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Interviews

From Necks To Nothing

Feature | Making Music, Apr 1987

Find out everything you need to know about life on and around the average guitar neck

Tiger Feet

Review | Micro Music, Mar 1990

John Renwick gets his paws on the graphic sequence editor from Dr T

Organ Talk

Feature | Topic: Computing | Electronics & Music Maker, Sep 1982
Computerscope

AKG D330BT and D202

Review | Electronics & Music Maker, Feb 1982

The Programmable Digital Sound Generator - Part 5

Feature Series | Topic: Electronics / Build | Electronics & Music Maker, Nov 1984
Part 5: Sound Systems Revisited

Our series on Clef Products' synth add-on for the BBC Micro comes to a conclusion. Alan Boothman ties up the loose ends.

The Secrets of Timbre

Feature | Topic: Mixing, Sound Fundamentals | Music Technology, Jul 1988

Don't touch those Level and Pan controls - you may be able to solve your mixing problems more easily than you think. Robert Rich explains how the timbre of a sound affects its performance in the mix.

Yamaha G10

Review | Music Technology, Dec 1988

The quest to build the ideal MIDI guitar controller continues with Yamaha's eagerly-awaited G10. Aaron Hallas makes the pick-up.

Master race

Review | The Mix, Oct 1994
Kurzweil PC88

Master keyboard with sounds

Monitor Special: JBL 4425 - Part 2

Review Series | Home & Studio Recording, Aug 1986

Ken Dibble concludes this 2-part review by appraising the JBL 4425 monitor.

Fender 'Pop' Squiers

Review | One Two Testing, Mar 1984

Roland Octapad

Review | International Musician, Feb 1986
Drumcheck

Eight pads, one reviewer. Bob Henrit puts one over the eight

Practically FM - Part 2

Feature Series | Topic: Synthesis & Sound Design | Sound On Sound, Jun 1988

Part 2 of our new series for FM synth owners, in which Martin Russ attempts to give away the secrets of FM programming!

Roland SP700

Review | Sound On Sound, May 1993
Sample Player

Drivers - Part 3

Feature Series | Home & Studio Recording, May 1984

The third instalment on Drive Unit speaker protection.

Monitor Special: Urei 809 - Part 1

Review Series | Home & Studio Recording, Jul 1986

Ken Dibble checks out this pair of Urei monitors and draws some interesting conclusions.

A&R Arcam One Monitors

Review | Home & Studio Recording, Feb 1985

Room EQ, Myth or Legend? - Part 1

Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1986

If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this?

Everything You Ever Wanted To Know About System Exclusive - Part 8

Feature Series | Topic: MIDI | Sound On Sound, Nov 1989
(But Were Too Afraid To Ask!)

PART 8: Martin Russ explains the circular nature of parameter editing and data dumps.

Yamaha RM50

Review | Music Technology, Feb 1993
Rhythm Sound Module

Fascinating rhythm

Audio Fast AF1 De-Composer

Review | Music Technology, Apr 1991
Atari ST Software

This ST music analysis program was designed for educational use, but it also has the power to compose music to order. Tim Goodyer discovers one of pop's best-kept secrets.

Kawai K4

Review | Sound On Sound, Jan 1990
16-Bit Digital Synthesizer

Following on from the success of their extremely popular K1, Kawai have gone upmarket with the 16-bit K4. Tony Wride looks at the company's new flagship synth.

Expand your DX

Review | Sound On Sound, Jan 1987

Yamaha's DX7 may well be a classic keyboard but its MIDI implementation and small onboard memory are starting to look decidedly limited compared to newer generation keyboards. What's needed is an upgrade, and the add-on E! board from America's Grey Matter Response is certainly that! Martin Russ enthuses over its features.

Care & Repair

Feature | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Sound International, Jun 1978
Tape Machine Line-Up

Richard Dean looks at tape machine line-up.

Last Month's Deliberate Mistake:

Editorial | Sound International, Jul 1978

EMS - Part 2

Feature Series | Topic: Recording Studios | Sound International, Nov 1978

Nigel Jopson takes a further browse around the Electronic Music Studios in company with Peter Zinovieff. Even the typewriters are strange.

 

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