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Kawai K4Review | Sound On Sound, Jan 199016-Bit Digital SynthesizerFollowing on from the success of their extremely popular K1, Kawai have gone upmarket with the 16-bit K4. Tony Wride looks at the company's new flagship synth. |
From Demo to Vinyl - Part 1Feature Series | Topic: Music Business | Home & Studio Recording, Aug 1986Mark Fishlock investigates the industry's point of view when it comes to evaluating demos. |
ToolboxNews Audio | The Mix, Nov 1994Sounds, samples, & software upgrades for the modern studioSoftware, samples and gadgets for the modern musician |
Works OutingFeature | Topic: Humour | Making Music, Jan 1987Strange goings on at Recycled Goods plc. |
Korg S3 - Part 1Review Series | Music Technology, Jan 1991Rhythm WorkstationThe drum machine's reply to the keyboard workstation is Korg's S3 Rhythm Workstation. Simon Trask looks at the first of a new breed of drum machine, sequencer and effects processor. |
The ProducersFeature | International Musician, Jun 1986Chas de Whalley chews the fat with Howard Grey, the young turk behind some of UB40's and Scritti Politti's finest moments |
The Art of Going Soft - Part 3Feature Series | Topic: Computing | Electronics & Music Maker, Jul 1985The Music 500 receives an AMPLE voicing and sequencing program to tempt junior programmers into getting their feet wet. |
Marantz Professional PMD740 MultitrackerReview | Music Technology, Jun 1993The cassette 4-track is still the focal point of the home studio, and Marantz have produced a serious challenger to the familiar Portastudio. How does it measure up? How will musicians’ take to it? How does Nicholas Rowland do it? |
Budget Mic RoundupFeature | Topic: Microphones | Home & Studio Recording, May 1987Want to buy a mic for under £50? Try these for size. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Mar 1991Hints, Tips & News From The World Of Music SoftwareMore software hints and tips from C-Lab and Steinberg. |
The Flexible DrumboxFeature | Topic: Advertisement Feature | Electronic Soundmaker, Jun 1984 |
Monitor Special: JBL 4425 - Part 2Review Series | Home & Studio Recording, Aug 1986Ken Dibble concludes this 2-part review by appraising the JBL 4425 monitor. |
Book ReviewsReview | Electronics & Music Maker, Apr 1982 |
NewsNews | Making Music, Feb 1987And what news there is. A special preview on the Frankfurt fair, lifting the veil on 1987's most important gear. |
Casio DA7Review | Music Technology, Feb 1991Portable DAT RecorderCasio's DA1 and DA2 Digital Audio Tape machines have helped put DAT into many budget studios. Tim Goodyer suggests that the DA7 will see it in a few more. |
Ibanez GE3101 Graphic EqualiserReview | Home & Studio Recording, Jan 1984 |
21 TodayReview | Electronics & Music Maker, Aug 1985Yamaha's DX21 polysynth offers FM sound quality at a low, low price, plus a few features even the DX7 doesn't have. Simon Trask investigates. |
Lexicon MRCReview | Music Technology, Jun 1993MIDI FX ControllerProgramming Lexicon FX units has never been easier, thanks to this upgraded version of their remote control. And what do you know? Nicholas Rowland, not Top Cat, is the most effectual. Lexicon’s LXP-5 FX module gets the one-over too |
Just like starting overFeature Audio | The Mix, May 1995 |
BBE Sonic MaximizerReview | Sound On Sound, Apr 1991Does BBE's new box of psychoacoustic tricks offer a new way of livening up a mix? David Mellor takes his music to the max. |
Macintosh or Atari?Feature | Topic: Computing | Sound On Sound, Jan 1988Over the last few years musicians have consistently been more excited over the latest MIDI hardware developments than they have over MIDI software. Whilst other micros have come and gone, the Atari ST and Macintosh micros have quietly become the established computers for making music with MIDI. Ed Jones reveals why with a look at Steinberg's Pro-24 (V2.1) and Mark Of The Unicorn's Performer (V2.2) programs. |
MIDI In ControlFeature | Topic: MIDI | Music Technology, Apr 1989MIDI is regularly used to perform tasks as varied as switching notes on and off, storing patch libraries and controlling mixes, but can it control sound itself? Vic Lennard looks at the uses of MIDI noise gates. |
Sounding OffOpinion | Sound On Sound, May 1990Hi-Tech And MasculinityHi-tech and masculinity: Patrick Dailly wonders why more boys get involved with hi-tech music than girls. |
The Direct Approach - Boss DI1Review | Home & Studio Recording, Jul 1985 |