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Interviews

Ramsa WS-A10E-K Speaker System

Review | Home & Studio Recording, Jul 1986

Yet more speakers. Here we examine some micro monitors from Ramsa.

A&R Arcam One Monitors

Review | Home & Studio Recording, Feb 1985

Everything You Ever Wanted To Know About System Exclusive - Part 8

Feature Series | Topic: MIDI | Sound On Sound, Nov 1989
(But Were Too Afraid To Ask!)

PART 8: Martin Russ explains the circular nature of parameter editing and data dumps.

Room EQ, Myth or Legend? - Part 1

Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1986

If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this?

Yamaha RM50

Review | Music Technology, Feb 1993
Rhythm Sound Module

Fascinating rhythm

Audio Fast AF1 De-Composer

Review | Music Technology, Apr 1991
Atari ST Software

This ST music analysis program was designed for educational use, but it also has the power to compose music to order. Tim Goodyer discovers one of pop's best-kept secrets.

Kawai K4

Review | Sound On Sound, Jan 1990
16-Bit Digital Synthesizer

Following on from the success of their extremely popular K1, Kawai have gone upmarket with the 16-bit K4. Tony Wride looks at the company's new flagship synth.

Expand your DX

Review | Sound On Sound, Jan 1987

Yamaha's DX7 may well be a classic keyboard but its MIDI implementation and small onboard memory are starting to look decidedly limited compared to newer generation keyboards. What's needed is an upgrade, and the add-on E! board from America's Grey Matter Response is certainly that! Martin Russ enthuses over its features.

Making The Most Of Your Kawai K1

Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990

How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast.

Casio VZ8M

Review | Music Technology, Oct 1989
iPD Synth Expander

The VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992
Hints, Tips & News From The World of Music Software

This month, helpful hints for users of Steinberg, Opcode, and Dr. T music software.

Guitar Survival

Feature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 1984

12-page pull-out: all you need to know

Powertools D110 Editor

Review | Music Technology, Oct 1989

Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box.

Korg 01/W FD Workstation

Review | Music Technology, Nov 1991
Music Workstation

The problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds.

Cutec Microphones

Review | Home & Studio Recording, Nov 1984

Yamaha SG 175

Review | International Musician, Oct 1975

Sub Woofers - Part 1

Feature Series | Home & Studio Recording, Nov 1984
Control Room

Sub-woofers: how to extend the bass response of your micro-monitors.

Kawai K1 Synthesizer

Review | Sound On Sound, Jun 1988

Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is.

Power 200 Speakers

Feature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1982

E&MM's 200W high power loudspeakers bring down the price and cabinet size of quality sound. Suitable for home, studio or gig

Kawai K4 & K4R

Review | Music Technology, Dec 1989

Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA.

The Big Bang!

Review | Sound On Sound, Jun 1988
Simmons SDX Drum Sampler

Lurking inside this angular-looking monster is a versatile computer system that will turn what is ostensibly an electronic drum kit (albeit a state-of-the-art 16-bit sampling one) into a formidable MIDI workstation. Ed Jones test drives Simmons' powerful, new SDX system.

Bandwidth Bandwagon

Feature | Topic: Sound Fundamentals | Music Technology, Mar 1987

It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures.

Scanners

News | Music Technology, Apr 1994

Lookout... it's coming this way!

Noise Gate

Feature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1981

Shape of Things to Come

News | Sound On Sound, May 1990

Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair.

 

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