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Cheetah MD16Review | Music Technology, Mar 1991Drum MachinePossibly the most requested review in recent years, Cheetah's MD16 drum machine is finally here and ready for inspection. Simon Trask gives it a good beating. |
Using MicrophonesFeature | Topic: Microphones, Recording | Home & Studio Recording, Jul 1984Recording Electric GuitarRecording electric guitar; the theory and practice behind miking up guitar amps. |
Roland R8Review | Home & Studio Recording, Mar 1989The new Human Rhythm Composer goes where no TR808 has gone before, into previously uncharted territories of feel and nuance. |
Analysing the SpectrumReview | Topic: Acoustics | Home & Studio Recording, Aug 1985Audiosource RTA1 Spectrum AnalyserDave Simpson takes a break from counting his savings to tell you what he's spending it all on. |
How It Works - Loudspeakers - Part 6Feature Series | Topic: Sound Fundamentals | Sound On Sound, Sep 1987Another in our 'How It Works' series. David Mellor kicks off a two-part investigation into the practicalities of bins, horns, tweeters and woofers. Baffled? You won't be once you've read this! |
Drum Programming - Part 1Feature Series | Topic: Drum Programming | Sound On Sound, May 1992A Series By Warren CannIf you use a drum machine or programme drum parts on your sequencer, chances are you need help. Warren Cann explains why in this introduction to his new series on drum programming. |
Mark Of The Unicorn MosaicReview | Sound On Sound, Jun 1992Mark Of The Unicorn's Mosaic succeeds Professional Composer as their pro notation program for the Mac. Mike Collins looks at how it stacks up against the competition. |
APRS Preview 1975Show Report | International Musician, Jun 1975 |
Technically SpeakingFeedback | Topic: Computing, Synthesis & Sound Design | Making Music, Jul 1987 |
Dr.T'S KCS AmigaReview | Sound On Sound, Oct 1991Level II V3.5Quality music software for the Commodore Amiga has been thin on the ground, but now there's at least one sequencer that can stand comparison to leading ST software. Paul Overaa checks out version 3.5 of Dr.T's KCS Level II. |
Lloyd Cole & The Commotions - PA ColumnFeature | Topic: Live | International Musician, Nov 1985Lloyd Cole and the Commotions take the high road to Glasgow; Stuart Gillan gets the lowdown |
TDM VirtuosoReview | Music Technology, Oct 1989From a new British company comes a new Atari ST software sequencer that looks set to rival Notator and Cubase for power and versatility. The virtuous Nigel Lord boots it up. |
Roland TR626Review | Sound On Sound, Nov 1987Rhythm ComposerThe TR505 was a runaway success at the budget end of the market, but it lacked one important ingredient - separate voice outputs. The TR626 rectifies the matter whilst offering even more features - 30 PCM drum/percussion sounds, 8-note polyphony, sync-to-tape, and MIDI control of nearly all its parameters. Mark Badger investigates. |
Shaping the BassFeature | Topic: Advertisement Feature | International Musician, Nov 1985Bass synthesizer examined |
SmokeNews | Making Music, Nov 1987 |
Hybrid Arts SMPTETrack GoldReview | Music Technology, Sep 1991Atari ST SoftwareWithout UK distribution, Hybrid's Atari sequencers have almost been forgotten. But now they're back with a Gold update to shout about, as Vic Lennard finds out. |
Alesis MMT-8 MIDI RecorderReview | Sound On Sound, Jan 1988In an age when most MIDI sequencers seem to come on floppy disk, Alesis hits the market with their new hardware sequencer, the MMT-8. It doesn't boast a video monitor or multi-mega tracks, so can it compete with the omnipresent beige box? David Mellor yearns to learn. |
Zildjian Z RangeReview | International Musician, Mar 1986CymbalCheckBob Henrit tries out one of Zildjian's most visually impressive ranges yet—and finds that they sound good too. |
Mixing With MIDI - Part 2Feature Series | Topic: MIDI, Mixing | Sound On Sound, Feb 1990Mixing in the MIDI AgeThis two-part feature covers both the art and technology of mixing. The first article on page 48, 'Mixing Essentials', covers audio mixing in general, from a more basic level, and applies to any sort of studio mixing task. The second part, 'Mixing With MIDI’, starts on page 54 and covers techniques made possible by MIDI, specifically automated mixing and sending MIDI instruments direct to your master tape. Craig Anderton is your guide. |
Sound Absorbers - Part 2Feature Series | Topic: Acoustics | Home & Studio Recording, Oct 1984AcousticsThis month an explanation of the function of the Helmholtz Resonator. |
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