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Simmons MTMReview | International Musician, Feb 1986RhythmCheckFuture perfect and future possibilities. Bob Henrit on Simmons' new trigger unit |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |
Roland TR626Review | Music Technology, Nov 1987Rhythm ComposerBeat crazy. As yet another drum machine arrives on the market, Nicholas Rowland wonders if it's time to get away from the present format. |
BatrachophrenoboococosmachiaFeature | Topic: Music Theory | Electronics & Music Maker, Mar 1982Ben Duncan presents philosophies on the effects of music. |
Control Room - Monitoring - Part 2Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1983A practical look at monitoring. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Jan 1990Hints, Tips & News From The World Of Music SoftwareMore hints and tips from the world of music software. |
It don't mean a thing...News | The Mix, Sep 1994 |
Yamaha MT1X PortastudioReview | International Musician, Jun 1986Studio TestYamaha's latest incursion into the portastudio market looks like something out of Alien. Does it sound out of this world too? Richard Walmsley has a close encounter of the reviewing kind |
C-Lab CreatorReview | Music Technology, Dec 1987Software for the Atari STThe competition for an industry-standard sequencing program to accompany the industry-standard computer hots up, as Simon Trask finds out when he picks up the mouse on C-Lab's contender. |
Beyer MCE81 Condenser MicrophoneReview | Sound On Sound, Jan 1988Beyer's MCE81 condenser mic is their latest addition to a long line of sturdy, high quality studio and stage microphones. Gareth Stuart finds out just what it records best. |
Turbosound TPC-1151 Phase CheckerReview | Home & Studio Recording, Sep 1986Ben Duncan explains this most useful gadget. |
Gateway Multitrack CourseFeature | Topic: Education | Home & Studio Recording, Jul 1985Looking for an entry into the world of recording? Neville Unwin investigates one of the better-known beginners' courses in recording techniques. |
Wristy BusinessFeature | Topic: Tuition / Technique | Making Music, Oct 1986 |
When the Pressure's OnFeature | Topic: Microphones | Home & Studio Recording, Oct 1986Getting the best out of Tandy's Realistic PZM microphones. |
FX on Fire!Review | In Tune, Dec 1985Vesta-Fire FX Pedals plus D-1X Digital Delay & L-1 Low Frequency OscillatorNew pedals on test |
The Secrets of Computer Composition - Part 1Feature Series | Topic: Algorythmic Composition | Music Technology, Mar 1989The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself. |
Studiomaster MOSFET 1000Review | Home & Studio Recording, Aug 1985Ben Duncan gives this power amplifier a thorough going over before telling you that he quite likes it. |
dB or not dBFeature | Topic: Sound Fundamentals | Home & Studio Recording, Jan 1986— Dat is de QuestionPaul White does his level best to unscrew the inscrutable. |
ToolboxNews Audio | The Mix, May 1995Sounds, samples, & software upgrades for the modern studioNew software, updates, sounds, and samples |
Home Electro-MusicianFeature | Topic: Home Studio | Electronics & Music Maker, Feb 1983 |
David Bowie - Track Record: Bowie & JaggerFeature | Topic: Classic Tracks | International Musician, Nov 1985All profits from Tony Horkins' features go to Live Aid |
Paul Ward - Behind the ScenesFeature | Topic: Maintenance / Repair / Modification, Recording Studios | Home & Studio Recording, May 1987Although the title 'maintenance engineer' does not have the glamour of 'producer', it is an essential job. Paul Ward tells us why. |
Tears for Fears - In The Heart Of The CountryFeature | Topic: Recording Studios | Music Technology, Apr 1987The Wool HallIf you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports. |