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Interviews

Guitar Survival

Feature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 1984

12-page pull-out: all you need to know

Powertools D110 Editor

Review | Music Technology, Oct 1989

Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box.

Cutec Microphones

Review | Home & Studio Recording, Nov 1984

Yamaha SG 175

Review | International Musician, Oct 1975

Korg 01/W FD Workstation

Review | Music Technology, Nov 1991
Music Workstation

The problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds.

Sub Woofers - Part 1

Feature Series | Home & Studio Recording, Nov 1984
Control Room

Sub-woofers: how to extend the bass response of your micro-monitors.

Power 200 Speakers

Feature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1982

E&MM's 200W high power loudspeakers bring down the price and cabinet size of quality sound. Suitable for home, studio or gig

Kawai K4 & K4R

Review | Music Technology, Dec 1989

Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA.

Kawai K1 Synthesizer

Review | Sound On Sound, Jun 1988

Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is.

The Big Bang!

Review | Sound On Sound, Jun 1988
Simmons SDX Drum Sampler

Lurking inside this angular-looking monster is a versatile computer system that will turn what is ostensibly an electronic drum kit (albeit a state-of-the-art 16-bit sampling one) into a formidable MIDI workstation. Ed Jones test drives Simmons' powerful, new SDX system.

Bandwidth Bandwagon

Feature | Topic: Sound Fundamentals | Music Technology, Mar 1987

It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures.

Noise Gate

Feature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1981

Shape of Things to Come

News | Sound On Sound, May 1990

Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair.

Setting Up A Stratocaster

Feature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Aug 1982

Scanners

News | Music Technology, Apr 1994

Lookout... it's coming this way!

We Can't Go On... - Part 3

Feature Series | Topic: Drum Programming | Music Technology, Jun 1987
Beating Like This

...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available.

Yamaha Clavinova PF P100

Review | Sound On Sound, Mar 1993
Stage Piano

Hi-Fi Graphics

Feature | Topic: Effects Processing | International Musician, Jan 1985

Are they a viable and cheap alternative to Eqs in the studio. Curtis Schwartz takes a look at a cross section of products available

The Performing Art - Part 3

Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990

A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers.

Review

News | Topic: Advertisement Feature, Microphones | International Musician, Feb 1986

Understanding the DX7 - Part 4

Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984

The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch.

Aria Professional Microphones

Review | Electronics & Music Maker, Mar 1983

Kawai K1

Review | Music Technology, Jun 1988

Kawai's latest synthesiser combines samples with sounds created using additive synthesis. Simon Trask investigates what could be a new dimension in synthesiser technology.

BeeBMIDI - Part 7

Feature Series | Topic: Computing, MIDI, Synthesis & Sound Design | Electronics & Music Maker, Mar 1985

Software writer Jay Chapman introduces us to DX7ED, a patch editing program for Yamaha's FM poly, the BBC B, and E&MM's own BeeBMIDI interface.

What It All Means

Feature | Making Music, Oct 1986
Guitar Construction

This month we explain the unusual terms of guitar construction in plain language.

 

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