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Guitar SurvivalFeature | Topic: Maintenance / Repair / Modification | One Two Testing, Oct 198412-page pull-out: all you need to know |
Powertools D110 EditorReview | Music Technology, Oct 1989Ideally every synth and sampler editor would allow you to edit sounds while your sequencer is running. One that does is this desk accessory for the Atari ST. Vic Lennard opens the box. |
Cutec MicrophonesReview | Home & Studio Recording, Nov 1984 |
Yamaha SG 175Review | International Musician, Oct 1975 |
Korg 01/W FD WorkstationReview | Music Technology, Nov 1991Music WorkstationThe problem with building the most popular keyboard in years is having to follow it. Simon Trask test drives the successor to the Korg M1 and likes what he finds. |
Sub Woofers - Part 1Feature Series | Home & Studio Recording, Nov 1984Control RoomSub-woofers: how to extend the bass response of your micro-monitors. |
Power 200 SpeakersFeature | Topic: Electronics / Build | Electronics & Music Maker, Mar 1982E&MM's 200W high power loudspeakers bring down the price and cabinet size of quality sound. Suitable for home, studio or gig |
Kawai K4 & K4RReview | Music Technology, Dec 1989Kawai's latest synth comes complete with their latest approach to sound creation: Digital Multi Spectrum synthesis. Ian Waugh checks out some serious competition for FM and LA. |
Kawai K1 SynthesizerReview | Sound On Sound, Jun 1988Kawai's latest 16-voice multitimbral keyboard is packed with features and aimed fairly and squarely at D50/ESQ territory. Its PCM sampled waveforms include drums and percussion, a host of standard and exotic instruments, as well as the best of the additive synth waveforms gleaned from the K5. It also has one ace up its sleeve - its price. Ian Gilby tells it like it is. |
The Big Bang!Review | Sound On Sound, Jun 1988Simmons SDX Drum SamplerLurking inside this angular-looking monster is a versatile computer system that will turn what is ostensibly an electronic drum kit (albeit a state-of-the-art 16-bit sampling one) into a formidable MIDI workstation. Ed Jones test drives Simmons' powerful, new SDX system. |
Bandwidth BandwagonFeature | Topic: Sound Fundamentals | Music Technology, Mar 1987It's the most oft-quoted specification of them all, yet frequency response is also one of the most confusing aspects of music machine performance. Paul White reveals the facts behind the figures. |
Noise GateFeature | Topic: Electronics / Build | Electronics & Music Maker, Sep 1981 |
Shape of Things to ComeNews | Sound On Sound, May 1990Your chance to check out some of the new hi-tech and recording equipment launched at last month's Frankfurt Music Fair. |
Setting Up A StratocasterFeature | Topic: Maintenance / Repair / Modification | Electronics & Music Maker, Aug 1982 |
We Can't Go On... - Part 3Feature Series | Topic: Drum Programming | Music Technology, Jun 1987Beating Like This...Beating Like This. In the third part in our series on creative drum programming, Chris Meyer and Matt Isaacson take a detailed look at the various trigger-to-MIDI converters now available. |
Hi-Fi GraphicsFeature | Topic: Effects Processing | International Musician, Jan 1985Are they a viable and cheap alternative to Eqs in the studio. Curtis Schwartz takes a look at a cross section of products available |
The Performing Art - Part 3Feature Series | Topic: MIDI, Performing | Music Technology, Apr 1990A synth is only as good as its sounds - and that goes for any synth controller too - sax, violin, guitar... Ollie Crooke And Simon Thomas look at sound programming for MIDI controllers. |
ReviewNews | Topic: Advertisement Feature, Microphones | International Musician, Feb 1986 |
Understanding the DX7 - Part 4Feature Series | Topic: Synthesis & Sound Design | Electronics & Music Maker, Jul 1984The fourth part of Jay Chapman's guide to Yamaha FM. This month, he broaches the delicate subject of programming sounds from scratch. |
Aria Professional MicrophonesReview | Electronics & Music Maker, Mar 1983 |
Kawai K1Review | Music Technology, Jun 1988Kawai's latest synthesiser combines samples with sounds created using additive synthesis. Simon Trask investigates what could be a new dimension in synthesiser technology. |
BeeBMIDI - Part 7Feature Series | Topic: Computing, MIDI, Synthesis & Sound Design | Electronics & Music Maker, Mar 1985Software writer Jay Chapman introduces us to DX7ED, a patch editing program for Yamaha's FM poly, the BBC B, and E&MM's own BeeBMIDI interface. |
What It All MeansFeature | Making Music, Oct 1986Guitar ConstructionThis month we explain the unusual terms of guitar construction in plain language. |