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Inside FrippertronicsInterview | Sound On Sound, Dec 1993Robert Fripp Lays Bare His Legendary Effects RackA rare interview with this virtuoso King Crimson guitarist and much admired 'guest soloist'. |
The XTC X-PerienceInterview | Phaze 1, May 1989an audience with andy partridge, frontman for one of britain’s most original-sounding pop bands |
Pink FloydInterview | International Musician, Oct 1975Floyd's Wright — on keyboards, lessons and the band |
So Long and Thanks For All The SynthsInterview | Making Music, May 1987 |
It Got NickedInterview | Making Music, Aug 1986Nick some ideas for songwriting, nick a few big semi-acoustic Gretsches, nick this issue. |
John Acock, Producer & EngineerInterview | Home & Studio Recording, Mar 1986John started his career as a tape op and worked his way up. He is now a respected engineer and producer as well as being a great supporter of ambisonic recording. |
King For A DayInterview | Sound On Sound, May 1991Mark King, master bassist with a string of hit albums to his name as leader of Level 42, has reaped many of the rewards that pop stardom can bring — but satisfaction with the music industry is never guaranteed, as Paul Tingen discovers. |
Mark KingInterview | One Two Testing, Feb 1985 |
A Guy Called Gerald - Voodoo ChileInterview | Music Technology, Apr 1990You can't discuss the Manchester dance movement without A Guy Called Gerald. Simon Trask talks success and setbacks to one of Britain's most influential young artists. |
Alan Ayckbourn - Synclavier On The StageInterview | Music Technology, Nov 1988A British playwright looks into the future and sees a composer locked away from the world with a machine that makes music for him. John Walters talks scripts and Synclaviers. |
Andrew Poppy - Pop Goes MinimalInterview | Music Technology, Aug 1987A successful composer of minimal music or would-be writer of pop instrumentals? Tim Goodyer isn't sure so he challenges the man himself for the answers. |
Bill Bruford - Strike That ChordInterview | Music Technology, Jun 1987He was once the driving force behind Genesis, Yes and King Crimson, but now this brilliant percussionist has turned his attention to jazz - and new technology. Tim Goodyer talks to him. |
Brian Eno - Eno: Thoughts, Words, Music and Art - Part 2Interview Series | Sound On Sound, Feb 1989Part 2: Mark Prendergast continues his in-depth look at the formation of Eno’s new record company, Land Records, and the use of electronics in his music. |
Bruce Gilbert - Totally WiredInterview | Electronic Soundmaker, Jan 1985A chat with art-punk godfather Bruce Gilbert, a founder member of left-field collaboration Wire. The man reveals a low-tech approach to hi-tech gear... and a few trade secrets. |
Calum Malcolm - King Of The CastleInterview | Music Technology, Dec 1992Calum Malcolm: Going to Caledonia |
Chick Corea - Corea ManInterview | Music Technology, Aug 1990Chick Corea has helped pioneer the use of electronic instruments in jazz music - now 49 LPs down the line, he believes there's still more ground to cover. Scott Wilkinson talks to a musical legend. |
Daniel Lanois - Creating ChaosInterview | Music Technology, Oct 1987Currently enjoying the success of U2's 'The Joshua Tree' album, this French-Canadian producer talks to Paul Tingen about his hand in this, Peter Gabriel's 'So' and other projects. |
Douglas Adams - The Hitch-Hiker's Guide To The MacintoshInterview | Electronics & Music Maker, Jul 1986Tech TalkMatthew Vosburgh takes a conducted tour around software for the Apple Macintosh with the author of The Hitchhikers Guide to the Galaxy. |
Douglas Adams - The Holistic AuthorInterview | Sound On Sound, Jul 1987Would you believe that the author of the mega-successful 'Hitch-Hiker's Guide To The Galaxy' is a fanatical devotee of the Macintosh computer and a MIDI enthusiast to boot? Richard Elen listens as the man tells why... |
Gary Chang - The Big ScreenInterview | Music Technology, Dec 1989While many of us dream of a career writing music for films, a select few are actually doing it. Lawrence UlIman talks to Gary Chang, a resident Hollywood scorewriter. |
Graeme Miller - A Sense Of ScaleInterview | Music Technology, Dec 1987An English playwrite talks to Nicholas Rowland about the lure of electronic sampling techniques; the sounds of the theatre come of age. |
Guy Fletcher - Keyboards With Dire StraitsInterview | Sound On Sound, Sep 1986Although still very young, keyboard player Guy Fletcher has a long list of album/single credits already under his belt for such artists as Bryan Ferry, Roxy Music, Tina Turner, Mick Jagger and Dire Straits. Paul Gilby finds out how Guy landed such plum roles and learns more about the way Dire Straits make use of music technology in their recording. |