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Colin OwenInterview | Home & Studio Recording, Aug 1986The chief engineer at the Old Smithy, one of the Midlands' most respected studios, passes on a few pearls of wisdom. |
The Alesis FileInterview | Home & Studio Recording, Sep 1986Keith Barr, the driving force behind Alesis isn't renowned for his willingness to talk to the press so we are pleased to be able to bring you this exclusive interview. |
Robin MillarInterview | Home & Studio Recording, Sep 1985Janet Angus talks to Robin about practically everything. |
Carl ThompsonInterview | Sound International, Jun 1979Guitar MakerColin Hodgkinson visits the Brooklyn guitar maker who numbers Stanley Clarke's piccolo bass among his artefacts. |
Talkback - Part 1Interview Series | Sound International, Aug 1978First of an occasional series of chats with engineers; Richard Elen extracts facts from Phill Brown. |
Stockhausen - Part 2Interview Series | Sound International, Nov 1978In an attempt to win tonight's star prize, the naugahyde lounge suite, Karlheinz answers more questions on his life and career. |
Tears for SouvenirsInterview | Electronics & Music Maker, Jan 1985Crying And Shouting With Bath's FinestMessrs Smith and Orzabal explain how it can take a year to make two singles but only two months to make an album, among other things. Bits in between the chat by Dan Goldstein. |
A Guy Called Gerald - Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Alan Ayckbourn - Synclavier On The StageInterview | Music Technology, Nov 1988A British playwright looks into the future and sees a composer locked away from the world with a machine that makes music for him. John Walters talks scripts and Synclaviers. |
Andrew Poppy - Pop Goes MinimalInterview | Music Technology, Aug 1987A successful composer of minimal music or would-be writer of pop instrumentals? Tim Goodyer isn't sure so he challenges the man himself for the answers. |
Bill Bruford - Strike That ChordInterview | Music Technology, Jun 1987He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him. |
Brian Eno - Eno: Thoughts, Words, Music and Art - Part 2Interview Series | Sound On Sound, Feb 1989Part 2: Mark Prendergast continues his in-depth look at the formation of Eno’s new record company, Land Records, and the use of electronics in his music. |
Bruce Gilbert - Totally WiredInterview | Electronic Soundmaker, Jan 1985A chat with art-punk godfather Bruce Gilbert, a founder member of left-field collaboration Wire. The man reveals a low-tech approach to hi-tech gear... and a few trade secrets. |
Calum Malcolm - King Of The CastleInterview | Music Technology, Dec 1992Calum Malcolm: Going to Caledonia |
Chick Corea - Corea ManInterview | Music Technology, Aug 1990Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend. |
Daniel Lanois - Creating ChaosInterview | Music Technology, Oct 1987Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects. |
Douglas Adams - The Hitch-Hiker's Guide To The MacintoshInterview | Electronics & Music Maker, Jul 1986Tech TalkMatthew Vosburgh takes a conducted tour around software for the Apple Macintosh with the author of The Hitchhikers Guide to the Galaxy. |
Douglas Adams - The Holistic AuthorInterview | Sound On Sound, Jul 1987Would you believe that the author of the mega-successful 'Hitch-Hiker's Guide To The Galaxy' is a fanatical devotee of the Macintosh computer and a MIDI enthusiast to boot? Richard Elen listens as the man tells why... |
Gary Chang - The Big ScreenInterview | Music Technology, Dec 1989While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter. |
Graeme Miller - A Sense Of ScaleInterview | Music Technology, Dec 1987An English playwrite talks to Nicholas Rowland about the lure of electronic sampling techniques; the sounds of the theatre come of age. |
Guy Fletcher - Keyboards With Dire StraitsInterview | Sound On Sound, Sep 1986Although still very young, keyboard player Guy Fletcher has a long list of album/single credits already under his belt for such artists as Bryan Ferry, Roxy Music, Tina Turner, Mick Jagger and Dire Straits. Paul Gilby finds out how Guy landed such plum roles and learns more about the way Dire Straits make use of music technology in their recording. |