From Folkie to MIDI. Chris Maillard finds out how the hard bitten acoustic veteran has been bitten hard by the electronic bug

Are The Art of Noise? Is Adrian Deevoy?

Tony Horkins confesses a closet liking for the king of Canadian A.O.R. Let the kids rock...

Pete Wingfield in the ring with Soul mate Chas de Whalley

Vic Springer clashes paisley shirts with the psychedelic medics

Oceanic interviewed

Merseyside's pop trio on presets, jingles, Nirvana and 2 Unlimited

Pete Harris, engineer, producer and programmer talks to Paul White about working in the Zomba empire.

At home with the semi-detached Georgians

Hendrix rises again - thanks to two musicians, a helpful bureaucrat, and a rack-full of Akais

Mary Chain man in melody shock

Wrexham's master remixers spill the beans

Ben and Trace talk dirty

Wise words from the master of modern production

The man behind Elton’s new mix

applications throughout the world

fresh words

Jill Purce concludes discussions with the new music man.

You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists.

Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.

Meeting the music business and business of making music on their own terms saw one London band building a studio as well as a reputation from the ground up. Simon Trask gets in deep with Double Trouble.

Howard Jones was the first keyboard player to successfully exploit the new technology to the full by regularly performing solo concerts with nothing but MIDI instruments as his backing band. In this rare interview, Brian Jacobs talks to Howard about his music, recording, his decision to produce most of his new album himself, and his growing admiration for an instrument he once said he would never use.

In the battleground that is the record business, one band have managed to find the space to be one of the most individual and resourceful of British talents. Nigel Lord talks uncommerciality in an Immaterial world.

Johnny Hates Jazz are in the privileged position of being allowed to produce their own debut album. David Bradwell talks to the band about their unusual situation, their techniques and their philosophies.

We look at how electronics, synths and a PET computer have influenced this versatile British composer.

A Man With A Gift

In between tours with Ultravox and appearances on Live Aid, Midge Ure somehow found the time to discuss the writing and recording of his first ever solo LP 'The Gift' and his No1 single with Ian Gilby.