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RealTime Intelligent SequencerReview | Sound On Sound, Aug 1989Offering 256 tracks, direct screen manipulation of events, and the facility to alter any type of data whilst your sequence keeps playing, RealTime looks set to make a big name for itself very quickly. Martin Russ took a real shine to it - will you? |
HometapingFeature | Topic: Home Studio | International Musician, Jan 1985Patrick WilsonA commercial outlook and a complex setup. We invade Patrick Wilson's home studio |
Short CutsReview | Music Technology, Dec 1993 |
WelcomeEditorial | Sound On Sound, Jul 1988 |
Bandwidth BandwagonFeature | Topic: Sound Fundamentals | Music Technology, Mar 1987It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures. |
Interfacing The Line - Part 2Feature Series | Topic: Maintenance / Repair / Modification | Home & Studio Recording, Apr 1985The importance of impedance matching at line levels is widely misunderstood. This article attempts to clarify the situation. |
Practical PA - Part 1Feature Series | Topic: Live, Microphones | Sound On Stage, Nov 1996Part 1: Introduction To PA |
Pandora Technology Powertools M1 EditorReview | Music Technology, Dec 1988Software for the Atari STIf you're looking for an easy approach to programming your new Korg M1 workstation, this Atari ST program could be for you. Vic Lennard goes to work with a mouse. |
Marshall Compact StackReview | In Tune, Dec 1984 |
The Press GangFeature | Topic: Humour | Making Music, Jun 1986Who do these music press writers think they are? A big joke, that's what we make of it. |
Sound Advice - Part 3Feature Series | Topic: Microphones | In Tune, Jul 1986Taking The MikeWhere to stick that mike! |
Bits 'n' Pieces - Part 2Feature Series | Topic: Digital Audio, Recording, Sound Fundamentals | Recording Musician, Dec 1992Digital AudioHow tapeless recording works and what advantages it has over conventional recording systems. |
The Big Ten - 1979Retrospective | International Musician, Mar 1985 |
US Audio GatexFeature | Sound On Sound, May 1986With the increased use of direct-injected sound sources like drum machines on modern recordings, the role of the humble noise gate has gradually shifted from a purely corrective to a creative one. Sound engineer Dave Lockwood discovered even more creative applications when he tested this American four-channel expander/gate from US Audio. |
Top To BottomReview | Sound On Sound, Oct 1993Behringer Multifex • Ultrafex • Bassfex • Multiband Enhancers |
Messe MagicShow Report | Music Technology, Mar 1987Frankfurt Musikmesse 1987While for those with a taste for the European, we present a similarly in-depth account of the '87 Musikmesse. If it hit the headlines in Frankfurt, you'll read about it here. |
Return to Zero - Part 4Feature Series | Topic: Recording | Home & Studio Recording, May 1985Noise ProblemsJust when you thought noise was a thing of the past... Gremlins are back - in a studio near you. |
Hybrid Arts EZ-Track PlusReview | Music Technology, Dec 1988Software for the Atari STAn upgraded version of Hybrid Arts' EZ-Track brings a new degree of sophistication to mid-price sequencing software. Gordon Reid takes it EZ with his Atari. |
Music NewsNews | International Musician, Mar 1975 |