The Return Of Die Krupps

Jon Tiven talks to Gus Dudgeon about Elton, Bowie and recording in general.

Dance music with direction

Bill Nelson's been out of the public eye recently, touring America and refurbishing his studio. Now he's back and talking to us.

After releasing an album consisting entirely of human vocal samples, Claire Hamill reintroduces the synthesiser to her music. David Bradwell listens to the singer's tale.

In the concluding part of our in-depth interview with this French-Canadian engineer/producer, Mark Prendergast discovers how Lanois recorded the 'So' album with Peter Gabriel and more about his co-production with Brian Eno of U2's 'The Joshua Tree' and 'Unforgettable Fire' LPs.

Renowned best for his keyboard/synth excursions in the jazz-rock field, Dave and partner Barbara Gaskin achieved several chart hits with re-workings of classic pop songs like 'It's My Party' back in 1982. Together they are presently completing their first album for release on compact disc. David Etheridge took a look behind the scenes.

It began with an illicit remix of Suzanne Vega and it's already earned them their own album release. Simon Trask tracks down the elusive DNA musical partnership to ask who, how and why.

From Sheffield's tradition as the home of industrial funk, come the Fon Force. David Bradwell talks to the men behind the cream of modern northern dance music.

Dan Goldstein talks to the Can founder member whose current interests include providing the Pope with a backing band, recording with four valve tape machines, and chopping-up bits of Bulgarian folk music.

'What's the Colour of Money?' was one of last year's most inventive hit singles, but since then, little has been heard from Mark Rogers. Tim Goodyer talks to him as the first HB album is released.

Jac Holzman

John "Jellybean" Benitez is the leader of the current trend of DJs turned recording artists. Tim Goodyer talks to him about the relationship between the dancefloor and the recording studio.

With Talking Heads on the back burner, keyboard player Jerry Harrison is building a strong following as a solo artist. Nigel Lord talks messages and machinery to a Casual God.

Over the last three decades John McLaughlin has done more than anybody else in popular jazz and rock music to explore the potential of the guitar, both acoustic and electric. Here he talks to Mark Prendergast about his eclectic career, pioneering use of guitar synthesizers, and the Synclavier.

Ralf Hutter: This year's model

Six years have passed since New York's best-known performance artist leapt to fame with 'O, Superman'. Tim Goodyer finds she's still stretching technology to its limits in her new film 'Home of the Brave'.

An eponymous debut single took Living in a Box high in the singles charts. In a rare interview with this publicity-shy band, Tim Goodyer found technology an essential part of their success.

From providing the backbone of Santana's Latin beat, Michael Shrieve has moved into electronic percussion and out again. John Diliberto listens to the drummer's tale.

He was once electronic drummer with jazz-rockers Landscape. Now he's a successful producer for the likes of Spandau Ballet and Colonel Abrams, but the search for new ways of using new gear goes on.

Stones Guitar Man Jimi Barber talks to Tony Bacon

Janet Angus traces the career of this enterprising sound engineer which ranges from recording Mike Oldfield's 'Tubular Bells' and designing Virgin record stores, to his current pre-occupation with improving the quality of film soundtracks.

An interview with Edgar Froese and Christoph Franke during their recent UK tour

An interview with Edgar Froese and Christoph Franke, concert report and music pull-out "Choronzon" from the 'Exit' LP.