In the '70s, Can paved the way for a generation of experimental electronic musicians. Simon Trask talks to Holger Czukay and Michael Karoli amidst the CD rerelease of their entire back-catalogue and a new LP for '89.

Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend.

Although still very young, keyboard player Guy Fletcher has a long list of album/single credits already under his belt for such artists as Bryan Ferry, Roxy Music, Tina Turner, Mick Jagger and Dire Straits. Paul Gilby finds out how Guy landed such plum roles and learns more about the way Dire Straits make use of music technology in their recording.

An exclusive interview with Rick Wakeman plus music from '1984' for you to play.

Drums & more — guaranteed no puns about electrical goods!

From a clothes and record shop to an electronics company to a sound system to an excellent album and charting single, London's Funki Dreds are on the move. Tim Goodyer talks tech to Soul II Soul's Jazzie B.

Dieter Meier is a writer, painter, performance artist and an ex-professional gambler; he's also the face and voice in front of one of the most influential bands of the '80s. Tim Goodyer joins the Swiss race.

Bill Nelson talks Synths Vs Guitars with Gary Cooper

Breaking The Silence

Brian Eno, is undoubtedly one of the most influential figures in electronic music, yet his creative energies have recently been directed into other people's music. Now, with the release of one solo and one collaborative album approaching, he gives a rare interview to Mark Prendergast.

Stoking up the soul train

A Musical Luminary

Bill Nelson remains largely unheard of by the record-buying public, yet his influence on modern musicians has been considerable. Nigel Humberstone visits him at his home studio in Yorkshire.

tim simenon turns the tables

Into the future with RSS, and looking back to programming 'Say A Little Prayer', Bomb The Bass talk technical to Mike Collins.

Success On The Side

Paul Hardcastle, despite his low profile of late, has been a busy man. Paul Ireson reports.

Keyboard player to Rainbow, Black Sabbath and now Ozzy Osbourne, Don talks to Tim Oakes about his keyboards, how to Bark At The Moon, and life on the road with a werewolf...

Bob Williams has one of the finest collections of analogue synthesisers in the world, and cherishes them with a care that would make the Science Museum blush. Peter Forrest crosses hill and dale to Cornwall to take a long, loving look, and uncovers a whole network of Moog and Mellotron devotees. Whatever next - 'The Antique Rhodes Show'?

Pete Hook — Bass Player, Songwriter and Producer

Although well known for his work as bassist with Joy Division and New Order, Pete Hook is a keen producer and owns a studio by the name of Swite 16.

An exclusive interview with this world famous synthesist of classical music and an exploration of his science fiction fantasy, The Bermuda Triangle

A rare interview with the noted composer and lecturer in the month of his 50th birthday.

Level 42 keyboardsman Mike Lindup takes a break from recording of the next album to talk to Tim Goodyer about Fairlights and Synclaviers, among other things.

Bill lays bare his recording techniques and reveals the innermost secrets of his home studio 'The Echo Observatory' which has recently been upgraded to 16 track status. Now being used to record tracks fora forthcoming Nelson masterpiece.

Contractual hassles have kept musician/producer Bill Nelson hopping from one record label to another since the demise of Be-Bop Deluxe, yet he has still managed to record some exemplary albums using the facility of his 16-track home studio. Ian Gilby finds out how he put his new album together.

In his career as disc jockey, audio engineer and pop star Tim Simenon has called upon musical influences as diverse as Rick James and Kraftwerk. Tim Goodyer talks tech with a DJ who intends to take cut-up records on the road.

The art of writing music for popular television in the last few years may have been single-handedly redefined by Jan Hammer. His upbeat, rocky soundtracks to the hit TV series 'Miami Vice' (along with a few of the chart hits used in the show) have now produced two albums of instrumental music. Ed Jones finds out how they were done.