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Practically MIDI - Part 3Feature Series | Topic: MIDI, Synthesis & Sound Design | Sound On Sound, Nov 1987While most of us spend our time trying to get our MIDI equipment to work together properly, Martin Russ reveals how to creatively mis-use MIDI and produce some interesting musical results. |
Pastorius KilledNews | Making Music, Oct 1987 |
Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |
RockschoolNews | Making Music, Nov 1987 |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jul 1984Recording Electric GuitarRecording electric guitar; the theory and practice behind miking up guitar amps. |
Book ReviewsReview | Electronics & Music Maker, Nov 1982 |
AmericaNews | Electronics & Music Maker, Nov 1982 |
Amiga Music!Feature | Topic: Computing | Sound On Sound, Jan 1989The Commodore Amiga range of computers have been conspicuous by their absence from this magazine's pages - but not any more! The Amiga has always been a great graphics machine, but it is equally talented when it comes to making music. In fact, its onboard sound chip is one of the best around. Phil South delivers a quick guide to making music on the Amiga. |
A New Angle On FM?Review | Sound On Sound, May 1989Yamaha TQ5 ExpanderStylish or ugly, don't let the TQ5’s unconventional casing distract you from the fact that with its 8-track integral sequencer and digital effects, this 4-operator FM expander packs a pretty powerful punch for the money. David Hughes reports from his ring-side seat. |
Robert Moog - Lecture ReportFeature | Topic: Education | Electronics & Music Maker, Nov 1982A Young Person's Guide To Electronic MusicThe father of the voltage controlled synthesiser lectures in London, and E&MM reports. |
FM's Finest HourReview | Sound On Sound, May 1989Yamaha V50 WorkstationPaul Ireson explores Yamaha's latest professional keyboard, which integrates FM synthesis, a drum machine, a powerful sequencer and a multi-effects unit into a single package. Could it be FM's finest hour? |
The Power To Be PortableReview | Sound On Sound, May 1991Yamaha QY10Is it a bird? Is it a plane? No! It's a battery powered, pocket sized, 8-track sequencer/32-note 8-part synth'n'drums module. Craig Anderton checks out Yamaha's mighty midget. |
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