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Don't get mad get equalFeature Audio | Topic: Effects Processing | The Mix, Nov 1994EQ TutorialPerfecting your sound with a little equalisation |
Politics & PopFeature | Topic: Arranging / Songwriting, Marketing / Promotion, Music Business | Phaze 1, Feb 1989Are They A Good Mix?mixing the pop world's most powerful cocktail: should your music have a message? |
Bass AmpsReview | Topic: Buyer's Guide | One Two Testing, Sep 1984Bass Paradebass amps perused from Rockman, Carlsbro, Session, Peavey and Trace Elliot |
The Role of the Sound EngineerFeature | Topic: Recording | Sound International, May 1979Steve Hall bandies about words like involvement, commitment and encouragement as he argues that the engineer should take a more active role in the everyday process of recording. |
Reader's Poll ResultsFeedback | Making Music, Jan 1987Who you (the readers) voted as best musician, and what you (still the readers) voted as best gear. We shake the world. |
New Electronic & Instrumental Music In The Late 1980sFeature | Sound On Sound, Apr 1989An overviewMark Prendergast presents a general overview of record labels, artists, and recordings that make up the exciting area of new electronic and experimental music in the late 1980s. |
Five for Eighty-fiveRetrospective | Electronics & Music Maker, Jan 1986A nostalgic look back at 1985 by the people who bring E&MM to you each month. Was it really that bad? |
15 ThingsFeature | Making Music, Oct 1986You Never Knew About The Police15 things you never knew about them. |
Inside the Synclavier - Part 4Feature Series | Sound On Sound, Sep 1989David Mellor concludes his exploration of the world's most expensive musical instrument with an interview with a musician who can actually afford one, Simon Franglen. |
Peter Gabriel - PassionFeature | Topic: Recording Studios | Sound On Sound, Sep 1989Mark J. Prendergast explores the recording process that surrounded Peter Gabriel's new album 'Passion' and takes a peep inside Gabriel's Real World studio complex. |
NewsNews | Making Music, Feb 1987And what news there is. A special preview on the Frankfurt fair, lifting the veil on 1987's most important gear. |
Mega SmokeNews | Making Music, Dec 1986Goes Chrimbo CrazyA special seasonal waft of your favourite news and gossip column, this time drifting through the whole magazine and including mini-interviews with the likes of China Crisis and jokes from the likes of us. The fun starts here. |
Digital Days & Digital NightsShow Report | Music Technology, Dec 1987The AES ReportAmerica's premier recording exhibition provides Bob O'Donnell with food for thought; the password is "digital", just like the gear. |
Electronic Music For FilmsFeature Audio | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Jan 1982Richard Mitchell explains his use of electronic music for film. |
A Picture Of HealthFeature | Topic: Performing | International Musician, May 1985Musicians & Health250 players reply to a smoking, drinking and drugs questionnaire |
Inside The Synclavier - Part 1Feature Series | Topic: Digital Audio Workstations, Vintage Instruments | Sound On Sound, Jun 1989PART 1: New England Digital's Synclavier is the world's most expensive musical instrument, bar the odd 300 year old Stradivarius. But more than that, it can be a recording studio, a post-production system, a music engraver, a scientific research tool... and more. The Synclavier is at the leading edge of musical technology. David Mellor sets out on a voyage of discovery. |
On The RecordFeature | Topic: Music Business | Sound On Sound, Nov 1993What A&R Managers want from your demoFor many musicians, their first stab at getting their music heard is sending a demo to a record company or producer. But what do the people who listen to demos every day want from your tape? Sue Sillitoe finds out. |
That Syncing Feeling - Part 3Feature Series | Topic: MIDI, Syncronisation | Micro Music, Oct/Nov 1989Chris Smith enlightens us on the subject of locking music to video |
Strings & The Art Of ArrangingFeature | Topic: Arranging / Songwriting | International Musician, Mar 1986A string arrangement can make or break a song — Ian Gardiner digs up a few basic rules for right-on arranging. |
The ProducersFeature | Recording Musician, Apr 1993A complete history of record production accompanied by quotations and anecdotes from no fewer than 18 of the world's leading producers. |