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Phil Harding - The Empire Strikes BackInterview | Music Technology, Oct 1988Who helped make Climie Fisher's single a hit? And the Pet Shop Boys', and Depeche Mode's, and Bananarama's? David Bradwell investigates the latest action in the Stock, Aitken & Waterman production stable. | |||
Richard PinhasInterview | Electronics & Music Maker, Sep 1982The Man and his MusicWe feature one of France's most fascinating Electro-Musicians, and look at the man, his music and the philosophy behind his composition. | |||
This artist was mentioned in these other articles | |||
Picture MusicFeature | Topic: Composing for Business, Video / Film / Picture | Electronics & Music Maker, Dec 1984What goes on behind the apparently calm world of soundtrack-writing, by Steve Howell, who's been through it all himself. | |||
CommentEditorial | Electronics & Music Maker, Jan 1986Bargain Basement BuysThe downward price spiral and what it means to the musician. | |||
Vocal Codes From The UndergroundRetrospective (Gear) | Topic: Vintage Instruments | Music Technology, Feb 1992Roland VP330Roland's VP330 Vocoder Plus not only helped to put vocoders on the map, but has since become a classic keyboard in its own right. Gordon Reid says "synths that make you go Hmmm". | |||
Zyklus MIDI Performance SystemReview | Sound On Sound, Feb 1988What the hell's a MIDI Performance System? David Mellor does his level best to explain. | |||
A Basic Guide To Acoustic Sound SynthesisFeature | Topic: Sound Fundamentals, Synthesis & Sound Design | Sound On Sound, Jun 1988Rudi Cazeaux explores the nature of sound and presents some basic guidelines for synthesizing the various standard groups of acoustic instruments. | |||
Electro RecordFeature | Electronics & Music Maker, Feb 1982 | |||
Marshall LawFeature | Topic: Sequencing | Electronic Soundmaker, Jan 1985The SystemIn this month's system feature, we focus on sequencing with a human touch: DX7 and SH101 in perfect harmony. | |||
Sounding OffOpinion | Sound On Sound, Nov 1988Reverb: Too much of a good thing?A new column that allows music industry figures to air their views on whatever it is that bugs them! Keyboard programmer, music consultant and author Paul Wiffen kicks things off this month. | |||
Studio DiaryFeature | Topic: Recording Studios | International Musician, Jun 1975 | |||
SY77 - The Power behind the Buttons! - Part 2Review Series | Sound On Sound, Feb 1990RCM Synthesis explainedIn this second part of our in-depth review of the SY77 synthesizer, Martin Russ delves into Yamaha's ultra new synthesis method: Real-time Convolution and Modulation. | |||
The Institute of Communications ArtsFeature | Topic: Education | Electronics & Music Maker, Oct 1983Vancouver CanadaA took at one of Canada's foremost educational studios | |||
Sounding OffOpinion | Sound On Sound, Dec 1990Form Or Function: What Are We Paying For?Do manufacturers and distributors care too much about the appearance of products and not enough about performance? Paul Wiffen offers an insider view. | |||
A Question Of SexFeature | Topic: Music Business | Sound On Sound, May 1991Despite the tendency of creative professions to be more liberal than others, women make up only a tiny proportion of producers and engineers in the music industry. Paul Tingen reports on this sad state of affairs. | |||
The A-Z of Analogue - Part 7Feature Series | Topic: Vintage Instruments | Music Technology, Feb 1994This month: Farfisa to Fuller. | |||
The A-Z of Analogue - Part 9Feature Series | Topic: Vintage Instruments | Music Technology, Apr 1994Part 9 - Hammond to Hanert. | |||
CommentEditorial | Electronics & Music Maker, Dec 1984Bigger Means BetterReasons for our increase in cover price. | |||
Trends In Pop & Rock Since The Birth Of A1 MusicFeature | Topic: Advertisement Feature | Electronics & Music Maker, Dec 1984 | |||
Total Recall - Part 13Feature Series | Topic: Vintage Instruments | The Mix, Sep 1994including The A-to-Z of Analogue | |||
Back to Basics - Part 6Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jun 1985The LFO and its applications are this month's subjects in Steve Howell's story of sound synthesis from first principles. | |||