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A Fair ShowingShow Report | Music Technology, Sep 1988BMF ReportThis year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley. |
Hamer Phantom GuitarReview | International Musician, Dec 1985GuitarcheckA dream come true? Dave Burrluck pinches himself |
Cheetah SX16Review | Music Technology, Aug 1990Sampling ModuleAfter much pre-publicity, Cheetah's first venture into the world of samplers is here. It's 16-bit stereo, reads S900 disks and is reviewed by Vic Lennard. |
Ramsa WS-A10E-K Speaker SystemReview | Home & Studio Recording, Jul 1986Yet more speakers. Here we examine some micro monitors from Ramsa. |
A&R Arcam One MonitorsReview | Home & Studio Recording, Feb 1985 |
Room EQ, Myth or Legend? - Part 1Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1986If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this? |
Everything You Ever Wanted To Know About System Exclusive - Part 8Feature Series | Topic: MIDI | Sound On Sound, Nov 1989(But Were Too Afraid To Ask!)PART 8: Martin Russ explains the circular nature of parameter editing and data dumps. |
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |
Dynacord ADS SamplerReview | Sound On Sound, Feb 1990The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive. |
Tape Line-Up - Part 1Feature Series | Topic: Sound Fundamentals, Tape, Vinyl, CD, DAT | Sound On Sound, Sep 1986Know anything about bias, test-tones or calibration? If you use a tape recorder then you should! In the first of two parts, David Mellor explains the need for tape recorder line-up procedures and unravels the mystery behind this arcane science which can have a profound affect on the quality of your recordings. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992Hints, Tips & News From The World of Music SoftwareThis month, helpful hints for users of Steinberg, Opcode, and Dr. T music software. |
Making The Most Of Your Kawai K1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast. |
Powertools D110 EditorReview | Music Technology, Oct 1989Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box. |
Guitar SurvivalFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 198412-page pull-out: all you need to know |
Cutec MicrophonesReview | Home & Studio Recording, Nov 1984 |
Yamaha SG 175Review | International Musician, Oct 1975 |
Korg 01/W FD WorkstationReview | Music Technology, Nov 1991Music WorkstationThe problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds. |
Sub Woofers - Part 1Feature Series | Home & Studio Recording, Nov 1984Control RoomSub-woofers: how to extend the bass response of your micro-monitors. |
Power 200 SpeakersFeature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1982E&MM's 200W high power loudspeakers bring down the price and cabinet size of quality sound. Suitable for home, studio or gig |
Kawai K4 & K4RReview | Music Technology, Dec 1989Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA. |
Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |