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Interviews

On the beat - Part 6

Feature Series Audio | Topic: Drum Programming | The Mix, Mar 1995

Nigel 'Sticks' Lord's drum programming series goes offbeat

Latin Lessons - Part 5

Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Nov 1992
Steamy Rhythms to Warm Up Your Sequencer

The fifth part in our series on programming covers Latin dance rhythms and musical sequences.

Chip off the old block

Review | The Mix, Apr 1995
Evolution Procyon Pro

Budget sequencing for PC

Reggae Roots - Part 6

Feature Series | Topic: Arranging / Songwriting, Drum Programming | Recording Musician, Dec 1992
Groovin' on the Front Line

A practical guide to programming reggae tracks with a few examples for you to try out.

On The Beat - Part 8

Feature Series Audio | Topic: Drum Programming | The Mix, May 1995

Nigel Lord applies the principles of drum programming to other sounds

Cubase In-depth

Review | Micro Music, Jan 1990

Paul Glaister takes us deeper into Steinberg's premiere sequencing package

Dynaware Ballade

Review | Music Technology, Mar 1990
IBM PC Software

This combined sequencer and tone editor for the IBM PC will work happily with Roland's MT32 and LAPC1. Ian Waugh looks into a serious PC music system.

Rhythm Box

Review | Micro Music, Feb 1990

Ian Waugh discovers how well this program can create respectable sounds on the Archimedes

The Development of Electronic Music - Part 1

Feature Series | Topic: Composing / Art | Electronic Soundmaker, Jul 1984

Says it all really

Steinberg Cubase

Review | Sound On Sound, Aug 1989
The new heir to the ST sequencer throne?

After a change of name and a long wait, Steinberg's successor to Pro24 is finally here. Has it been worth the wait? David Hughes thinks so...

On The Beat - Part 1

Feature Series Audio | Topic: Drum Programming | The Mix, Oct 1994
the next generation

How to funk up your drum patterns

Macintosh or Atari?

Feature | Topic: Computing | Sound On Sound, Jan 1988

Over the last few years musicians have consistently been more excited over the latest MIDI hardware developments than they have over MIDI software. Whilst other micros have come and gone, the Atari ST and Macintosh micros have quietly become the established computers for making music with MIDI. Ed Jones reveals why with a look at Steinberg's Pro-24 (V2.1) and Mark Of The Unicorn's Performer (V2.2) programs.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Nov 1989
Hints, Tips & News From The World Of Music Software

More hints and tips from C-Lab, The Digital Muse and Steinberg.

Micromusic

Feature | Topic: Computing | Electronics & Music Maker, Feb 1983
Enter the Compu-Music Age!

High Noon!

Review | Sound On Sound, Feb 1989
Steinberg 'Twelve' MIDI Recorder

Steinberg have divided Pro24 roughly in half and have arrived at what may well turn out to be the best answer for many people starting out, namely a 'new' low-priced 12-track sequencer called Twelve. David Pickering Pick investigates.

Alternative Instruments

Review | Sound On Sound, May 1989
MIDIGrid & MIDIDraw

Can't play an instrument but would love to create music? Your wish is granted! With the right software, the humble Atari ST computer can be turned into a very different MIDI instrument indeed. Martin Russ looks at two unusual graphical music programs with contrasting approaches: MIDIDraw and MIDIGrid.

Software Support

Feature | Topic: Computing, Sequencing | Sound On Sound, Jul 1990
Hints, Tips & News From The World Of Music Software

More hints and tips from the world of music software.

Mac Attack!

Review | Sound On Sound, Oct 1990
Steinberg Cubase Macintosh Sequencer

Steinberg's Cubase, the company's flagship ST sequencer, has now been ported over to the Macintosh to compete against the likes of Performer and Vision. How does it stack up against the big guns of the Mac sequencer world? Mike Collins sits in judgement.

Opcode Vision

Review | Music Technology, Jun 1989
Software for the Apple Macintosh

Opcode's latest sequencing software for the Apple Macintosh aims to include all the facilities of other sequencers and add some more of its own. Carter Scholz believes he's seen the light.

Thinking Of Going 24-Track?

Review | Sound On Sound, Jul 1986
Software for the Atari ST

If your studio's musical output is largely synthetic in nature and you are considering an increase in tracks, then Steinberg Research's Pro-24 recording software for the Atari 520ST micro could prove a better option than a conventional tape recorder. Tony Hastings tells why.

Software Tracking

Review | Electronics & Music Maker, Sep 1986
Steinberg Pro24 Software

Simon Trask looks at one of the first multitrack MIDI recording packages to be made available for the Atari ST series of computers. How does it compare to dedicated sequencers?

C-Lab Notator V3.0 - Part 1

Review Series | Sound On Sound, Apr 1991

C-Lab's outstanding Notator and Creator sequencers have now been updated to version 3.0. Dave Lockwood checks out the new features.

Intelligent Music UpBeat

Review | Music Technology, Sep 1987
Software for Apple Macintosh

This Mac program from New York sets out to bring the flexibility of computer programming techniques to drum programming. Jim Burgess drums up his enthusiasm.

Beat Box

Feature | Topic: Drum Programming | Phaze 1, Jan 1989

Where MIDI meets Video...

Feature | Topic: MIDI, Video / Film / Picture | Music Technology, Dec 1993

Two ways to control video images using the existing musical interface.

 

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