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Night flight to the oasisFeature | Topic: Live | The Mix, Jan 1995Engineer Jim Ebdon shares some secrets about getting a heavy live sound, and Andrew Levy explains the band’s approach to recording |
Commercial breakFeature | Topic: Education | The Mix, Apr 1995Bob Dormon finds the Royal Academy moving with the times |
Studio DiaryFeature | Topic: Recording Studios | International Musician, Aug 1985Disturbing tales of everyday studio folk |
Trade Winds - BMF 1989Show Report | Music Technology, Sep 1989British Music Fair Show ReportThis year's British Music Fair attracted hordes of equipment-hungry punters eager to see what the future of music might hold. Simon Trask was there asking the same question. |
Here At The FrontFeature | Topic: Arranging / Songwriting | Making Music, Dec 1987 |
The Performing Art - Part 1Feature Series | Topic: MIDI, Performing | Music Technology, Feb 1990One of the consequences of MIDI recording is the loss of musical performance. In the first of a short series, Ollie Crooke and Simon Thomas look at the performance applications of MIDI controllers. |
DIY SingleFeature | Topic: Music Business | Music Technology, Aug 1988If the major record companies won't give you the deal you know you deserve, you could do worse than to do it yourself. David Bradwell investigates the pros and cons of pressing your own single. |
PatchworkFeature | Topic: Synthesizer Patches | Music Technology, Oct 1988Optical Media International Universe of Sounds Vol 3 for Emax, DPX1 and Emulator II joins our regular selection of readers' own synthesiser patches in MT's regular Patchwork column. |
ShowdownEditorial | Music Technology, Apr 1988With the dust just settling from his criticism of the Pet Shop Boys, MT's fearless editor sets his sights elsewhere. The postman has put in for danger money... |
OD ON MUSICFeature | Music Technology, Apr 1988Really Big MenThe band tipped to make it BIG in '88. Tim Goodyer talks to a DJ/keyboard player with a unique place in rock 'n' roll and a singer/guitarist who's going to make Madonna and Lita Ford look like Dot Cotton and Hilda Ogden. |
We Are The ManagementFeature | Topic: Music Business | Music Technology, Nov 1988Who are the music biz' management, and do you really need them? David Bradwell talks to the people who take care of the stars and their affairs. |
On The Flight Deck at Terminal 24Feature | Topic: Recording Studios | Sound On Sound, Oct 1986If you've the tenacity to take on and beat the (ex-)GLC, then putting together an upmarket 24-track studio is a piece of cake! Tony Hastings visited this South London studio to glean the details of how it came to be and what it offers. |
Question & Answer TimeEditorial | Music Technology, Nov 1987Never a dull moment at the office, as the telephone keeps the world in touch with Music Technology. |
Incoming DataNews | Music Technology, Nov 1992 |
Wot, No Keyboards? - Part 1Feature Series | Topic: MIDI, Performing, Sequencing | Sound On Sound, Sep 1993The Alternative MIDI Controllers SessionWe explain why MIDI isn't just for keyboard players... |
Steal The Feel - Part 1Feature Series | Topic: Drum Programming, Mixing | Recording Musician, Jul 1992A straightforward guide to producing Dance Mixes using budget equipment. |
The GatekeepersFeature | Topic: Music Business | Music Technology, Aug 1992Everything you wanted to know about A&R men - but only MT dared to ask. |
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