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Interviews

Technically Speaking

Feedback | Topic: Computing, Synthesis & Sound Design | Making Music, Jul 1987

Dr.T'S KCS Amiga

Review | Sound On Sound, Oct 1991
Level II V3.5

Quality music software for the Commodore Amiga has been thin on the ground, but now there's at least one sequencer that can stand comparison to leading ST software. Paul Overaa checks out version 3.5 of Dr.T's KCS Level II.

Patchwork

Feature Downloads | Topic: Synthesizer Patches | Electronics & Music Maker, May 1986

Readers' patches for DX7, CZ101 and Bit One synths, and the Yamaha CX5M micro. Keep 'em coming...

Music On The Macintosh

Feature | Topic: Buyer's Guide, Computing, Sequencing | Sound On Sound, Jun 1992
Software and Hardware

Newer, cheaper models have brought the Apple Macintosh within the reach of an increasing number of musicians. Tim Tully presents an overview of hardware and software products for the computer that pioneered the Graphical User Interface.

Sony DPS-D7 Digital Delay

Review | Sound On Sound, Nov 1991
The Return Of The Single Effects Unit?

David Mellor looks at an effects processor which can't produce three dozen effects simultaneously. Is this the start of a new trend?

BC Rich Bass

Review | One Two Testing, Jul 1984

the NJ series

Yamaha SY99

Review | Music Technology, Oct 1991
AFM/AWM Synthesiser

On from the revolutionary DX7, on from the souped-up DX7 II, on even from the mighty SY77, comes the SY99. Simon Trask takes the new Yamaha flagship on her maiden voyage.

Hybrid Arts SmpteTrack

Review | Sound On Sound, Apr 1988

The SmpteTrack software for the Atari ST is one of the most expensive ST sequencers around, but is it one of the best? David Mellor dons his pith helmet and hacks his way through the computer jungle to find out.

Mixed media

News | Topic: Multimedia / Graphics / Visuals | The Mix, Mar 1995

Your passport to future worlds

Pushing Back Frontiers?

Review | Sound On Sound, May 1988
Emulator III Sampling Keyboard

If there is one company which has made its name on sampling that company is E-mu Systems. The term 'Emulator' is now synonymous with sampling and now the third instrument in this distinguished series is on the market. Paul Wiffen checks it out and finds E-mu bang up to date.

E-Mu Systems Proteus

Review | Music Technology, Nov 1989

E-mu's Proteus sample player has been one of the stars of recent trade shows, yet it's been in desperately short supply in the UK. Vic Lennard finds it's been worth the wait.

Lloyd Cole & The Commotions - PA Column

Feature | Topic: Live | International Musician, Nov 1985

Lloyd Cole and the Commotions take the high road to Glasgow; Stuart Gillan gets the lowdown

Big Guns

Review | Sound On Sound, Jun 1988
Roland S550/S330 Sampling Modules

David Mellor looks at Roland's flagship rackmount sampler, the S550, and its newly launched escort vessel, the S330. Are they squaring up to fire a broadside at the enemy's sampling fleet? Find out inside.

Ensoniq ESQ1

Review | International Musician, Oct 1986
SynthCheck

Ensoniq's new baby gets a warm welcome from Tony Mills.

Roland R8M

Review | Sound On Sound, Apr 1990
Total Percussion Sound Module

Sequencer owners rejoice! Roland have taken the 16-bit PCM sounds from their popular R8 drum machine, put them in a convenient rackmount case, and added extra slots for ROM and RAM cards to produce a beat-box par excellence. David Brenton reports.

Structured Sound

Review | Electronics & Music Maker, Sep 1986
Roland RD1000 Piano

How does Roland's new SAS resynthesis system go about imitating a grand piano? Dan Goldstein digs deep inside the RD1000 and its modular counterpart, the MKS20, and submits a glowing report.

Paint by numbers

Review | The Mix, May 1995
Producer Pro

Video software upgrade

Advanced Music Synthesis

Feature | Topic: Synthesis & Sound Design | Electronics & Music Maker, Mar 1981

Fostex DCM100 and Mixtab

Review | Sound On Sound, Nov 1992
MIDI-Controlled Mixing System

Frankfurt: Guitars, Basses, Amps And Effects

Show Report | International Musician, Apr 1986

One man in search of perfection. Dave Burrluck gives his verdict on the state of the axe

Big Audio Dyna-mite?

Review | Sound On Stage, Dec 1996
Dynamix Powermix II Powered Mixer

Zoom 9001

Review | Music Technology, Oct 1993
advanced multi-effects processor

Programmable audio effects for the studio or the stage

 

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