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Roland A50 & A80Review | Music Technology, Jun 1989MIDI Keyboard ControllersAs MIDI equipment becomes more and more sophisticated, the job of a MIDI controller keyboard becomes more and more demanding. Simon Trask takes the A train with Roland's latest MIDI controllers. |
Peavey AutographReview | Sound On Sound, Mar 1990MIDI Programmable Graphic Equaliser/Real Time AnalyserThe new Peavey Autograph not only analyses your EQ problems, it fixes them too! David Mellor investigates. |
From Necks To NothingFeature | Making Music, Apr 1987Find out everything you need to know about life on and around the average guitar neck |
Tiger FeetReview | Micro Music, Mar 1990John Renwick gets his paws on the graphic sequence editor from Dr T |
AKG D330BT and D202Review | Electronics & Music Maker, Feb 1982 |
The Programmable Digital Sound Generator - Part 5Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Nov 1984Part 5: Sound Systems RevisitedOur series on Clef Products' synth add-on for the BBC Micro comes to a conclusion. Alan Boothman ties up the loose ends. |
Drivers - Part 3Feature Series | Home & Studio Recording, May 1984The third instalment on Drive Unit speaker protection. |
Monitor Special: Urei 809 - Part 1Review Series | Home & Studio Recording, Jul 1986Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions. |
Monitor Special: JBL 4425 - Part 2Review Series | Home & Studio Recording, Aug 1986Ken Dibble concludes this 2-part review by appraising the JBL 4425 monitor. |
Fender 'Pop' SquiersReview | One Two Testing, Mar 1984 |
Roland OctapadReview | International Musician, Feb 1986DrumcheckEight pads, one reviewer. Bob Henrit puts one over the eight |
Practically FM - Part 2Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Jun 1988Part 2 of our new series for FM synth owners, in which Martin Russ attempts to give away the secrets of FM programming! |
Yamaha TX16WReview | Music Technology, May 1988Digital Wave Filtering SamplerYamaha's first sampler has been a long time a-coming. Chris Meyer puts it to the test to discover if the big "Y" have learned from other manufacturers' mistakes. |
A Fair ShowingShow Report | Music Technology, Sep 1988BMF ReportThis year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley. |
Hamer Phantom GuitarReview | International Musician, Dec 1985GuitarcheckA dream come true? Dave Burrluck pinches himself |
Cheetah SX16Review | Music Technology, Aug 1990Sampling ModuleAfter much pre-publicity, Cheetah's first venture into the world of samplers is here. It's 16-bit stereo, reads S900 disks and is reviewed by Vic Lennard. |
Ramsa WS-A10E-K Speaker SystemReview | Home & Studio Recording, Jul 1986Yet more speakers. Here we examine some micro monitors from Ramsa. |
A&R Arcam One MonitorsReview | Home & Studio Recording, Feb 1985 |
Everything You Ever Wanted To Know About System Exclusive - Part 8Feature Series | Topic: MIDI | Sound On Sound, Nov 1989(But Were Too Afraid To Ask!)PART 8: Martin Russ explains the circular nature of parameter editing and data dumps. |
Room EQ, Myth or Legend? - Part 1Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1986If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this? |
Kawai K4Review | Sound On Sound, Jan 199016-Bit Digital SynthesizerFollowing on from the success of their extremely popular K1, Kawai have gone upmarket with the 16-bit K4. Tony Wride looks at the company's new flagship synth. |