all. |
Sex and the Rock StarFeature | Topic: Music Business, Performing | One Two Testing, Sep 1984who does it where to whom and with what |
EditorialEditorial | Home & Studio Recording, Feb 1984 |
PatchboxFeature | One Two Testing, Nov 1984five stars pick their fave soundsVince Clarke, Jon Lord, Steve Levine, Bill Nelson, John Foxx... five heroes of the keyboard nominate their favourite synth tracks and sounds |
Music On The MoveFeature | Sound On Sound, May 1992Hi-Tech You Can Take AnywhereForget towels, deodorant and trashy paperbacks, what you really want to pack in your suitcase come the Summer is a go-anywhere MIDI studio. Paul Ireson advises on suitable travelling companions. |
Sequencers Have Feelings TooFeature | Topic: Sequencing | Sound On Sound, Aug 1992Your sequencer could be having more of an effect on your music than your synths do. Wilf Smarties wonders whether you should be giving your MC50 a co-writing credit... |
Sample ShopReview | Sound On Sound, Mar 1993 |