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Stockhausen - Part 3Interview Series | Sound International, Dec 1978Jill Purce concludes discussions with the new music man. |
ImaginationInterview | Electronics & Music Maker, Apr 1986could make a star of youBehind the classic 'Imagination' single lies a sensitive songwriter with a keen ear for melody and a fascination for modern technology. Tim Goodyer talks to Neville Keighley and his session keyboardsman, Peter Oxendale. |
A Room Of My Own: The BeatmastersInterview | Sound On Sound, Dec 1992 |
James Taylor QuartetInterview | Phaze 1, Nov 1988 |
Something To Bragg AboutInterview | Phaze 1, Feb 1989a crash course in career-building from the bard himself |
The Remix MasterInterview | Topic: Advertisement Feature | International Musician, Mar 1986The re-mix master at work |
Working WorldInterview | International Musician, Oct 1986Working Week take a break to chat to Tony Reed on the subjects of pop, politics, and the importance of dance. |
Shades of YelloInterview | International Musician, Oct 1986Back to nature with Boris Blank. Tony Reed listens intently to technical talk about dripping water, talking drums and mountain ranges. |
Cope's ScopeInterview | Making Music, Apr 1987 |
The CollectorInterview | Topic: Vintage Instruments | Music Technology, May 1993Bob Williams has one of the finest collections of analogue synthesisers in the world, and cherishes them with a care that would make the Science Museum blush. Peter Forrest crosses hill and dale to Cornwall to take a long, loving look, and uncovers a whole network of Moog and Mellotron devotees. Whatever next - 'The Antique Rhodes Show'? |
A Guy Called Gerald - Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Bill Nelson - A Full NelsonInterview | Electronic Soundmaker, Apr 1985Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us. |
Depeche Mode - The Basildon BondInterview | Electronic Soundmaker, Apr 1984 |
Double Trouble - Seeing DoubleInterview | Music Technology, Sep 1990Meeting the music business and business of making music on their own terms saw one London band building a studio as well as a reputation from the ground up. Simon Trask gets in deep with Double Trouble. |
Howard Jones - Mister MIDIInterview | Sound On Sound, Apr 1989Howard Jones was the first keyboard player to successfully exploit the new technology to the full by regularly performing solo concerts with nothing but MIDI instruments as his backing band. In this rare interview, Brian Jacobs talks to Howard about his music, recording, his decision to produce most of his new album himself, and his growing admiration for an instrument he once said he would never use. |
It's ImmaterialInterview | Music Technology, Sep 1990In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world. |
Johnny Hates JazzInterview | Music Technology, Apr 1988Johnny Hates Jazz are in the privileged position of being allowed to produce their own debut album. David Bradwell talks to the band about their unusual situation, their techniques and their philosophies. |
Ken FreemanInterview | Electronics & Music Maker, Oct 1982We look at how electronics, synths and a PET computer have influenced this versatile British composer. |
Midge UreInterview | Sound On Sound, Nov 1985A Man With A GiftIn between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No1 single with Ian Gilby. |