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Interviews

Simmons MTM

Review | International Musician, Feb 1986
RhythmCheck

Future perfect and future possibilities. Bob Henrit on Simmons' new trigger unit

Digidesign Samplecell

Review | Sound On Sound, Mar 1991

Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses.

Roland TR626

Review | Music Technology, Nov 1987
Rhythm Composer

Beat crazy. As yet another drum machine arrives on the market, Nicholas Rowland wonders if it's time to get away from the present format.

Batrachophrenoboococosmachia

Feature | Topic: Music Theory | Electronics & Music Maker, Mar 1982

Ben Duncan presents philosophies on the effects of music.

Control Room - Monitoring - Part 2

Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1983

A practical look at monitoring.

MIDI Timing Delays

Feature | Topic: MIDI | Sound On Sound, Mar 1993
Software & Hardware Thrus

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Jan 1990
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

It don't mean a thing...

News | The Mix, Sep 1994

Yamaha MT1X Portastudio

Review | International Musician, Jun 1986
Studio Test

Yamaha's latest incursion into the portastudio market looks like something out of Alien. Does it sound out of this world too? Richard Walmsley has a close encounter of the reviewing kind

C-Lab Creator

Review | Music Technology, Dec 1987
Software for the Atari ST

The competition for an industry-standard sequencing program to accompany the industry-standard computer hots up, as Simon Trask finds out when he picks up the mouse on C-Lab's contender.

Beyer MCE81 Condenser Microphone

Review | Sound On Sound, Jan 1988

Beyer's MCE81 condenser mic is their latest addition to a long line of sturdy, high quality studio and stage microphones. Gareth Stuart finds out just what it records best.

Turbosound TPC-1151 Phase Checker

Review | Home & Studio Recording, Sep 1986

Ben Duncan explains this most useful gadget.

Gateway Multitrack Course

Feature | Topic: Education | Home & Studio Recording, Jul 1985

Looking for an entry into the world of recording? Neville Unwin investigates one of the better-known beginners' courses in recording techniques.

Wristy Business

Feature | Topic: Tuition / Technique | Making Music, Oct 1986

When the Pressure's On

Feature | Topic: Microphones | Home & Studio Recording, Oct 1986

Getting the best out of Tandy's Realistic PZM microphones.

Odyssey Attila Guitar

Review | Music UK, Jan 1983

does Canada score again

FX on Fire!

Review | In Tune, Dec 1985
Vesta-Fire FX Pedals plus D-1X Digital Delay & L-1 Low Frequency Oscillator

New pedals on test

The Secrets of Computer Composition - Part 1

Feature Series | Topic: Algorythmic Composition | Music Technology, Mar 1989

The question "can computers write music" has never been more important than it is in 1989; what is an algorithmic composition program, and will it ever replace the human composer? Ian Waugh composes himself.

Studiomaster MOSFET 1000

Review | Home & Studio Recording, Aug 1985

Ben Duncan gives this power amplifier a thorough going over before telling you that he quite likes it.

dB or not dB

Feature | Topic: Sound Fundamentals | Home & Studio Recording, Jan 1986
— Dat is de Question

Paul White does his level best to unscrew the inscrutable.

Toolbox

News Audio | The Mix, May 1995
Sounds, samples, & software upgrades for the modern studio

New software, updates, sounds, and samples

Home Electro-Musician

Feature | Topic: Home Studio | Electronics & Music Maker, Feb 1983

David Bowie - Track Record: Bowie & Jagger

Feature | Topic: Classic Tracks | International Musician, Nov 1985

All profits from Tony Horkins' features go to Live Aid

Paul Ward - Behind the Scenes

Feature | Topic: Maintenance / Repair / Modification, Recording Studios | Home & Studio Recording, May 1987

Although the title 'maintenance engineer' does not have the glamour of 'producer', it is an essential job. Paul Ward tells us why.

Tears for Fears - In The Heart Of The Country

Feature | Topic: Recording Studios | Music Technology, Apr 1987
The Wool Hall

If you earn a fortune in royalties from record sales and you want your own recording studio, what do you do? If you're Tears For Fears, you build The Wool Hall. Paul Tingen reports.

 

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