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Ramsa WS-A10E-K Speaker SystemReview | Home & Studio Recording, Jul 1986Yet more speakers. Here we examine some micro monitors from Ramsa. |
A&R Arcam One MonitorsReview | Home & Studio Recording, Feb 1985 |
Everything You Ever Wanted To Know About System Exclusive - Part 8Feature Series | Topic: MIDI | Sound On Sound, Nov 1989(But Were Too Afraid To Ask!)PART 8: Martin Russ explains the circular nature of parameter editing and data dumps. |
Room EQ, Myth or Legend? - Part 1Feature Series | Topic: Acoustics | Home & Studio Recording, Nov 1986If there are two sides to an argument, you can bet that Ben Duncan will be on the other one. Can the graphic equaliser survive after this? |
Audio Fast AF1 De-ComposerReview | Music Technology, Apr 1991Atari ST SoftwareThis ST music analysis program was designed for educational use, but it also has the power to compose music to order. Tim Goodyer discovers one of pop's best-kept secrets. |
Kawai K4Review | Sound On Sound, Jan 199016-Bit Digital SynthesizerFollowing on from the success of their extremely popular K1, Kawai have gone upmarket with the 16-bit K4. Tony Wride looks at the company's new flagship synth. |
Expand your DXReview | Sound On Sound, Jan 1987Yamaha's DX7 may well be a classic keyboard but its MIDI implementation and small onboard memory are starting to look decidedly limited compared to newer generation keyboards. What's needed is an upgrade, and the add-on E! board from America's Grey Matter Response is certainly that! Martin Russ enthuses over its features. |
Making The Most Of Your Kawai K1Feature | Topic: Synthesis & Sound Design | Sound On Sound, Feb 1990How would you like to hear a filter sweep, or digital delay effects, coming from your Kawai K1? Greg Truckell looks at how to make a K1 do six impossible things before breakfast. |
Casio VZ8MReview | Music Technology, Oct 1989iPD Synth ExpanderThe VZ8M is the latest application of the synthesis system behind Casio's popular VZ synths. Simon Trask evaluates iPD synthesis in this age of digital development and analogue reincarnation. |
Software SupportFeature | Topic: Computing, Sequencing | Sound On Sound, Aug 1992Hints, Tips & News From The World of Music SoftwareThis month, helpful hints for users of Steinberg, Opcode, and Dr. T music software. |
Guitar SurvivalFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 198412-page pull-out: all you need to know |
Powertools D110 EditorReview | Music Technology, Oct 1989Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box. |
Korg 01/W FD WorkstationReview | Music Technology, Nov 1991Music WorkstationThe problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds. |
Cutec MicrophonesReview | Home & Studio Recording, Nov 1984 |
Yamaha SG 175Review | International Musician, Oct 1975 |
Sub Woofers - Part 1Feature Series | Home & Studio Recording, Nov 1984Control RoomSub-woofers: how to extend the bass response of your micro-monitors. |
Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |
Power 200 SpeakersFeature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1982E&MM's 200W high power loudspeakers bring down the price and cabinet size of quality sound. Suitable for home, studio or gig |
Kawai K4 & K4RReview | Music Technology, Dec 1989Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA. |
The Big Bang!Review | Sound On Sound, Jun 1988Simmons SDX Drum SamplerLurking inside this angular-looking monster is a versatile computer system that will turn what is ostensibly an electronic drum kit (albeit a state-of-the-art 16-bit sampling one) into a formidable MIDI workstation. Ed Jones test drives Simmons' powerful, new SDX system. |
Bandwidth BandwagonFeature | Topic: Sound Fundamentals | Music Technology, Mar 1987It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures. |
Noise GateFeature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1981 |
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |