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The Music SystemInterview | Electronics & Music Maker, Mar 1986The quiet man of systems music tells Simon Trask why his work is so often misunderstood - and why tomorrow's 'serious music' won't be possible without computers. |
Keyboard MusicInterview | Sound On Sound, Mar 1990One of the pioneers of the German electronic music scene, Hans Joachim Roedelius's use of electronic keyboards to treat sound, create atmospheres, and provide sonic backdrops has evolved through collaborations with the likes of Conny Plank, Peter Baumann and Brian Eno. Mark J. Prendergast discovers more about the man and his music. |
Hit Man HagueInterview | Sound On Sound, Mar 1992Stephen Hague has demonstrated considerable talent as a producer of classy electronic pop, riding the faders for the Pet Shop Boys and New Order. But his recent work on albums by Robbie Robertson and Siouxsie & The Banshees shows that he has more strings to his bow. Paul Tingen lends an ear. |
A Room Of My Own: Nort & Epichead StudioInterview | Topic: Home Studio | Sound On Sound, Apr 1993 |
Isao TomitaInterview | Electronics & Music Maker, Feb 1983An exclusive interview with this world famous synthesist of classical music and an exploration of his science fiction fantasy, The Bermuda Triangle |
Klaus Schulze on ComposingInterview | Electronics & Music Maker, Mar 1983Rated as the world's top solo synth performer, Klaus explains how he composes on stage and in the studio |
Francis MonkmanInterview | Electronics & Music Maker, Mar 1983From Curved Air to Sky, and beyond with the Synclavier II |
Hugh PadghamInterview | Home & Studio Recording, Jan 1985Producer ExtraordinaireThe genius behind the 'Phil Collins drum sound' reveals how he got started in the industry, his production philosophy and life at The Townhouse. |
Inside FrippertronicsInterview | Sound On Sound, Dec 1993Robert Fripp Lays Bare His Legendary Effects RackA rare interview with this virtuoso King Crimson guitarist and much admired 'guest soloist'. |
The XTC X-PerienceInterview | Phaze 1, May 1989an audience with andy partridge, frontman for one of britain’s most original-sounding pop bands |
So Long and Thanks For All The SynthsInterview | Making Music, May 1987 |
Pink FloydInterview | International Musician, Oct 1975Floyd's Wright — on keyboards, lessons and the band |
John Acock, Producer & EngineerInterview | Home & Studio Recording, Mar 1986John started his career as a tape op and worked his way up. He is now a respected engineer and producer as well as being a great supporter of ambisonic recording. |
It Got NickedInterview | Making Music, Aug 1986Nick some ideas for songwriting, nick a few big semi-acoustic Gretsches, nick this issue. |
Mark KingInterview | One Two Testing, Feb 1985 |
King For A DayInterview | Sound On Sound, May 1991Mark King, master bassist with a string of hit albums to his name as leader of Level 42, has reaped many of the rewards that pop stardom can bring — but satisfaction with the music industry is never guaranteed, as Paul Tingen discovers. |
Vince ClarkeInterview | Sound On Sound, Dec 1991Sold on the 3-Minute SongErasure's fifth album sees the duo of Vince Clarke and Andy Bell going from strength to strength, delivering electro-pop at its finest. But the doyens of synthesizer pop recorded Chorus with almost no MIDI instruments at all. Vince Clarke tells Paul Ireson how he made a hit album with 10-year old technology. |
Opening WindowsInterview | Music Technology, Aug 1993Steve Reich & Beryl Korot: The CavePioneering documentary music video theatre |
Soul FarmersInterview Audio | The Mix, Apr 1995BeatfarmThe boys from Beatfarm Studios talk business, production, and new jazz funk |