BMF Report

This year's British Music Fair left the confines of Olympia in favour of a stadium atmosphere. Simon Trask goes walkabout at Wembley.

Guitarcheck

A dream come true? Dave Burrluck pinches himself

Sampling Module

After much pre-publicity, Cheetah's first venture into the world of samplers is here. It's 16-bit stereo, reads S900 disks and is reviewed by Vic Lennard.

Yet more speakers. Here we examine some micro monitors from Ramsa.

If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this?

(But Were Too Afraid To Ask!)

PART 8: Martin Russ explains the circular nature of parameter editing and data dumps.

Rhythm Sound Module

Fascinating rhythm

guitar black and wangable

Roland JV80 & JY30 Synths

Is Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test.

Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses.

The ADS sampler has the look and feel of a German sports car - expensive, no-nonsense, and high performance. Craig Anderton takes it for a test drive.

Know anything about bias, test-tones or calibration? If you use a tape recorder then you should! In the first of two parts, David Mellor explains the need for tape recorder line-up procedures and unravels the mystery behind this arcane science which can have a profound affect on the quality of your recordings.

iPD Synth Expander

The VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation.

Hints, Tips & News From The World of Music Software

This month, helpful hints for users of Steinberg, Opcode, and Dr. T music software.

How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast.

Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box.

12-page pull-out: all you need to know

Music Workstation

The problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds.

Control Room

Sub-woofers: how to extend the bass response of your micro-monitors.

E&MM's 200W high power loudspeakers bring down the price and cabinet size of quality sound. Suitable for home, studio or gig

Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA.

Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is.