Results: 101 - 125 of 222 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
We Can't Go On... - Part 3Feature Series | Topic: Drum Programming | Music Technology, Jun 1987Beating Like This...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available. |
Hi-Fi GraphicsFeature | Topic: Effects Processing | International Musician, Jan 1985Are they a viable and cheap alternative to Eqs in the studio. Curtis Schwartz takes a look at a cross section of products available |
The Performing Art - Part 3Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers. |
ReviewNews | Topic: Advertisement Feature, Microphones | International Musician, Feb 1986 |
Understanding the DX7 - Part 4Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch. |
Aria Professional MicrophonesReview | Electronics & Music Maker, Mar 1983 |
Kawai K1Review | Music Technology, Jun 1988Kawai's latest synthesiser combines samples with sounds created using additive synthesis. Simon Trask investigates what could be a new dimension in synthesiser technology. |
BeeBMIDI - Part 7Feature Series | Topic: Computing, MIDI, Synthesis & Sound Design | Electronics & Music Maker, Mar 1985Software writer Jay Chapman introduces us to DX7ED, a patch editing program for Yamaha's FM poly, the BBC B, and E&MM's own BeeBMIDI interface. |
What It All MeansFeature | Making Music, Oct 1986Guitar ConstructionThis month we explain the unusual terms of guitar construction in plain language. |
Drive Units - Part 2Feature Series | Home & Studio Recording, Apr 1984How to prevent Drive Unit damage. |
Westone Spectrum GT BassReview | International Musician, Aug 1985BasscheckAn ideal semi-pro instrument |
Peter Gabriel LiveFeature | Topic: Live | Sound On Sound, Jul 1993The Secret World TourA behind the scenes look at how Gabriel steamed up Earl's Court with his hot new stage show. |
Ovation 1667 Acoustic ElectricReview | Electronics & Music Maker, Jun 1983 |
How to Calm Hysterics in Op-ampsFeature | Topic: Electronics / Build | Home & Studio Recording, Feb 1986Ben Duncan explains instability... and he should know! |
Dave Bristow on the Yamaha DX7Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1983Yamaha DX KeyboardsDave Bristow, Yamaha’s keyboard consultant, explains how to play and programme these new FM synthesisers |
The Transcontinental Midi Songwriting ShuffleFeature | Topic: Computing, Sequencing | Sound On Sound, May 1989MIDI Composition via ComputerThe tale of two songwriters on opposite coasts of America, using different computers and musical instruments, writing and producing a single without face-to-face collaboration until the final mixdown. Al Hospers reveals what happened. |
Map RapFeature | Topic: Sampling | Music Technology, Nov 1988Turning a collection of samples into a usable keyboard patch is one of the most important aspects of sampling. Tom McLaughlin puts samples on the map. |
Making wavesFeature | Topic: Acoustics, Construction / Build | The Mix, Aug 1994Acoustic diffusersWhat they are, how they work, why you need them |
Soundcraft Sapphyre Recording MixerReview | Sound On Sound, Mar 1992Zenon Schoepe gets to grips with the latest jewel in Soundcraft's crown, a personal desk with top-flight facilities and quality. |
The Sequencer BibleFeature | Topic: Buyer's Guide, Sequencing | Music Technology, Oct 1992The MT Software Sequencer Buyer's BibleThe only guide you'll ever need |
Digidesign TurbosynthReview | Sound On Sound, Dec 1988The Return of the Modular SynthesizerDigidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter. |
Kawai K1 EditorsReview | Sound On Sound, Dec 1988Steinberg & SoundbitsTony Wride investigates the Steinberg and Soundbits Atari-based voice editing programs for the Kawai K1 multitimbral synthesizer. |