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A Programmer's Guide to the Roland D110 - Part 2Feature Series | Sound On Sound, Aug 1989PART 2: Greg Truckell winds up his two-part power user's guide to this popular LA expander with some applications techniques. |
Shape of Things to ComeNews | Sound On Sound, Nov 1988A look at some forthcoming products from the world of hi-tech music and recording. |
Milab P14C & DC96B MicrophonesReview | Electronics & Music Maker, Jul 1983 |
Simmons PortakitReview | Music Technology, Sep 1988Simmons' reply to Roland's popular Octapad comes complete with built-in sequencer, but is it a match for the Octapad II? Nicholas Rowland checks out the rhythm competition. |
Three of a KindReview | Recording Musician, Aug 1992AKG, Beyer, Sennheiser Back-Electret MicrophonesThree top name, back-electret mics that turn in a professional performance at a semi-pro price, rounded up by Paul White. |
Tape Machines Line Up HereFeature | Topic: Maintenance / Repair / Modification, Tape, Vinyl, CD, DAT | Home & Studio Recording, Apr 1986Martin Goldman examines the dos and don'ts of tape machine maintenance. |
Pandora Technology Powertools M1 EditorReview | Music Technology, Dec 1988Software for the Atari STIf you're looking for an easy approach to programming your new Korg M1 workstation, this Atari ST program could be for you. Vic Lennard goes to work with a mouse. |
All About ReverbFeature | Topic: Effects Processing | Sound On Sound, Sep 1993 |
Boss DR550 MkII & DR660 Drum MachinesReview | Music Technology, Oct 1992Boss Dr RhythmsTwo new Doctors, but will they make you feel good? |
Analogue Equipment Design - Part 4Feature Series | Topic: Design, Development & Manufacture, Electronics / Build | Home & Studio Recording, Apr 1986Ben Duncan goes on at length... |
Oberheim Systemizer MIDI Performance EffectReview | Music Technology, Apr 1989If your master keyboard is not living up to its name, Oberheim's Systemizer may provide it with the MIDI performance features you need. Simon Trask gets into the system. |
Steinberg Proteus SynthworksReview | Music Technology, Sep 1990Software for the Atari STWhen it comes to sound editing on today's synth modules, there's no alternative to using a software editor. Vic Lennard explores the benefits of Steinberg's editor for the E-mu Proteus. |
Readers' SystemsFeature | Topic: Home Studio | Home & Studio Recording, Aug 1986Absolute BeginnersNeville and Val Pearson pass on their experience in equipping a home studio. Following their advice could save you from making more than one costly mistake. |
Emu Systems ProteusReview | Sound On Sound, Nov 1989The prospect of a high-spec sample player bearing the Emu name, but costing 'under £1000', had musician's waiting with baited breath for its appearance. Now Proteus is here, and Paul Ireson breathes a sigh of relief as he finds that it was worth the wait. |
The Shape of Things to ComeNews | Sound On Sound, May 1987Our regular monthly exploration of upcoming new products. |
Aphex Feel FactoryReview | Music Technology, Jun 1989American company Aphex bring us a new concept in the "humanisation" of machine-generated music, in the form of their Feel Factory. Robert Rich finds himself in the world of grooves and Feel Algorithms. |
Korg S3Review | Sound On Sound, Jan 1991Rhythm WorkstationWith its synthesizer-like voice editing functions, built-in stereo signal processing, 8-track sequencing and SMPTE sync options, can Korg's new top-of-the-line drum machine justify its title of rhythm workstation? Richard Aaron finds out. |
Celestion SL6 SpeakersReview | Home & Studio Recording, Jul 1984 |
The BeatmasterPreview | Sound On Sound, Jan 1991Roland SPD8 Total Percussion PadRoland's latest 8-pad midi percussion controller adds internal sounds to a tried and tested formula. Paul Ireson checks it out. |
Shape of Things to ComeNews | Sound On Sound, Dec 1989A colourful bonanza of newly released and forthcoming new products. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jul 1984Recording Electric GuitarRecording electric guitar; the theory and practice behind miking up guitar amps. |