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The Sound HouseFeature | Topic: Composing for Business, Recording Studios | Electronic Soundmaker, Apr 1984BBC Radiophonic WorkshopRadiophonically speaking |
Macintosh or Atari?Feature | Topic: Computing | Sound On Sound, Jan 1988Over the last few years musicians have consistently been more excited over the latest MIDI hardware developments than they have over MIDI software. Whilst other micros have come and gone, the Atari ST and Macintosh micros have quietly become the established computers for making music with MIDI. Ed Jones reveals why with a look at Steinberg's Pro-24 (V2.1) and Mark Of The Unicorn's Performer (V2.2) programs. |
Very MetalFeature | Topic: Humour | One Two Testing, Jun 1984Dragonmuncher -Sex, Motor, Sex!laughing up our sleeve |
Here At The FrontFeature | Topic: Arranging / Songwriting | Making Music, Dec 1987 |
LEMI Future Shock and AMP 83Review | Electronics & Music Maker, Jan 1985MIDI Hardware and Software for Apple II MicroLast month we looked at six software packages, but not one of them was written for the Apple and its lookalikes. LEMI's MIDI system is one that is, as David Ellis discovers. |
AmericaNews | Electronics & Music Maker, Jan 1982 |
When Is A SongFeature | Topic: Arranging / Songwriting | One Two Testing, Jul 1985for and against the structured approach |
The Best Producers In The WorldFeature | One Two Testing, Jun 1984Nominated by Steve Levine, Steve Lillywhite, Peter Collins, Hugh Padgham, Swain and Jolley |
SmokeNews | Making Music, Dec 1987 |
Mods Rule... OK?Feature | Topic: Synthesis & Sound Design | Electronic Soundmaker, Feb 1985Modular synthesisA plaintive request for a return to modular synthesis, what it means and what it can do for the creative musician. |
Back to BackFeature | Topic: Advertisement Feature | Electronics & Music Maker, Nov 1985 |
Dave Goodman - The ProducersFeature | International Musician, Apr 1986The anti-christ of studio recording, Dave Goodman, talks to Chas de Whalley |
David Kirby - Vision OneFeature | Sound On Sound, Dec 1985Off The RecordProfessional photographer David Kirby's fascination with audio resulted in him setting up his own audio-visual studio based around a Fostex A8 recorder and Tascam 133 cassette deck. Here he outlines how he works with it. |
Gary Langan - Production LinesOpinion | Recording Musician, Feb 1993This month, guest producer Gary Langan speaks of his recording history and the loneliness of the long-distance producer... |
U2 - U2: The Unforgettable TourFeature | Topic: Live | Recording Musician, Nov 1992Behind the scenes on the tour of one of the world's most popular live bands |
VideomusicFeature | Topic: Video / Film / Picture | Electronics & Music Maker, Dec 1982 |
Software Envelope GeneratorFeature | Topic: Computing | Electronics & Music Maker, Nov 1983Use the Sinclair ZX Spectrum to create sophisticated digital envelopes. |
Sampling Confidential: Anything To Declare? - Part 1Feature Series | Topic: Music Business, Sampling | Music Technology, Apr 1993The first of our new series on the very live issue of sampling, taking all the technicalities into account. Dom Foulsham begins with an examination of the law as it currently effects all involved. An indispensable guide, if you're concerned about clearance and want to avoid that nasty little rubber glove |
Set List ScienceFeature | Topic: Live, Performing | Making Music, Apr 1987How to sort out which order to play your songs in, from dramatic intro to tumultuous encores |
Digital Signal Processing - Part 2Feature Series | Topic: Computing, Electronics / Build | Electronics & Music Maker, Aug 1983Turn your ZX Spectrum into an echo machine with sound sampling capabilities using this month's unique project |
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