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Digisound PK1 PitchTrackerReview | Electronics & Music Maker, Apr 1986Most pitch-tracking machines cost a second mortgage to get hold of, but Digisound's new offering offers CV/Gate compatibility for around £200. Paul White has the details. |
ART MultiverbReview | Sound On Sound, Jan 1989In this age of the preset, you need all the help available to stamp your personality on the sounds you produce. Paul Ireson finds a new ally in the fight for individuality - ART's fully programmable, four-effects-at-once signal processor. |
Intelligent MusicReview | Music Technology, Mar 1987Software for Apple MacintoshAfter the Jam Factory comes "M", an advanced music composition and manipulation system for the Mac. Jim Burgess investigates a variation on the theme of MIDI recording. |
Siel PX Electronic PianoReview | Electronics & Music Maker, Feb 1984A ten preset voice electronic piano with touch sensitive keyboard and separate bass section. |
Writing on the WallFeature | Topic: Live, Marketing / Promotion | Phaze 1, May 1989all publicity is good publicity - and even with limited funds, your band can still have a great image |
In the Sticks with PromucoFeature | Topic: Design, Development & Manufacture | In Tune, Dec 1985 |
On The Beat - Part 29Feature Series | Music Technology, Apr 1992Soaking your drum voices in reverb effects gives great sounds but it makes programming drum patterns much harder. Nigel Lord explains how to fit larger-than-life drums into a song. |
News - GuitarsNews | In Tune, Jan 1985 |
Bionic TrumpetFeature | Topic: Construction / Build, Electronics / Build | Polyphony, Feb 1978 |
Amiga - Theory And PracticeFeature | Topic: Computing | Electronics & Music Maker, Aug 1986David Ellis buys a Commodore Amiga and looks at the latest software written for it. The music is good, the graphics are better - but what does the future hold? |
RusslingsOpinion | Topic: Sampling | Sound On Sound, Mar 1992Sampling clichés and how to avoid them. |
Home Recording TechniquesFeature | Topic: Home Studio, Recording | Sound On Sound, Jan 1989With a little thought and a few 'tricks of the trade', it is possible to produce top quality recordings at home. David Mellor explains how. |
Pick 'n' Mix - Part 3Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Sep 1992Recipes For A Tasty Dance TrackOur dance music series continues with a selection of drum patterns, chords, and basslines for you to try out. |
MTR 12:8:2 MixerReview | International Musician, Aug 1986Studio TestJim Betteridge explores every nuance of the MTR mixer, but still doesn't reveal what MTR stands for |
Orchestral ManoeuvresFeature | Topic: Arranging / Songwriting, Sequencing | Sound On Sound, Aug 1989Mozart Meets C-Lab NotatorProving that hi-tech tools are not the sole preserve of pop musicians, Richard Gonski, Music Director of the Electric Symphony Orchestra, tells how he and Francis Monkman took Mozart's Piano Concerto In C Minor, K.491, and sequenced the whole work using C-Lab's Notator. |
On The Beat - Part 30Feature Series | Music Technology, May 1992Imagine buying a drum machine full of good factory preset rhythm programs - instead of the usual collection of cliches. Nigel Lord offers a solution to pre-programmed predictability. |
Jaydee Supernatural GA BassReview | In Tune, Apr 1985 |
A Basic Guide To Acoustic Sound SynthesisFeature | Topic: Sound Fundamentals, Synthesis & Sound Design | Sound On Sound, Jun 1988Rudi Cazeaux explores the nature of sound and presents some basic guidelines for synthesizing the various standard groups of acoustic instruments. |
A Compositional Method for Electronic ComposersFeature | Topic: Composing / Art | Polyphony, Jul/Aug 1978 |
Celestion SidewindersReview | International Musician, May 1986SpeakerCheckThe Armoury Show's Russell Webb lends an ear to Celestion's new computer-aided Sidewinders, cheap speakers with a high-class sound |
Raising The StandardFeature | Topic: Computing | Electronics & Music Maker, Aug 1986MSX SoftwareIs the Japanese computer standard a dead duck, or will the latest music and video software from Toshiba and Pioneer save the day? Annabel Scott has the answers. |
Korg SoundlinkReview | Sound On Sound, Apr 1992Digital Audio WorkstationKorg are well known for making musical instruments, but the Soundlink takes them into the new field of hard disk recording/editing. David Mellor watches the price of hard disk editors descend to breathable regions of the atmosphere. |
Dr T'S T-BasicReview | Music Technology, May 1990Software for the Atari STUntil now writing MIDI software has been the preserve of a few dedicated individuals, but T-Basic offers to make MIDI programming accessible to the masses. Ian Waugh gets online. |