Results: 126 - 150 of 222 displayed.
mu:zines is the result of thousands of hours of effort, and will require many thousands more going forward to reach our goals of getting all this content online.
If you value this resource, you can support this project - it really helps!
New issues that have been donated or scanned for us this month.
All donations and support are gratefully appreciated - thank you.
Do you have any of these magazine issues?
If so, and you can donate, lend or scan them to help complete our archive, please get in touch via the Contribute page - thanks!
Digidesign TurbosynthReview | Sound On Sound, Dec 1988The Return of the Modular SynthesizerDigidesign continue to add to their innovative range of synthesis programs which use the flexibility of computers for sound creation and the hardware of MIDI samplers to replay the sounds. Paul Wiffen finds he loves the former but hates the latter. |
Kawai K1 EditorsReview | Sound On Sound, Dec 1988Steinberg & SoundbitsTony Wride investigates the Steinberg and Soundbits Atari-based voice editing programs for the Kawai K1 multitimbral synthesizer. |
Trackball Round-UpFeature | Music Technology, Dec 1990ATARI/P&G/CONTRIVER/MCS/MARCONI/KRAFT TrackballsWhen you entrust your music to the sophistication of a computer and software, you may find yourself needing something more reliable than a mouse to control it. Vic Lennard has the balls - track balls. |
Recording Techniques - Part 12Feature Series | Topic: Effects Processing, Recording | Sound On Sound, Nov 1990Part 12: Equalisation, there are equalisers, and there are equalisers. David Mellor wonders whether some are more equal than others. |
Power PlayersReview | Sound On Sound, Apr 1992Peavey DPM2 & DPM3SE PlusPeavey's DPM3 synth now has a little brother in the DPM2, and the DPM3 itself has been upgraded with new features that increase its powers dramatically. Martin Russ looks at a dynamic duo. |
A Double Dose of RolandReview | Sound On Sound, Apr 1992Roland JV80 & JY30 SynthsIs Roland's new JV80 their best keyboard since the D50? Julian Colbeck thinks it is, as he puts the company's two newest synths to the test. |
Digidesign SamplecellReview | Sound On Sound, Mar 1991Samplecell is a top-quality RAM sample playback card for the Macintosh II, and the latest addition to Digidesign's impressive range of digital audio hardware and software. Paul D. Lehrman enthuses. |
How It Works - Loudspeakers - Part 6Feature Series | Topic: Sound Fundamentals | Sound On Sound, Sep 1987Another in our 'How It Works' series. David Mellor kicks off a two-part investigation into the practicalities of bins, horns, tweeters and woofers. Baffled? You won't be once you've read this! |
Drum Programming - Part 1Feature Series | Topic: Drum Programming | Sound On Sound, May 1992A Series By Warren CannIf you use a drum machine or programme drum parts on your sequencer, chances are you need help. Warren Cann explains why in this introduction to his new series on drum programming. |
Mark Of The Unicorn MosaicReview | Sound On Sound, Jun 1992Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition. |
APRS Preview 1975Show Report | International Musician, Jun 1975 |
Technically SpeakingFeedback | Topic: Computing, Synthesis & Sound Design | Making Music, Jul 1987 |
Dr.T'S KCS AmigaReview | Sound On Sound, Oct 1991Level II V3.5Quality music software for the Commodore Amiga has been thin on the ground, but now there's at least one sequencer that can stand comparison to leading ST software. Paul Overaa checks out version 3.5 of Dr.T's KCS Level II. |
PatchworkFeature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, May 1986Readers' patches for DX7, CZ101 and Bit One synths, and the Yamaha CX5M micro. Keep 'em coming... |
Music On The MacintoshFeature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992Software and HardwareNewer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface. |
Sony DPS-D7 Digital DelayReview | Sound On Sound, Nov 1991The Return Of The Single Effects Unit?David Mellor looks at an effects processor which can't produce three dozen effects simultaneously. Is this the start of a new trend? |
Yamaha SY99Review | Music Technology, Oct 1991AFM/AWM SynthesiserOn from the revolutionary DX7, on from the souped-up DX7 II, on even from the mighty SY77, comes the SY99. Simon Trask takes the new Yamaha flagship on her maiden voyage. |
Mixed mediaNews | Topic: Multimedia / Graphics / Visuals | The Mix, Mar 1995Your passport to future worlds |
Hybrid Arts SmpteTrackReview | Sound On Sound, Apr 1988The SmpteTrack software for the Atari ST is one of the most expensive ST sequencers around, but is it one of the best? David Mellor dons his pith helmet and hacks his way through the computer jungle to find out. |
E-Mu Systems ProteusReview | Music Technology, Nov 1989E-mu's Proteus sample player has been one of the stars of recent trade shows, yet it's been in desperately short supply in the UK. Vic Lennard finds it's been worth the wait. |
Pushing Back Frontiers?Review | Sound On Sound, May 1988Emulator III Sampling KeyboardIf there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date. |
Gibson Twin-neckReview | International Musician, Nov 1975 |