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Central ControlEditorial | Music Technology, Jan 1987Why doesn't Britain, home of so much that is good in modern music, have a central institute for music technology development? |
Over The Road Show ReportShow Report | Electronics & Music Maker, Aug 1983 |
West Coast StoryShow Report | Music Technology, Mar 1987Winter NAMM 1987Our spectacular show coverage starts here, with masses of information - backed up by colour photographs - on the biggest Winter NAMM show there's ever been... |
Do The DATmanReview | Sound On Sound, Jul 1991Sony TCD-D3 DAT WalkmanIt is often said that the best things come in small packages — and the new Sony DAT Walkman is no exception to the rule. Simon Sanders takes a look at this miracle of micro electronics and asks, "Can anyone lend me £650?" |
Techno PopRetrospective | Music Technology, Aug 1991The Fall and Rise of Technology in MusicSteering this magazine through the '80s made Dan Goldstein a prominent character in the music industry. Putting aside 90 Minutes he gives a personal view of the last decade in music, technology and Music Technology. |
Criminal Record? - Part 1Feature Series | Topic: Sampling | Music Technology, Mar 1992Sample CDsFirst they were sampling off other peoples' records, now they're selling records to sample off. Tim Goodyer listens while Simon Harris, Pascal Gabriel, Norman Cook, Ed Stratton and Coldcut put the case for sampling CDs. |
Ultimate Percussion UP5Review | Electronics & Music Maker, Dec 1984Electronic Drum KitA British-built electronic drum kit for under £500. Sounds good, affirms reviewer Paul White. |
Increased ProphetsReview | Sound On Sound, Apr 1986Keyboard programmer Paul Wiffen brings you the latest developments on the Sequential sampling system: the new 2002 rack-mount, and the superb Digidesign visual editing software. He also takes a look at the Prophet 2000 and passes on some useful tips for using its 'mapping' function to the full. |
Hey Mr DJ!Feature | Topic: Live, Performing | The Mix, Nov 1994Getting into DJingHow to mix records, what gear to buy, and how to get work |
Hardware OverloadShow Report | Electronics & Music Maker, Mar 1985The Good, The Bad and The Ugly at Frankfurt's Musical FiestaFive pages of glorious colour on the exhibition to end all exhibitions - the annual Frankfurt Musik Messe. Dan Goldstein comes hotfoot from Germany to report on the latest developments on the hi-tech music scene. And there are a lot of them. |
Production LinesOpinion | Recording Musician, Jul 1992Guest producer Nicky Graham looks into the future of recorded music. |
Ensoniq MirageReview | Electronics & Music Maker, Jul 1985At last - the instrument with a name on everybody's lips receives an in-depth examination of its European version. Man-on-the-spot is Paul Wiffen. |
SpotlightFeature | Topic: Home Studio | Sound On Sound, Apr 1987Reader ProfileHaving written to us suggesting we extend our magazine coverage to include readers' own set-ups and experiences, Bruce Graham suddenly found himself the subject of such a feature. Read on and find out why... |
Fair FactsShow Report | Electronics & Music Maker, Jul 1985A sneak preview of what you can expect to see at this year’s British Music Fair - the first to open its doors to the public for years. |
Quality of LifeEditorial | Music Technology, Apr 1987As the world and his wife gets hot under the collar about affordable 16-bit sampling, we wonder if the increase in sound quality is necessary at all. |
Apple NotesFeature | Topic: Computing | Sound On Sound, Apr 1993 |
Sound EffectsReview | Sound On Sound, Sep 1987The BBC's sound effects records have been the staple diet of many a film, TV and radio production. Now there is a new generation of digitally recorded sound effects available on compact disc which are ideal for sampling. David Mellor assesses their worth. |
Record ProfitsFeature | Topic: Music Business | Phaze 1, Feb 1989the average album costs over six quid: where does it go, and why? |
Korg DRV3000Review | Sound On Sound, Sep 1987Digital ReverbFollowing on from the DRV 1000 and DRV2000, this latest digital reverb cum multi-effects processor is Korg's most sophisticated yet - 16-bit, 20kHz bandwidth, full MIDI control and, for all armchair enthusiasts, an infra-red remote control. David Hughes reports. |
You TooFeature | Topic: Marketing / Promotion | Making Music, Apr 1987Fame: Getting ItA quick guide to self-awareness, and some tips on extending your fame beyond 15 minutes |
The Explosive MixtureFeature | Topic: Mixing | One Two Testing, Jun 1985The First Singleand sensible use of mixing time |
Electronics and Music in HarmonyFeature | Topic: Education | Electronics & Music Maker, Jun 1981 |