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The A-Z of Analogue - Part 2Feature Series | Topic: Vintage Instruments | Music Technology, Sep 1993Part 2, ARP to Buchla. Buchla? Yep, Buchla |
RumblingsNews | Topic: Computing | Electronics & Music Maker, Jun 1984Music Mate, Mainframe's Apple sound sampler and updates for the Synergy. |
The Appliance Of ScienceShow Report | Topic: Computing | Electronics & Music Maker, Nov 1985Digicon ’85Vancouver, Canada was the location for two hi-tech music events last August. Ron Briefel reports on the first of them, Digicon '85, and finds he has plenty to talk about. |
Morphology - Part 2Review Series | Sound On Sound, Dec 1993The First In-depth Appraisal of Emu's Morpheus Synth Module |
Total recall - Part 19Feature Series Audio | Topic: Vintage Instruments | The Mix, Apr 1995...Including the A-Z of Analogue |
Microtonal MusingsFeature | Music Technology, Aug 1989The ability to accommodate microtonal tunings may look good on the spec sheet of your favourite synth, but what use is it to you? Scott Wilkinson reads between the lines. |
Modular Synthesis - Part 10Feature Series | Topic: Sequencing, Syncronisation, Synthesis & Sound Design | Electronics & Music Maker, Oct 1984Using Sequencers with Modular SystemsSteve Howell looks at different methods of triggering modular sequencers from click-tracks on tape. |
Fairlight Series IIIReview | Sound On Sound, Sep 1986THE ULTIMATE SOFT MACHINEThe Fairlight (in its previous Series II guise) was/is probably the most famous computer musical instrument in the world. Everybody knows the name, but few really know what its true capabilities are. Now there is a new breed of Fairlight, far more powerful and far more sophisticated than the old one ever was - the Series III. Richard Elen takes a look at the mind-boggling potential of this Rolls-Royce of sound sampling/synthesizing machines. |
Why Just Intonation?Feature | Topic: Sound Fundamentals | Music Technology, Feb 1988Been puzzled by references to just intoned or even tempered scales, or wondered exactly what the DX7II's "microtonality" is all about? Robert Rich has the answers. |
The Development of Electronic Music - Part 1Feature Series | Topic: Composing / Art | Electronic Soundmaker, Jul 1984Says it all really |
ResynthesisFeature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1988Martin Russ breaks off from his 20th century studies way in the future to report on some alternative goings-on which may soon materialise in the form of a new generation of powerful sampling synthesizers. |
NewsNews | Electronics & Music Maker, Feb 1982 |
Integrating MIDI & The StudioFeature | Topic: MIDI | Sound On Sound, Sep 1988MIDI has revolutionised the way we make and record music. But it has developed at such an incredible pace that it is easy to lose sight of MIDI's many benefits. In this lengthy article, Craig Anderton provides a lucid explanation of how you can make MIDI work for you - whether you have a small home studio set-up or a full-blown professional system. |
Back To The FutureReview | Sound On Sound, Nov 1988Cheetah MS6 Multitimbral Analogue SynthesizerSeems like everyone has been waiting to get their hands on this low-cost 6-voice, multitimbral, analogue synth expander. Martin Russ looks at the affordable face of technology. |
Making the Most of 'M'Feature | Topic: Algorythmic Composition | Sound On Sound, Nov 1988Martin Russ describes some ways to use Intelligent Music's 'M' program as an effective aid to structured composition. |
A History of Electronic Music - Part 6Feature Series | Topic: History / Culture | Electronics & Music Maker, Jun 1982Into the Seventies |
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