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Wendy Carlos - Back To BachInterview | Music Technology, Jun 1993Wendy Carlos still loves digital synthesis. Through her pioneering soundtrack work on movies like Tron, and her synthesised interpretations of the classics, she has done as much as Jarre, Kraftwerk and Eno in making synthesisers both respectable and popular. She also used to be Walter Carlos. Daniel Rue investigates | |||
Wendy Carlos - Switched-On CarlosInterview | Sound On Sound, Nov 1993 | |||
This artist was mentioned in these interviews | |||
Bernard Xolotl on Synclavier II and MusicInterview | Electronics & Music Maker, Mar 1983This French-born synthesist describes his experiences with the Synclavier and other digital instruments | |||
Larry Fast - Sounds of MetropolisInterview | Sound On Sound, Apr 1987Mark Jenkins pins down the expert synthesist/programmer best known for his work with Peter Gabriel, and discusses the release of his eighth solo album - 'Metropolitan Suite'. | |||
Hubert Bognermayr - Electric BlueInterview | Music Technology, Feb 1989From the first all-electronic record label to the first ARS Electronica concert, Hubert Bognermayr has been one of electronic music's pioneers. David Bradwell makes the Austrian connection. | |||
Hubert BognermayrInterview | Electronics & Music Maker, Aug 1983Founder of Ars Electronica, this Austrian composer talks about his work on 'Erdenklang' and his own approach to the Fairlight CMI | |||
Under New OrdersInterview | Music Technology, Apr 1994More than a decade and a half after they first fell out of Manchester, New Order's most married couple are still at the nerve-centre of the band's activities. Helping them come to terms with it all - Phil Ward | |||
Hans Zimmer - Ronny's Electro-Music CabaretInterview | Electronics & Music Maker, Jul 1982European singer Ronny makes her U.K. concert debut with Warren Cann and Hans Zimmer and the trio talk about their musical adventures. | |||
Heaven 17 - Penthouse and StatementInterview | One Two Testing, Nov 1982DATA: Martyn Ware/new album/Synclavier keyboard/digital technique... HARD COPY | |||
Philip Glass - 20th Century Americans - Philip Glass - Part 1Interview Series | Music Technology, Jan 1993Philip Glass: Glazed expression | |||
Simple Minds - Guitars Made SimpleInterview | One Two Testing, Jan 1983Wee chap and guitarist-person Charlie Burchill lifts the kilt of his guitar, amp and effects set up. | |||
This artist was mentioned in these other articles | |||
Computer MusicianEditorial | Electronics & Music Maker, Feb 1985Suffering Lack of Creativity - a Doctor writes. | |||
Robert Moog - Lecture ReportFeature | Topic: Education | Electronics & Music Maker, Nov 1982A Young Person's Guide To Electronic MusicThe father of the voltage controlled synthesiser lectures in London, and E&MM reports. | |||
Morphology - Part 2Review Series | Sound On Sound, Dec 1993The First In-depth Appraisal of Emu's Morpheus Synth Module | |||
Total recall - Part 19Feature Series Audio | Topic: Vintage Instruments | The Mix, Apr 1995...Including the A-Z of Analogue | |||
Microtonal MusingsFeature | Music Technology, Aug 1989The ability to accommodate microtonal tunings may look good on the spec sheet of your favourite synth, but what use is it to you? Scott Wilkinson reads between the lines. | |||
Modular Synthesis - Part 10Feature Series | Topic: Sequencing, Syncronisation, Synthesis & Sound Design | Electronics & Music Maker, Oct 1984Using Sequencers with Modular SystemsSteve Howell looks at different methods of triggering modular sequencers from click-tracks on tape. | |||
Fairlight Series IIIReview | Sound On Sound, Sep 1986THE ULTIMATE SOFT MACHINEThe Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines. | |||
Why Just Intonation?Feature | Topic: Sound Fundamentals | Music Technology, Feb 1988Been puzzled by references to just intoned or even tempered scales, or wondered exactly what the DX7II's "microtonality" is all about? Robert Rich has the answers. | |||
The Development of Electronic Music - Part 1Feature Series | Topic: Composing / Art | Electronic Soundmaker, Jul 1984Says it all really | |||
ResynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1988Martin Russ breaks off from his 20th century studies way in the future to report on some alternative goings-on which may soon materialise in the form of a new generation of powerful sampling synthesizers. | |||
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