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Tool BoxNews Audio | The Mix, Aug 1994Sounds, samples, & software upgrades for the modern studioNew software, systems, sounds, updates |
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Paradise FoundFeature | Topic: Recording Studios | Electronics & Music Maker, Nov 1985Paradise StudiosSynth players in search of Heaven need look no further than West London, where a recording studio puts the emphasis firmly on hi-tech musical equipment, but doesn't charge people the Earth to use it. Simon Trusk pays Paradise a visit. |
Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? |
Playing With Your Voice - Part 2Feature Series | Topic: Performing | Phaze 1, Aug 1989all the singer needs to know, part 2! |
Working with Boss Micro-Rack EffectsFeature | Topic: Advertisement Feature | International Musician, Sep 1986David Kenny gives these units the once-over |
The EqualiserEditorial | Music Technology, Feb 1990In a world of divided people, music is regarded as being one of the great equalisers - but that's only as long as you've got the cash for the gear. How equal are you? |
Reader's Poll ResultsFeedback | Making Music, Jan 1987Who you (the readers) voted as best musician, and what you (still the readers) voted as best gear. We shake the world. |
On The Beat - Part 12Feature Series | Topic: Drum Programming | Music Technology, Jul 1990No time to lose when it comes to odd metres. Nigel Lord takes a look at "difficult" time signatures in this month's instalment of MT's rhythm programming series. |
Sampling Through The AgesFeature | Topic: History / Culture, Sampling | Making Music, Apr 1987There's an awful lot of hi-hi-history involved, y'know |
80 DaysRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Sep 1990Yamaha CS80Once infamous as a roadie's nightmare, the CS80 has settled in synth history as an instrument of almost unmatched character. Peter Forrest rediscovers the pain and the pleasure. |
The Secrets of TimbreFeature | Topic: Mixing, Sound Fundamentals | Music Technology, Jul 1988Don't touch those Level and Pan controls - you may be able to solve your mixing problems more easily than you think. Robert Rich explains how the timbre of a sound affects its performance in the mix. |
Making the Most of... - Part 10Feature Series | Topic: Sampling | Home & Studio Recording, Feb 1986SamplingThis month we focus on the hows, whys and whats of sampling. |
The Programming PeopleFeature | Topic: Music Business | Sound On Sound, Nov 1985Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work. |
RAM-a-ROM-inFeature | Topic: Buyer's Guide | Sound On Sound, Dec 1986Sound On Sound's DEFINITIVE guide to DX7 RAM & ROM cartridgesWe bring you Sound On Sounds DEFINITIVE guide to all ROM/RAMs available for the Yamaha DX7 in the UK. Over 2500 voices tested and everything you need to know about the products revealed in a comprehensive round-up and table. |
Fender 'Hot Duo' TourShow Report | Electronics & Music Maker, Jan 1984 |
Quotes Of The YearRetrospective | Topic: Humour | International Musician, Dec 1985From the profound to the downright silly, we wind up a year's chit-chat |
Vital VocalsFeature | Topic: Recording | Recording Musician, Jul 1992A few simple rules to help you get professional-sounding vocal tracks every time. |
JulyEditorial | Making Music, Jul 1987 |
A Vocal Chord - Part 1Feature Series | Topic: Sampling | Music Technology, May 1988As you've probably already got your sampler playing drums, horns and strings, getting it to sing to you may sound deceptively easy. Tom McLaughlin explains there may be more to sampling the human voice than you'd heard. |
The Damned - Track Record: The DamnedFeature | Topic: Classic Tracks | International Musician, Apr 1986Jim Betteridge, The Damned and the man who made Eloise |